Title: Agenda - Romanticism
1Agenda - Romanticism
- Grab the handouts off the front table, you will
return everything at the end of class except the
guided not sheet. - Opener Images
- Reading with Questions
- Lecture 3 slides on your own paper! The rest
will go on the guided sheet - Self-Portrait Project Explanation
- Exit Slip
2OpenerAre the following paintings Neoclassical
or Romantic? Why? Explain your answer.
2
1
3
31.
42.
53.
6KET Article Romanticism 1760-1870ONLY READ
THROUGH ROMANTIC!!
- 1. How did the Romantic period revolt against
the logic and reasons of Neo- Classicism? - 2. Did Neo-Classicism and the Romantic period
happen at completely different times? - 3. What were three examples of popular Romantic
subjects? - 4. What were some influences for the Romantic
period? - 5. What type of light did John Constable use to
paint his famous landscape? - 6. How did Goya portray the darker side of
life? - 7. What were romantic artistic preoccupied with?
- 8. How does sculpture become romantic during this
period? - 9. What were the characteristics of romantic
architecture? - 10. What new art form developed during this
period?
7- THE FIRST THREE SLIDES WILL BE ON YOUR OWN PAPER!
- THE GUIDED SHEET IS FOR THE OPENER, IMAGE STUDY,
AND EXIT SLIP !
8The Age of Romanticism
VISUAL ARTS
9Romanticism what is it?
- 1760-1870
- Reaction against the reason and stillness of
Classicism - Return to interest in nature and an appreciation
of freedom, emotional sentimentality, and
spontaneity. - Characterized by the five Is Imagination,
Intuition, Idealism, Inspiration, Individuality - A new interest in Medieval themes such as
Chivalry and the supernatural
10History - What is going on at this time?
- American and French Revolutions (1760s - 1790s)
wars of independence and rebellion - Industrial Revolution (1820) implementation of
new technologies as well as the development of
capital industries such as iron (steel), banking,
transportation (steam engine, and later the
trans-continental train), coal mining. - ? increase in life expectancy which made people
more optimistic - The Louisiana Purchase (1803) The
materialization of Manifest Destiny or the
American ideal of expanding and thriving from
coast to coast.
11Visual Arts of the Romantic Period
- Subjects inspire emotional responses, such as
awe and longing - Contemporary events used to create effect of
immediacy - There was still use of the Classical style in
depicting the human figure (French technique) - Artistic interest was in the use of
brushstrokes, light, and color to create drama.
12Eugène Delacroix
- 1798-1863
- Born near Paris, France.
- One of the leading Romantic artists of the time
and was beloved by France. - Studied in England, North Africa, Spain, and
Morocco but was commissioned primarily within
France. - Works can be described by expressive color in
paintings of war and tragedy.
13Video Option Available
- Last king of Assyria, orders the murder of his
family and court - members and the destruction of his possessions
when he - learns that he ultimately will face military
defeat. - Use of rich, vivid, warm colors and broad
brushstrokes.
Death of Sardanapalus Eugène Delacroix 1828
14John Constable
- 1776-1837
- Born in Suffolk, England.
- Famous for his Romantic landscape paintings
many of which portray scenes from or near his
hometown of Suffolk. - Although his landscapes were not an ideal or
Romantic depictions of nature, they were true to
life through his use of pure color and light. - Delacroix was very inspired by his work as were
the Impressionists of the later decades. - His philosophy on art Firstly, landscape
painting is scientific as well as poetic
secondly, the imagination cannot alone produce
art to bear comparison with reality and thirdly,
no great painter was ever self-taught.
15What was life like in England during this time?
- What is your personal reaction to this letter?
- Identify one sentence that causes this reaction.
16The Hay Wain John Constable
1821
17 The Hay Wain
- Painted by John Constable England
- This painting earned Constable popularity in
France. - The depiction of nature is Romantic through
Constables remarkable use of pure color (red on
the ox yellow and green used to highlight the
field etc). - Cleanliness of nature contrasts with the filth of
the city during the Industrial Revolution.
- Constables response to the Industrial
Revolution nature is glorified
18John Singleton Copley
http//www.nga.gov/feature/watson/watsonhome.shtm
- 1738 - 1815
- Born in Boston, Massachusetts
- Famous for painting portraits of middle to
upper-class clients - Copley was very successful in America studied
in England, France, Italy, and the Netherlands. - Dramatic style was influenced by painter and
close friend, Benjamin West. - Family eventually moved to England during the
peak of the Revolutionary War in America.
19Watson and the Shark John Singleton
Copley 1778
20 Watson and the Shark
- Painted by John Singleton Copley - America
- A range of emotions are depicted on the
individuals faces (fear, bravery, determination,
shock). - There is a sense of immediacy and action through
use of diagonal line and point-of-view (viewer is
in line with ocean and up close to sharks
mouth). - Watsons right leg was bitten off by the shark
and is cut off at the bottom with a trace of red
to signify blood.
- Story of a crew rescuing 14 year-old Brook
Watson from a shark attack off the coast of Cuba.
21Francisco Goya
Look for good Goya video clip
- 1746-1828
- Born in Aragón, Spain.
- He designed tapestries early in his career which
helped him become noticed by the Spanish monarchs
who then became his patrons. He was a court
painter at the peak of his career and painted
many portraits for nobles and royalty. - Beginning in 1792, during the French Revolution,
Goya went deaf and his works became very cynical.
In 1798, he created a series called Los Caprichos
which criticized Spanish monarchs, nobles, and
even the clergy for their foolishness. - Known for creating nightmarish visions exposing
the evil side of human nature.
22Is this the same man?
23(No Transcript)
24(No Transcript)
25(No Transcript)
26The Third of May 1808 Francisco
Goya 1814
27 The Third of May 1808
- Goya condemns unnecessary cruelty
- Symbolism
- - Reflective of Martyrdom Spanish civilians are
martyrs (Christ on the cross, stigmata on right
hand). - - Soldiers are close to their victims unhesitant
to fire their guns (Oath of Horatii) -
- Dramatic sense of light emitted from the lantern
that sits between the Spanish civilians and the
French soldiers in addition to the chiaroscuro
that adds dramaticism and depth of suspense. -
-
- Depicts French soldiers shooting Spanish
hostages after a Spanish revolt against
Napoleons regime
28Romantic Self-Portrait Homework
29Romantic Self-Portrait Homework
- Create a Romantic self-portrait
- To get full credit you must
- entire sheet of white computer paper
- All subject matter must be romantic
- (5 Is and Nature)
- Imagination, Intuition, Idealism, Inspiration,
Individuality - Must use color
- Due next class
- Look at the back of the room for examples
- 20 points each plus 20 for putting together at
the end of the unit. 100 points total
30Exit Slip Read the passages listed below and
write down the artist and painting that
represents the quote.
- 1. Above all, lo, the sky so calm, so
transparent after the rain, and with wondrous
clouds, Below too, all calm, all vital and
beautiful, and the farm prospers well Walt
Whitman - 2. The roaring of lions, the howling of wolves,
the raging of the stormy sea, and the destructive
sword, are portions of eternity too great for the
eye of man. William Blake - 3. It is the cause and not the death that makes
the martyr- Napoleon - 4. In the depths of sensuality Let us now
quench our glowing passions Where disappointment
and success Pleasure and pain may chop and
change It is restless action makes the man.
J. W. Goethe
31Exit Slip Read the passages listed below and
write down the artist and painting that
represents the quote.
- 1. Above all, lo, the sky so calm, so
transparent after the rain, and with wondrous
clouds, Below too, all calm, all vital and
beautiful, and the farm prospers well Walt
Whitman The Hay Wain - Constable - 2. The roaring of lions, the howling of wolves,
the raging of the stormy sea, and the destructive
sword, are portions of eternity too great for the
eye of man. William Blake Watson and the
Shark - Copley - 3. It is the cause and not the death that makes
the martyr- Napoleon - 3rd of May - Goya
- 4. In the depths of sensuality Let us now
quench our glowing passions Where disappointment
and success Pleasure and pain may chop and
change It is restless action makes the man.
J. W. Goethe - Death of Sardanapolus - Delacroix
32(No Transcript)