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KNOW HISTORY KNOW SELF

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He that does not look back to where he came from will never make it to his destination. - Jos Rizal Marcos Regime & Martial Law 1965 ... – PowerPoint PPT presentation

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Title: KNOW HISTORY KNOW SELF


1
KNOW HISTORYKNOW SELF
  • History
  • Memory
  • Perspective

2
Introduction
Module 3
Aurelio Agcaoili Coordinator, Professor of
Ilokano In Philippines
Felicia Flores M.Ed Candidate, Ford Fellow
Theresa Navarro MA, American Studies Museum
Studies
Rebecca Hirakami Teacher (4th Grade), Kalihi
Kai Elementary
3
Debrief HW
  • Resource Analysis
  • (1) key events, people and places mentioned
  • (2) historical perspective(s) presented
  • (3) media type
  • Discuss how does this resource contribute to
    your knowledge of Philippine history?

4
Overview
  • Perspectives Directions
  • Media Texts
  • Structure
  • Activities
  • 68 rarely to never integrate Philippine culture,
    history and issues into my teaching
  • Resources
  • 60 poor knowledge of Philippine history
  • Tools
  • 72 dont think critically about Philippine
    history
  • Goal Critical Connections
  • Per 2010 FAEI Survey responses

5
Looking Back, Moving Forward
Ang hindî marunong lumingón sa pinanggalingan ay
hindî makaráratíng sa paroroonan. He that does
not look back to where he came from will never
make it to his destination. - José Rizal
6
Agenda
  • INTRODUCTION
  • ROOTS
  • Activity New Beginnings
  • II. ROUTES
  • Activity Click, Clack, Moo
  • Tools ILEs Digital Natives
  • LUNCH
  • III. REFLECTIONS
  • Activity Bayani Break-Through
  • Lecture Aquino Now Then
  • Activity Biyuti Kayumanggi
  • CONCLUSION
  • Activity Balikbayan Capsule

Cover of The Forbidden Book The
Philippine-american War in Political
Cartoons (Tboli, 2004)
7
Objectives
  • By participating in this module, teachers will
    gain skill in
  • Describing the workings of Philippine issues
    (Concept/Content)
  • Interpreting Aural, Material, Visual Culture
    (Sensory-stimulation/knowledge-building)
  • Relating and narrating historical events
    (Storytelling/Praxis)

8
Standards Strategies
  • HCPS Standards (see FAEI website)
  • ELL Strategies
  • Informal Learning Environments (ILE)
  • Digital Natives
  • Concepts Diversity, Gender, Indigeniety,
    Philippines/World
  • Critical Praxis What, Why, How

9
Roots
  • I prefer mythology to history because history
    starts from the truth and goes towards lies and
    mythology starts from lies--fantasy-- and goes
    toward truth.
  • --Jean Cocteau
  • Keywords
  • History
  • Memory
  • Perspective
  • Myths Legends

Original Artwork by Ojay Tambio (2010)
10
Activity
  • New Beginnings (Middle School)
  • Instructions Imagine youre an ELL student
    tasked with presenting a popular myth or legend
    to your class. Find a creative way to tell this
    story without speaking or writing.

11
Break Songs of Yoyoy Villame
12
Routes
  • Ang kalagayan ng bansa sa isang panahon ay
    lumilikha ng natatanging kalipunan ng mga bayani.
  • The situation in a country at a particular time
    creates its own breed of heroes and heroines.
  • Teresa Magbanua
  • Key Words
  • Colonization
  • Resistance
  • Resilience
  • Revolution

Krista by Pablo Baen Santos (1984)
13
Resources
  • Book Title Click, Clack, Moo! Cows that Type
    (Reviewer  Akio)
  •     Have you ever wished you could see cows type?
    Well, in Click, Clack, Moo! There are cows that
    type! This book is funny because the cows want
    electric blankets, but Farmer Brown, the owner,
    takes out his typewriter and types back  NO
    WAY!!!     The cows and hens go on strike, but
    the cows make a deal  theyll turn in their
    typewriter for electric blankets.  They make the
    duck send the typewriter back, but the duck
    steals it.  You are going to have to read to see
    what happen next..    I would recommend this
    book because it is very funny and the pictures
    are very funny.  Who ever heard of cows that
    type!
  • Rating  Three Stars

14
ILE
  • Informal Learning Environment (ILE)
  • Edutainment
  • Case Study Diorama Experience at Ayala Museum
  • The nerve center among our people,
    particularly our youth (Ayala Foundation, 2004)

15
Critical ILE Engagement
  • Museum as a critical discursive space
  • Mindful encounter with the exhibition and its
    interpretation of content through appropriate
    context of production, perspective and politics

16
Lunch
  • LUNCH

17
Reflections
  • Beauty is how feel inside and it reflects in your
    eyes. It is not physical.
  • - Sophia Loren
  • Key words
  • B(i)yuti (Beauty)
  • Bayani (Hero)
  • Kayumanggi (Brown Skin)
  • Liberation

Original Artwork by Ojay Tambio (2010)
18
Activity
  • Bayani Break-through (Middle School)
  • Instructions Mobilize students digital
    resourcefulness to enhance textbook narratives.
    Consider where students might find resources for
    your assigned perspective.

19
25 years of Hidden History
  • Historical Tsismis
  • Last presidents Marcos, C. Aquino, Ramos, Erap,
    GMA, Noynoy Aquino
  • Politics Palimpsest Kinship, celebrity, church
  • U.S. dis/interest
  • Personal Anecdote Felicia Flores
  • Break - Bayan Ko

20
Activity
  • Byuti the Kayumanggi (Elemantary)
  • Instructions Explore concepts of beauty and
    diversity through a simple art walk. This
    activity can be adjusted by age group through
    varying levels of engagement. This can be even
    more integrated to lesson plan through themed
    images (historical figures, etc.)

21
Debrief
  • Closing Activity Balikbayan Time Capsule
  • What have you learned about Philippine history
    through this module? What were you surprised to
    learn? What were you surprised to know you
    already knew?
  • Why is it important to engage with Philippine
    history? In this digital age, why is it more
    important than ever to provide students with
    critical tools for learning history?
  • How can you apply activities, resources and tools
    from this module to your work with students? How
    can this knowledge help you better connect with
    your students?
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