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TWENTIETH CENTURY PHILOSOPHY: Intellectual Heroes and Key Themes

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Title: TWENTIETH CENTURY PHILOSOPHY: Intellectual Heroes and Key Themes


1
TWENTIETH CENTURY PHILOSOPHY Intellectual
Heroes and Key Themes

2
LECTURES
  1. The pariah as rebel.
  2. The hope of the hopeless.
  3. Message in a bottle.
  4. Absolute free.
  5. Human flourishing.
  6. Genealogy as critique.

3
IV. ABSOLUTE FREE
4
  • PHENOMENOLOGY
  • Is there an adequate philosophical method?
  • BAD FAITH AND THE GAZE
  • What does individual freedom mean for others?
  • EXISTENTIALISM AND MARXISM
  • How to conceive the relation between agency and
    structure?

5
1. PHENOMENOLOGY
6
JEAN-PAUL SARTRE
  • BIOGRAPHICAL DATA
  • 1905 Born June 21, in Paris.
  • 1907 Death of his father.
  • 1915-1922 Secondary school.
  • 1924-1928 Studies philosophy at the École
    Normale Supérieure in Paris where he meets Simone
    de Beauvoir.
  • 1931-1933 Teacher at a secondary school in Le
    Havre.
  • 1933-1934 Scholarship to study in Berlin.
  • 1934-1936 Again teacher at a secondary school in
    Le Havre.
  • 1936-1937 Teacher at a secondary school in Laon.
  • 1937-1939 Teacher at a secondary school in
    Paris.
  • 1940-1941 Prisoner of war.
  • 1942-1944 Joins the Paris Resistance Movement.
  • 1952-1956 Sympathizes with communism and
    criticizes it.
  • 1958-1962 Sets his face against the War on
    Algeria.
  • 1964 Refuses to get the Noble prize for
    literature.
  • 1968 Supports the student movement and sets his
    face against the Vietnam war.
  • 1970 Becomes almost totally blind and cooperates
    with Pierre Victor.
  • 1980 Died April 15, in Paris.

7
MAJOR WORKS
  • La nausé (1938).
  • Le mur (1939).
  • Esquise dune théorie des émotions (1939).
  • Lêtre et le néant (1943).
  • Huis clos (1944).
  • Les chemins de la liberté (1945-1949).
  • Lexistentialisme est un humanisme (1946).
  • Situations (1947 etc.).
  • Les mains sales (1948).
  • Saint Genet, comédien et martyr (1952).
  • Questions de méthode (1957).
  • Critique de la raison dialectique (1960).
  • Les mots (1964).
  • Lidiot de la familie (1971-1972).

8
HEURISTIC VALUE
  1. Psychology (Pontalis amongst others).
  2. Cinematography (Allen amongst others).
  3. Sociology (Goffman amongst others).
  4. Feminism (Beauvoir amongst others)
  5. Literature (Camus amongst others).
  6. Philosophy (Lévi amongst others).
  7. Fine Arts (Giacometti amongst others).

9
ENGAGEMENT
  • Sartre was THE intellectual of the 20th century
    he was the embodiment of political engagement.
  • According to him an intellectual should leave his
    ivory tower its his responsibility to do that.
  • His political engagement was famous gt World War
    II Algerian War, Vietnam War, etc.
  • Sartre description of the intellectual
    (intellectuel engagé) gt someone who deals with
    issues that are not his concern.
  • Engagement does not only imply involvement (one
    is nolens volens inescapably engaged in the
    world), but also public deliberation about the
    political ends one freely chooses.

10
PHILOSOPHY AND LITERATURE
  • Sartre is the author of different kinds of texts
    philosophical works, screenplays, novels, plays,
    short stories, manifests, essays and
    (auto)biographies.
  • Outside of the academic world, he was mainly
    operating within three spheres philosophy,
    politics and literature.
  • Although his novels, short stories and plays are
    not merely illustrations of his philosophical
    theories, they circle around philosophical issues.

11
CARTESIAN TRADITION
  • The philosophy of Sartre belongs clearly to the
    cartesian tradition gt rationalism.
  • As in the work of Descartes consciousness is also
    a central concept in Sartres philosophy.
  • However, there especially three other
    philosophers that influenced Sartre
  • 1. Husserl.
  • 2 Heidegger.
  • 3. Hegel.

12
PHENOMENOLOGICAL METHOD
  • Husserl gt consciousness is not a thing, as in the
    work of Descartes (res cogitans gt a thinking
    thing), but a being-directed-to-something.
  • Intentionality gt consciousness is always
    consciousness of something.
  • Phenomenology gt the study of the phenomena that
    appear to the consciousness of an individual.
  • Phenomenon gt being as it appears.
  • Method gt Epoché.
  • Epoché gt putting into parentheses all ideas one
    has about the existence of the world in order to
    examine consciousness independently of the
    question of any worldly existence.
  • However, Sartres focus is on consciousness
    in-the-world.

13
THE TRANSCENDENTAL EGO
  • Husserl pressupposes a transcendental ego gt an
    I (ego) orders different activities of his
    consciousness without such an I there would be
    chaos.
  • Sartres La transcendance de légo gt Husserl
    doesnt take intentionality seriously, when he
    presupposes an ordering I within the
    consciousness.
  • According to Sartre the objects of ones
    consciousness create an order and not the I.
  • Because the I transcends consciousness its like
    the objects a thing.

14
TYPES OF CONSCIOUSNESS
  • Sartres I is based on the distinction between
    two types of consciousness
  • 1. Unreflective consciousness gt no knowledge
    but an implicit consciousness of being
    consciousness of an object (the pre-reflective
    cogito).
  • 2. Reflective consciousness gt the attempt of
    the consciousness to become its own object (the
    reflective cogito).
  • An I figures only with the reflective
    consciousness.

15
FUNDAMENTAL ONTOLOGY
  • For Sartre phenomenology should reflect on the
    concrete existence of human beings.
  • Heideggers analysis of das Dasein
    (being-there) inspired him.
  • Question what is the meaning of being-there as a
    conscious being?
  • Fundamental ontology is about the articulation of
    the difference between human and non-human
    beings.
  • A fundamental ontology should be based upon
    phenomenological descriptions.
  • For instance a phenomenological description of
    the absurdity of human existence, i.e. its
    unjustifiable contingency.
  • Nausea (nausée) gt the fundamental taste of the
    contingency and facticity of human being.

16
THE RELATION BETWEEN THE MASTER AND THE SLAVE
  • Hegel delivers Sartre the vocabulary to develop
    his own fundamental ontology.
  • Sartre translates two of the core concepts of
    Hegels philosophy
  • 1. An-sich gt en-soi (in-itself).
  • 2. Für-sich gt pour-soi (for-itself).
  • These concepts give him not only the opportunity
    to describe the differences between human and
    non-human beings, but also to describe the
    interaction between people in terms of the master
    and the slave.
  • To objectify other people means trying to make
    them to a kind of slave.

17
2. BAD FAITH AND THE GAZE
18
A DUALISTIC ONTOLOGY
  • The core of Lêtre et le néant is a distinction
    between two kinds of being the in-self (en-soi)
    and the for-itself (pour-soi).
  • Being-in-itself (être-en-soi) gt the
    non-conscious being that is as it is.
  • Being-for-itself (être-pour-soi) gt the nihilation
    of being-in-itself the consciousness conceived
    as a lack of being or the desire of being.
  • The nihilation is based upon the capacity to
    nihilate (néantir) gt the creation of a
    nothingness by the consciousness between the
    consciousness and its object.
  • The for-itself creates a hole (trou) in the
    in-itself.

19
SARTRES DUALISM
IN-ITSELF FOR-ITSELF
It coincides with itself It never coincides with itself
It is only what it is It is walking ahead
It is something, because it has a substance It is nothing (néant), because it is not a thing (the empty consciousness).
20
MEGALOMANIAC
  • The title of Sartres major philosophical work -
    Lêtre et le néant is the most megalomaniac in
    the history of philosophy.
  • A book about Being and nothingness is
    all-embracing.
  • Being (être) encompasses being-in-itself and
    being-for-itself.
  • Nothingness (néant) doesnt have being, but is
    supported by it due to the for-itself it comes
    into the world.

21
FREEDOM
  • The characterization of the for-itself underlies
    Sartres concept of freedom.
  • Due to the for-itself the human being can
    transcend everything.
  • The human being is condemned to be absolute free.
  • Even during World War II a Dutch or British
    citizen was free, because it has the choice to
    collaborate with the Germans or resist them.
  • Because of this freedom of choice agents are
    responsible for their actions.

22
BAD FAITH
  • Against the background of his ideas about freedom
    Sartre discusses the value of authenticity
    (authenticité).
  • Being not authentic or insincere gt bad faith
    (mauvaise foi).
  • Bad faith gt an individual that lies to itself it
    denies in fact its freedom.
  • Through bad faith an individual seeks to escape
    its absolute freedom.
  • Bad faith gt a vacillation between facticity and
    transcendence.

23
EXISTENCE AND ESSENCE
  • Sartre argues that existence precedes essence
    (existence précède l'essence).
  • Herewith he criticizes traditional philosophy
    that declares essence as more fundamental.
  • Existence gt the concrete individual here and now
    standing out from itself (being in ecstasies).
  • Essence gt what has been made by individuals.
  • Through the pour-soi people can transcend the
    essence.
  • Simone de Beauvoir argues in this line One is
    not born a woman, but becomes one".

24
BEING-FOR OTHERS
  • Besides the being-in-itself (être-en-soi) and the
    being-for-itself (être-pour-soi) Sartre also
    talks about the being-for-others
    (être-pour-autrui).
  • The being-for-others gt the self that is an object
    for others.
  • This implies a perpetual conflict, because people
    cant reduced to an object.
  • Nevertheless the for-itself wants to make out of
    the other for-itself an in-itself.
  • This will lead to a fiasco (echec), because this
    is impossible.

25
BEING OBJECTIFIED
  • It is especially due to the gaze that an
    individual experiences the existence of others.
  • The gaze triggers the experience of being
    objectified by someone else, becoming some-thing.
  • At the same time one becomes aware that the other
    is a subject.
  • Shame is an emotion that often results from being
    objectified in an embarrassing situation.
  • For instance, when an individual becomes aware
    that another person sees that he is looking as a
    voyeur through a keyhole.
  • Such an embarrassing situation makes the
    individual conscious about the existence of the
    other.

26
3. EXISTENTIALISM AND MARXISM
27
AGENCY AND STRUCTURE
  • Sartre tries to deal with a classical issue the
    agency-structure problem.
  • Central question how to reconcile the freedom of
    the individual an its facticity?
  • In other words, how to bridge the gap between
    existentialism and Marxism?
  • Existentialism gt emphasizes the freedom of the
    individual, i.e. its agency.
  • Marxism gt emphasizes the socio-economic
    structures that limit the freedom of the
    individual.

28
HISTORICAL MARXISM
  • Sartre wants to rescue Marxism from lazy
    dogmatism.
  • Dogmatism implies a kind of reductionism gt to
    reduce all individual behaviour to socio-economic
    inequalities, i.e. class relations.
  • From a political perspective Sartre defends a
    kind of libertarian socialism.
  • Marxists have to figure out the constraints of a
    specific historical situation.

29
DIALECTICAL REASON
  • The aim of Critique de la raison dialectique is
    to use a Hegelian dialectic to integrate the idea
    of individual responsibility in a Marxist
    analysis of class relations.
  • Sartre developed a progressive-regressive method.
  • This method encompasses
  • 1. A regressive analysis of static
    socio-economic structures.
  • 2. A progressive analysis of the active
    permutation of these structures by the actions
    of individuals and groups.

30
THE PRACTICO-INERT
  • Practice (praxis) gt the actions of individuals
    that transcend the given constraints.
  • The practico-inert (practico-inerte) gt the
    results of practice that become constraints for
    individuals, i.e. the sedimentation of their
    previous actions.
  • Point of departure of any practice gt deficiency
    (manque), scarcity (rareté) and need (besoin).
  • The mediating third (tiers régulateur) gt being an
    individual in a group that is involved in a
    struggle of recognition.
  • Sartre denies the possibility of a dyad of an
    individual and a group gt although they stay
    outsiders to each other they can become a
    mediating third.

31
SOLIDARITY
  • Sartre makes a distinction between collectives
    and groups.
  • Collectives gt individuals who are gathered and
    miss the unity for mutual recognition and
    collective action.
  • Threatening circumstances can trigger the
    transformation of collectives into groups.
  • This can be the basis of solidarity.

32
GROUP STRUGGLE
  • Sartre argues that group struggle is the driving
    force in human history.
  • Basic ontological distinction
  • 1. Individual praxis the actions of
    individuals.
  • 2. Group praxis the actions of groups.
  • Although a group can be characterized by a
    collective intentionality it is not an organism.
  • Individuals are organisms that can create a
    group.
  • Types of groups fusing groups, fledge groups,
    organizations and institutions.

33
FLAUBERT
  • Lidiot de la familie consists of several volumes
    about the life and times of the French novelist
    Gustave Flaubert from a existentialist-marxist
    perspective.
  • He applies his progressive-regressive method.
  • Sartre tries to reconstruct how Flaubert
    incarnates (i.e. internalizes) the major events
    and values of his time and gives expression to
    it.
  • He is again dealing with the agency-structure
    problem.

34
RECOMMENDED
  • Jean-Paul Sartre, Les Mots translations in
    several languages.
  • Jean-Paul Sartre, Lêtre et le néant
    translations in several languages.
  • Annie Cohen-Solal, Sartre, 1905-1980
    translations in several languages.
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