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Post-structuralism, Deconstruction, and Post-modernism

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Title: Post-structuralism, Deconstruction, and Post-modernism


1
Post-structuralism, Deconstruction, and
Post-modernism
  • A presentation by
  • Bryan Foster Miranda Mueller

2
Groundworks for Deconstruction
  • The philosophies that guided Derridas works

3
Friedrich Nietzsche (1844-1900)
  • Major works On truth and lying (1873), Human,
    all too Human (1878), Thus Spoke Zarathustra
    (1883), Beyond Good and Evil (1886)

4
On Truth and Lying, Nietzsche
  • Absolute knowledge is impossible, even of simple
    things. Our ignorance of real truth is
    dissimulated from us by our own minds and the
    structures of language and ideology we take for
    granted. Language is arbitrary, comprised of
    metaphors layered atop other metaphors.

5
Martin Heidegger (1889 - 1976)
  • Some influences Thomas Aquinas, Immanuel Kant,
    Heinrich Rickert, Edmund Husserl
  • Major Works Being and Time (1927), Höderlin's
    Hymn "The Ister" (1942), The Principle of Reason
    (1955), Identity and Difference (1956)

6
Identity and Difference, Heidegger
Being
Existence
Difference
7
Identity and Difference, Heidegger
Difference
Existence
Being
8
Differance
  • Jacques Derridas contribution to deconstruction

9
Jacques Derrida (1930-2004)
  • Major influcences Friedrich Nietzsche,
    Jean-Jaques Rousseau, Louis Althusser, Ferdinand
    de Saussure, Martin Heidegger
  • Major works Writing and Difference (1967) Of
    Grammatology (1967) Dissemination, (1972) Limited
    Inc (1988)

10
Differance, The importance of a semiotic
analysis Why the a?
  • Proof that language is comprised of arbitrary
    signs that live in a play of differences
  • Not capitalized because it is not some ineffable
    being that cannot be approached by name
  • Rationalization between spatiality and
    temporality
  • Defer
  • Differ
  • Indecision between activity and passivity that
    shows the uselessness of binary oppositions

11
Differance a (hopefully) useful chart
Blood
Heart
Square
Artery
Love
Red
Shape
12
Differance is NOT
  • A name, but a nominal unity (297)
  • a word nor a concept (283)
  • A being-present (298)
  • For if it were, it would be conceived with
    nostalgia
  • Therefore it is the difference between Being and
    being, present and presence
  • It is the deployment of Being

13
Differance is
  • The movement of play that produces differences
    allowing language and signs to exist
  • Differences in phonemes make up a language, but
    these differences are a result of something else.
    Differences therefore language did not fall
    out of the sky
  • Relation of speech to language
  • As opposed to Saussures idea that speech is put
    in opposition to language

14
Differance is
  • Freudian!
  • The origin of psyche and memory
  • The differences involved in the production of
    unconscious traces and the process of inscription
  • Specifically moments of differance
  • The outlet in which the restricted/inaccessable
    system (the unconscious)

15
Differance is
  • The foundation for arche-writing
  • Arche-writing a concept of writing that insists
    that the gap or breach introduced between what is
    intended to be conveyed and what is actualy
    conveyed, is standard, coming from an initial
    breach that afflicts everything one intends to
    express, even self-presence within the work

16
Understanding Deconstruction
  • Some useful explanations of
  • really really big words

17
Understanding Deconstruction Phenomenology
  • Philosophy established by Edmund Husserl
  • Concerned with how the mind might come to know
    and understand true ideas.
  • A phenomena, here, would be the mental
    representation of an object

18
Understanding Deconstruction Epoch
  • A process wherein the physical and temporal is
    stripped away from the metaphysical, where an
    object and its representations are reduced to a
    pure idea.
  • According to Derrida, the period of time between
    Plato and Husserl in which metaphysics reigned.

19
Understanding Deconstruction Logos
  • From the Greek word for mind, reason, and
    language
  • The notion of a pure and ideal truth grasped
    intuitively and without the need for or
    intermediary of signifiers.
  • Identified with phonocentrism by Derrida

20
Understanding Deconstruction Onto-theology
  • The belief that existence has substance and/or
    presence, rather than being generated by a series
    of semi-determinate things, each of them
    generated in much the same manner.
  • (Differentially)
  • Literally means religion of being

21
Understanding Deconstruction Aufhebung
  • Translation sublimation
  • Refers to the hypothetical transformation of
    ideas into signifiers (eg thought into
    language), and their return to the state of
    idea through comprehension by another
  • eg somebody hears you and gets what youre saying

22
Understanding Deconstruction Erinnerung
  • Translation memory
  • The idea that signs retain the spirit of the
    idea that has been invested in them.
  • Signs (words and symbols) are held to merely be
    temporary receptacles of an idea.

23
Understanding Deconstruction Trace
  • Also known as otherness or alterity
  • Everything that appears to have its own identity
    is in fact constructed by its relationship with
    or difference from other things.
  • These things are held to carry a trace of each
    other.

24
Semiology and Grammatology, Derrida and Kristeva
  • Deconstructing metaphysics
  • Stop searching for the transcendental truth!
  • Tear down the idea of binary oppositions
  • Try differentiating language and speech, code and
    message, etc. as Saussure did.
  • According to Derrida, it is impossible to know
    where to start in defining these binary terms.
  • Therefore, differance works because it functions
    on the relation of differences instead of
    differences themselves

25
Post-structuralism, Deconstruction, and Authorship
26
Barbara Johnson (1947-2009)
  • Major Works A world of difference (1987), The
    Critical Difference (1980), The Feminist
    Difference (1998), The Wake of Deconstruction
    (1994)
  • Schools of Thought/ Major ideas structuralism,
    post-structuralism, Lacanian psychoanalysis,
    feminist critical theory

27
Writing, Johnson
  • Summarizes the basic points of other writers
    Barthes, Saussure, Lacan, Derrida and explains
    the impact of each, followed by he
    destabilization of the eariler writers by the
    later ones.
  • She argues, using this premise, for the inclusion
    of historical, psychoanalytical, political, and
    philosphical concepts in analysis and their
    prevalence in 20th century French thought.
  • Reading is held to to be the simple task of
    grasping the meanng of a text, but of grasping
    its multiple possible interpretations, even when
    they are contradictory. (polysemy)

28
Roland Barthes(1915-1980)
  • Major works Mythologies (1957), Empire of Signs
    (1970), The Death of the Author (1968)

29
Death of the Author, Barthes
  • Give credit to the reader
  • Including the author historicizes, and therefore
    limits the text
  • The author cannot express himself because what he
    thinks must be translated by a dictionary (of
    signs) that is not a direct representation of his
    thoughts.
  • A text is not a line of words releasing a single
    theological meaning rather, it is a
    multi-dimensional space in which a variety of
    writings, none of them original, blend and clash
  • Differance

30
Michel Foucauld (1926-1984)
  • Influences Friedrich Nietzsche, Louis Althusser,
    Georges Dumézil, Karl Marx
  • Major Works Discipline and punish The birth of
    the prison (1975), The Archaeology of Knowledge
    (1969), The Order of things (1966), Death and the
    Labyrinth (1963)

31
What is an author?, Foucauld
  • The Author as a celebrated and central figure to
    their body of work is a modern conceit
  • The I in literature does not refer in any
    direct way to the author currently, but was
    rather a temporary intermediary between the work
    and its creator
  • Suggests a world in which the author was no
    longer the regulator of the fictive,
    constraining the work by his presence, a
    hypothetical place of anonymous production and
    therefore potentially unlimited interpretation
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