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Style Analysis

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Title: Style Analysis


1
Style Analysis
  • Diction

2
Definition Diction
  • All of the following terms are used
    interchangeably and all mean the authors word
    choice
  • Diction
  • Language
  • Figurative Language
  • Figures of Speech

3
AP HINT
  • Word choice is the most powerful element of style
    for you to understand. If the directions in the
    prompt do not give you any specific techniques
    to analyze, always address diction---you wont be
    wrong.

4
Word Choice
  • Many words in our language have strong
    connotations, and authors use them on purpose to
    elicit certain responses from the reader.

5
Denotation
  • This means the literal, dictionary definition of
    a word.
  • Example Plump and Obese
  • Both of these words share the same definition.
    (these are synonyms)

6
Connotation
  • The implied or suggested meaning attached to a
    word, the emotional tag that goes along with a
    word.

7
Example Connotation
  • The word plump has the connotation of being
    pleasantly fat, almost cutely overweight. Its
    connotation describes women more often than men.
    It is this extra emotional feeling that shows
    how we use the word.

8
Example Connotation
  • The word obese, often used by medical personnel,
    has a more technical connotation. It carries a
    less emotional, more scientific emotional tag.
    Both plump and obese have the same literal
    definition, but the connotations are different.

9
Connotation
  • Connotation is important because it shows
    differences between synonyms and illustrates ways
    in which we use a word.

10
Example Strong Connotative Diction
  • The boy surveyed the class, congratulating
    himself for snatching the highest grade on the
    test.

11
Process
  • Once you identify an authors diction, you must
    analyze it. This means that you write commentary
    about it. You must discuss the connotation of
    the word or phrase to do a good job of diction
    analysis.

12
Diction Analysis
  • Word
  • Surveyed
  • Connotation
  • Conveys the idea of someone looking around as
    if he were a king gazing down on lesser beings.

13
Your Turn
  • Word
  • snatching
  • Connotation

14
General Idea
  • So far, you have covered the general idea behind
    diction analysis. The next step is to practice
    identifying diction samples in an actual passage.

15
The Diction Paragraph
  • To write a topic sentence for the diction
    paragraph, you would include the word diction and
    give a focus for the paragraph.
  • Sample The authors diction heightens the power
    and force behind the snake as it responds to the
    man, first placidly, then aggressively.

16
Style and Situation
  • If you are the type of person who likes definite
    answers, style can be a rather baffling concept.
  • How do you know whether particular words,
    sentences, or figures of speech are a good
    choice?
  • The answer is always the same
  • It Depends

17
Style and Situation
  • What does it depend on.or Upon what does it
    depend? (which one will you write?)
  • The answer is that whether a particular word,
    phrase, sentence, or figure of speech is right
    depends on the particular writing situation, or
    situational appropriateness.

18
Style and Situation
  • Consider the situation where you might be
    required to write an analytical paper for a
    history class
  • The need to write comes from the inquiry you are
    engaged in.
  • You, the historian, are the writer.
  • You may think that the audience for your paper is
    only the teacher, but

19
Style and Jargon
  • Specialized vocabularies that readers expect to
    encounter in the discourse communitys documents
    an that writers new to the community are expected
    to know and use.
  • Jargon is not a bad thing when used correctly
  • Dont use big words with no good reason When my
    cat expired, I waxed lachrymose. Simplify!
  • Dont try to use jargon if you arent sure what
    the terms mean (dont name a trope or scheme if
    you arent surebetter to describe the passage
    instead.

20
What about You and I?
  • Is it okay to use first-person, second-person,
    and contractions?
  • The answer depends on the situation.
  • For most academic papers, the use of first-person
    is not appropriate.
  • In most academic papers it is also not
    appropriate to refer directly to the reader as
    you.

21
What about You and I?
  • For most academic papers, the use of first-person
    is not appropriate because the focus in this kind
    of writing is on the subject rather than on the
    person writing about the subject. Also, it is not
    appropriate of writers to refer directly to their
    readers as you.
  • However, if the situation calls for the writer to
    offer a personal response, it would be
    inappropriate to NOT write in first person.
  • Similarly, if the situation calls for an open
    letter on a controversial issue to congressional
    reps working on legislation to address it, then
    it would be nearly impossible for the writer to
    produce a successful letter that did not refer to
    the representatives directly as you.

22
Why cant I use Contractions?
  • You CAN, if it is appropriate for the writing
    situation. In most formal, academic papers, and
    in business-oriented letters and reports, writers
    generally avoid contractions.
  • In informal papers and personal letters, writers
    should feel free to use the same kind of words
    they would use if they were speaking their
    audience face to face.
  • Use a contraction based on your intention as a
    writer and your relationship to the reader.

23
Style and Passive Voice
  • Active Voice
  • Doer Action Receiver
  • The lab technician filtered the solution.
  • Passive Voice
  • Receiver Action By Doer
  • The solution was filtered by the lab technician.
  • What are three differences between active and
    passive voice?
  • But should you ever use passive voice?
  • Avoiding passive voice entirely is hard. In fact,
    it cant be done. (notice the passive voice
    here).

24
Sentences, Words, Figures
  • Three broad categories of style help writers to
    analyze the style of a text and to make their own
    stylistic choices. Every choice we make
    potentially affects the meaning of a composition.
  • Sentences Grammatical type, placement of
    details, variety
  • Words Level of elaborateness and formality,
    difficulty, technicality
  • Figures Schemes and tropes, figurative language

25
Sentences
  • Sentences can be classified in many ways, and
    its helpful to consider the potential effect a
    particular type of sentence might have on a
    reader in a certain situation.
  • Simple Sentence
  • Has a single independent clause.
  • Abraham Lincoln struggled to save the Union.
  • Within its single clause, a simple sentence can
    have a compound subject, and compound verb, or
    both.
  • Abraham Lincoln and Andrew Johnson struggled to
    save the Union.
  • Abraham Lincoln struggled to save the Union and
    persevered.

26
Sentences
  • Compound Sentence
  • Has two clauses, each of which could exist as a
    simple sentence if you removed the conjunction
    connecting them.
  • Abraham Lincoln struggled to save the Union, and
    Andrew Johnson assisted him.
  • Abraham Lincoln and Andrew Johnson struggled to
    save the Union and persevered, but the leaders of
    the Confederacy insisted that the rights of the
    states were more important than the maintenance
    of the Union.
  • Complex Sentence
  • Has two clauses, one independent and at least one
    subordinate to the main clause.
  • When the leaders of the Confederacy insisted that
    the rights of the states were more important than
    the maintenance of the Union, Abraham Lincoln and
    Andrew Johnson struggled to save the Union and
    persevered.

27
Sentences
  • Compound-complex
  • Has the defining features of both a compound
    sentence and a complex sentence.
  • When the leaders of the Confederacy insisted that
    the rights of the states were more important than
    the maintenance of the Union, Abraham Lincoln
    struggled to save the Union and persevered, and
    Andrew Johnson assisted him.
  • Why should you be concerned with whether a
    sentence is simple, compound, complex, or
    compound-complex when you are analyzing someone
    elses writing or planning your own?

28
Sentences
  • Function grows out of form.
  • When you need to make a succinct point, often a
    short, simple sentence will do so effectively. A
    short, simple sentence can suggest to a reader
    that you are in control, that you want to make a
    strong point.
  • Why might you use a compound sentence in your
    writing?
  • If you are trying to show how ideas are balanced
    and related in terms of equal importance, a
    compound sentence can convey that to the reader.
  • Several compound sentences in a row can tell the
    reader that you are the kind of person who takes
    a balanced view of challenging issues.

29
Sentences
  • If you want to show more complicated
    relationships between ideas, then complex and
    compound-complex sentences can communicate the
    intricacies of your thinking.

30
Sentences
  • A second method of analyzing sentences looks at
    them in terms of another important structural
    distinction Loose sentences or Periodic
    Sentences.
  • Sentences vary along the loose-periodic continuum
    according to how they incorporate extra details
    in relation to basic sentence elements.
  • Here is a sentence with just two basic elements
  • Abraham Lincoln wept.
  • A loose sentence is a basic sentence with details
    added immediately at the end of the basic
    sentence elements.

31
Sentences
  • Loose sentence
  • Abraham Lincoln wept, fearing that the Union
    would not survive if the southern states seceded.
  • Abraham Lincoln wept (basic elements), fearing
    that the Union would not survive if the southern
    states seceded (added details).

32
Sentences
  • Periodic Sentence A sentence in which additional
    details are placed in one of two positions,
    either before the basic sentence elements or in
    the middle of them.
  • Period sentence in which details are placed
    before the basic sentence elements
  • Alone in his study, lost in somber thoughts about
    his beloved country, dejected but not broken in
    spirit, Abraham Lincoln wept.

33
Sentences
  • Here is a periodic sentence that results from
    placing additional material in the middle fo the
    basic sentence elements
  • Abraham Lincoln, alone in his study, lost in
    somber thoughts about his beloved country,
    dejected but not broken in spirit, wept.

34
Sentences
  • You can achieve sentence variety by writing
    sentences that move along a loose-periodic
    continuum.
  • This sentence tends towards which one? Loose or
    Periodic?
  • Abraham Lincoln considered the Union an
    inviolable, almost eternally inspired, concept.
  • This one tends towards loose.

35
Sentences
  • You can achieve sentence variety by writing
    sentences that move along a loose-periodic
    continuum.
  • This sentence tends towards which one? Loose or
    Periodic?
  • Abraham Lincoln, a self-taught philosopher, a
    political scientist even before there was such a
    field, considered the Union an inviolable, almost
    eternally inspired, concept.
  • This one tends towards periodic. Details are in
    the middle of the basic elements.

36
Sentences
  • Writers use loose and periodic sentences to
    effect changes in meaning. Readers use them to
    understand meaning more clearly. Recognizing and
    creating loose and periodic sentences enable the
    reader and the writer to make wise decisions
    about varying sentence structure for emphasis.
  • The structure of the sentence also affects the
    pacing of a text. A loose sentence moves quickly,
    and a periodic sentence works with delay.

37
Which is is Loose or Periodic? Read the sentence
from Booker T. Washingtons Up From Slavery.
  • In order to defend and protect the women and
    children who were left on the plantation when the
    white males went to war, the slaves would lay
    down their lives.
  • Periodic
  • Rewrite this sentence in a couple ways, making it
    more loose and more periodic. How do the changes
    affect the tone, purpose, and the ethos of the
    speaker?
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