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Suggestopedia (1980s-1990s)

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Title: Suggestopedia (1980s-1990s)


1
Suggestopedia (1980s-1990s)
2
A short introduction
  • stimulates the whole person
  • undoes blocks
  • goes rapidly forward
  • gives creative solutions
  • encourages relaxation
  • strengthens self-image
  • talks to all the senses
  • optimizes learning

3
A short introduction
  • propagates talent
  • enhances learning
  • dramatizes material
  • includes pictures, music and movement
  • addresses the whole person

4
Background
  • Suggestopedia or Multi-Level Learning
  • An educational method developed by Bulgarian
    scientist Georgi Lozanov and based on a modern
    understanding of how the human brain works and
    how we learn most effectively.
  • It was originally applied mainly in foreign
    language teaching
  • It is often claimed that it can teach languages
    approximately three times as quickly as
    conventional methods.

5
Background
  • It improves physical health, and bring
    substantial benefits in personality and
    motivation (research from Finland).
  • It can also effect radical changes in the way
    people approach creative thinking, problems and
    conflict.

6
Key Elements of Suggestopedia
  • A rich sensory learning environment (pictures,
    colour, music, etc.)
  • A positive expectation of success and the use of
    a varied range of methods dramatized texts,
    music, active participation in songs and games,
    etc.

7
Four main stages
  • 1. Presentation
  • 2. First ConcertActive Concert
  • 3. Second ConcertPassive Review
  • 4. Practice

8
Presentation
  • A preparatory stage in which students are helped
    to relax and move into a positive frame of mind,
    with the feeling that the learning is going to be
    easy and fun.

9
First ConcertActive Concert
  • This involves the active presentation of the
    material to be learnt. For example, in a foreign
    language course there might be the dramatic
    reading of a piece of text, accompanied by
    classical music.

10
Second ConcertPassive Review
  • The students are now invited to relax and listen
    to some Baroque music, with the text being read
    very quietly in the background. The music is
    specially selected to bring the students into the
    optimum mental state for the effortless
    acquisition of the material.

11
Practice
  • The use of a range of games, puzzles, etc. to
    review and consolidate the learning.

12
Function of music
  • Gaston (1968) claimed that music can
  • (1) facilitate the establishment and maintenance
    of personal relations
  • (2) to bring about Increased self-esteem through
    increased self-satisfaction in musical
    performance and
  • (3) to use the unique potential of rhythm to
    energize and bring order.

13
Function of music
  • He use music to relax learners, to structure, to
    pace and to punctuate the presentation of
    linguistic materials.

14
Approach
15
Theory of Language
  • Lozanov (1978) assumes that the only major
    linguistic problems in the language classroom are
    memorization and integration.
  • If the students remember the words and patterns
    of the language and integrate them into their
    personalities, the students have acquired the
    language and the teacher has done all that needs
    to be done.

16
Theory of Language
  • The emphasis on memorization of vocabulary
    pairsa target language item and its native
    language translationsuggests a view of language
    in which lexis is central and lexical translation
    rather than contextualization is stressed.
  • Lozanov emphasizes the importance of experiencing
    language material in whole meaningful texts
    (Lozanov 1978 268) and notes that the
    suggestopedia course directs "the student not to
    vocabulary memorization and acquiring

17
Theory of Language
  • habits of speech, but to acts of communication"
    (Lozanov 1978 109). Lozanov refers most often to
    the language to be learned as "the material."

18
Theory of Learning
  • Suggestion is at the heart of Suggestopedia.
    Lozanov claims that his method is different from
    hypnosis and other forms of mind control because
    they lack a "desuggestive-suggestive sense" and
    "fail to create a constant set up to reserves
    through concentrative psycho-relaxation" (1978
    267). (Reserves are like human memory banks)
    There are six principal theoretical components
    through which desuggestion and suggestion operate
    and that set up access to reserves.

19
Principles and Description
  • Authority People remember best and are most
    influenced by information coming from an
    authoritative source.
  • Infantilization In the child's role that learner
    takes part in role playing, games, songs, and
    gymnastic exercises that help "the older student
    regain the self-confidence, spontaneity and
    receptivity of the child.

20
Principles and Description
  • Double-Planedness The learner learns not only
    from the effect of direct instruction but from
    the environment in which the instruction takes
    place. (the bright decor of the classroom, the
    musical background, the shape of the chairs, and
    the personality of the teacher are considered as
    important in instruction as the form of the
    instructional material itself.

21
Principles and Description
  • Intonation, Rhythm, and Concert
    Pseudo-Passiveness
  • Varying the tone and rhythm of presented material
    helps both to avoid boredom through monotony of
    repetition and to dramatize, emotionalize, and
    give meaning to linguistic material.The musical
    background helps to induce a relaxed attitude
    which Lozanov refers to as concert
    pseudo-passiveness.

22
Principles and Description
  • The type of music is critical to learning
    success. At the institute Lozanov recommends a
    series of slow movements (sixty beats a minute)
    in 4/4 time for Baroque concertos strung together
    into about a half-hour-concert.' He notes that
    in such concerts "the body relaxed, the mind
    became alert" (Ostrander et al. 1 979 74).The
    rate of presentation of material to be learned
    within the rhythmic pattern is keyed to the
    rhythm. Superlearning uses an eight-second cycle
    for

23
Principles and Description
  • pacing out data at slow intervals.Supporters
    reflect that "the minute is divided into sixty
    seconds and that perhaps there's more to this
    than just an arbitrary division of time."

24
Design
25
Objectives
  • Through the use of background music and
    softly-spoken information students will absorb
    information at a much higher rate than is
    otherwise possible.
  • Students will experience the sensation of
    controlled relaxation.
  • Attentiveness is manipulated to optimise learning
    and recall.

26
Learning Objectives
  • Left and right brain integration will be enhanced
    through the power of suggestion, music,
    relaxation, deep breathing, metaphors and guided
    imagery.
  • Self-image will be improved.
  • The students will have a positive attitude
    towards learning.
  • Suggestopedia aims to deliver advanced
    conversational proficiency quickly. Teachers
    place a high value on vocabulary recall,
    memorization

27
Learning Objectives
  • of vocabulary pairs continues to be seen as an
    important goal of the suggestopedic method.
  • To memorize large amounts of target language
    vocabulary.
  • To be able to understand target language at the
    appropriate level through the teacher's
    presentation of the language material (gestures
    and intonation.)

28
Language Objectives
  • To be able to translate target language
    vocabulary into ones native language.
  • To be able to gain meaning in the written form of
    the target language.
  • To be able to communicate confidently in the
    target language (at the designated level.)
  • To be able to apply the language in useful,
    'real-life' settings.

29
The syllabus
  • A Suggestopedia course lasts thirty days and
    consists of ten units of study, classes are held
    four hours a day, six days a week.
  • The central focus of each unit is a dialogue
    consisting of 1,200 words or so, with an
    accompanying vocabulary list and grammatical
    commentary. The dialogues are graded by lexis and
    grammar.

30
The syllabus
  • Students are given a new name in the second
    language and a new biography in the second
    culture with which they are to operate for the
    duration of the course.
  • Written tests are also given throughout the
    course, and the performance are reviewed on the
    final day of the course.

31
Types of learning and teaching activities
  • Activities in the syllabus include imitation,
    question and answer, and role playnot activities
    "that other language teachers would consider to
    be out of the ordinary" (Stevick 1976 157).
  • Activities more original to Suggestopedia are the
    listening activities, which concern the text and
    text vocabulary of each unittypically part of
    the "pre-session phase," which takes place on the
    first day of a new unit.

32
Types of learning and teaching activities
  • The students first look at and discuss a new text
    with the teacher. In the second reading, students
    relax comfortably in reclining chairs and listen
    to the teacher read the text in a certain way.

33
Learner Roles (Relaxer, True-Believer)
  • Students volunteer for a suggestopedic course,
    but having volunteered, they are expected to be
    committed to the class and its activities.
  • Students are expected to tolerate and in fact
    encourage their own infantilization.
  • Groups of learners are ideally socially
    homogeneous, 12 in number, and divided equally
    between men and women.
  • Learners sit in a circle, which encourages
    face-to-face exchange and activity participation.

34
Teacher Roles (Auto-hypnotist,Authority Figure)
  • To create situations in which learners are most
    suggestible and then to present linguistic
    material in a way most likely to encourage
    positive reception and retention by learners.
  • Lozanov lists several expected teacher behaviors
    as follows
  • 1. Show absolute confidence in the method.
  • 2. Display fastidious conduct in manners and
    dress.
  • 3. Organize properly, and strictly observe the
    initial stages of the teaching processthis
    includes

35
Teacher roles
  • choice and play of music, as well as punctuality.
  • 4. Maintain a solemn attitude towards the
    session.
  • 5. Give tests and respond tactfully to poor
    papers (if any).
  • 6. Stress global rather than analytical attitudes
    towards material.
  • 7. Maintain a modest enthusiasm.

36
The role of instructional materials
  • Materials consist of direct support materials,
    primarily text and tape, and indirect support
    materials, including classroom fixtures and
    music.

37
Procedure
  • As with other methods we have examined, there are
    variants both historical and individual in the
    actual conduct of Suggestopedia classes.

38
Suggestopedia apprentices uses the Learning
Hypothesis
  • I will learn because I was accepted
  • I am now a native speaker, I can speak and
    understand the language
  • I learned the text during the concert session, I
    know the language.
  • The material is getting easier, I must be
    learning.
  • I have successfully graduated from a language
    course, I can use the language.

39
Drawbacks
  • Teachers following Lozanov's suggestopaedic
    methods need to be skilled in singing, acting and
    psychotherapeutic techniques.
  • Not much authentic material (potentially).

40
Conclusion
  • Suggestopedia also received a scathing review in
    the TESOL Quarterly, a journal of somewhat more
    restricted circulation than Parade (Scovel 1979).
  • Scovel takes special issue with Lozanov's use
    (and misuse) of scholarly citations,
    terminological jargon, and experimental data and
    states that a careful reading of Suggestology
    and Outlines of Suggestopedy reveals that there
    is precious little in suggestology which is
    scientific" (1979 257).

41
Why Suggestion
  • The teacher uses both verbal and non-verbal ways
    to communicate the learning hypothesis (X) I am
    doing this, so (Y) I am learning the language
    (X) I did, so (Y) I can use the language. This is
    a necessary and continuous part of suggestopedic
    teaching.

42
Why Desuggestion
  • Suggestopedia sees the negative suggestions (Oh,
    it is too late for me, I am too old, or How can
    I remember that amount? Nobody can!) from the
    social-suggestive norm as inhibiting human
    potential and believes teachers can free their
    students natural potential by replacing existing
  • Desuggestopedia (the name of this method changed
    from Suggestopedia to Desuggestopedia to
    emphasize the importance on desuggesting
    limitations on learning),

43
Why Desuggestion-Suggestion
  • Negative suggestions with positive suggestions.
    This is called the desuggestive-suggestive
    process (Lozanov, 1978, pp. 252-258).

44
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