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Riddles

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Riddles One of the earliest forms Of Interactive Story Early comparisons Game, Story, Novel, Puzzle Poetry (Novak 1991) Interactive Fiction is computer gaming s ... – PowerPoint PPT presentation

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Title: Riddles


1
Riddles
  • One of the earliest forms
  • Of Interactive Story

2
Early comparisons
  • Game, Story, Novel, Puzzle
  • Poetry (Novak 1991)
  • Interactive Fiction is computer gamings best
    parallel with poetry complex, subtle, and these
    days, absolutely unsaleable (Guest 2002)

3
Riddle
  • Ancient
  • Dismissed as being a diversion for children.
  • Riddle is often considered poetry (Riddle is a
    short lyric poem that poses a question, the
    answer to which lies hidden in hints Turco 1986)

4
Riddle
  • Poses a question
  • Answered by reader or listener or riddlee.
  • Folk riddles A riddle is a traditional verbal
    expression which contains one or more descriptive
    elements, a pair of which may be in opposition.

5
Riddle
  • Covered with eyes, but it cant see.
  • I tremble at each breath of air and yet can
    heaviest burdens bear

6
Joke
  • How many Freshmen does it take to screw in a
    lightbulb?
  • Response format, not a riddle since they do not
    describe something that is genuinely to be
    guessed, but rather provide the set up for a
    punch line.

7
Other non-riddles
  • Whats that thing on top of the engine that
    controls the mix of fuel and air?
  • Simply asking for a term, not offered to be
    guessed but rather in the hopes of learning the
    answer.

8
Other non-riddles
  • Mathematical problems.
  • Situational puzzle
  • A man walks into a bar and asks for a drink. The
    bartender pulls out a gun and points it at him.
    The man says, Thank you and walks out.
  • Yes or no questions to figure out why it works

9
Riddles
  • Meant to challenge the listener but to be
    soluble, rather than those meant to be insoluble
    or those not intended to challenge.
  • Excellent riddles have to be both enjoyably
    challenging yet soluble with the information
    provided.

10
Riddles
  • The unique quality of the riddle as communication
    is that it engages the attention of the riddlee
    in particular ways and contains a test for its
    success. Both parties must be engaged.

11
Mystery novels
  • Like a riddle but reader doesnt explicitly need
    to solve the mystery
  • Ridlee needs to turn the unknown and unfamiliar
    into the familiar in order to know the answer.

12
Excellence
  • Must have some agreement between riddler and
    riddlee.
  • Author is obliged to pose a riddle that is
    tantillizing in its opacity, yet fair in the
    clues it provides.
  • Riddlee is obliged to solve the riddle, to
    announce the solution and explain the
    riddle-question and how each of the clues operate.

13
Arrangement
  • Aristotles Rhetoric
  • Pattern of Surprise
  • Then delay
  • Then excited recognition

14
Early riddles
  • As old as time, before writing.
  • Early surviving riddles from Babylon
  • Who becomes pregnant without conceiving, who
    becomes fat without eating?

15
History
  • Sacred texts contain riddles
  • Well-regarded in ancient Greece.
  • Legend says that Homer was confounded by a riddle
    and died of frustration.

16
History
  • Riddle of the Sphinx from Oedipus
  • What is that which has one voice and yet becomes
    four-footed and two-footed and three-footed?
  • 18th Century Riddles were very popular.
  • After that, riddles became more for kids than
    adults.

17
Poetry and Riddles
  • Principles by Howard Nemerov
  • A poem must seem very mysterious.
  • But it must have an answer (a meaning) which is
    precise, literal, and total that is,which
    accounts for every item in the poem.
  • It must remain very mysterious, or even become
    more so,when you know the answer.

18
Principles
  1. Invite the interactor to solve the riddle, by
    being enigmatic in a certain way or by presenting
    something to be solved that is alluring.
  2. Stimulate the curiosity.

19
Principles
  • 2. Provides for the economy of objects in the
    world. If there are red herrings, they must add
    to the meaning, even if otherwise extraneous.

20
Principles
  • 3. When the explicit mysteris of an interactive
    fiction are solved, a work that becomes more
    profoundly mysterious can be played again with
    interest even when the solution is known.

21
Examples
  • Where did Pilgrims land when they arrived in
    America?
  • When do elephants have 8 feet?
  • What gets wetter and wetter the more it dries?
  • You throw away the outside and cook the inside.
    Then you eat the outside and throw away the
    inside. What did you eat?

22
Examples
  • What goes up and down the stairs without moving?
  • What can you catch but not throw?
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