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Title: Chapter Two Medieval Period Geoffrey Chaucer


1
Chapter Two Medieval PeriodGeoffrey Chaucer
  • Pre-Elizabethan age Thomas More
  • A Brief Introduction to Elizabethan age

2
Contents
  • The Middle (Medieval)English period
  • Historical background
  • The literary scene of the period
  • The formation of Middle English
  • Geoffrey Chaucer
  • Life experience
  • His literary career
  • His major works
  • His contributions to English language and poetry
  • Analysis and appreciation of the General Prologue
    in his masterpiece The Canterbury Tales

3
Medieval Period(1066-1400)
  • Historical backgroud (P7-8)
  • Norman conquest In 1066, French-speeking
    Normans came under William the Conqueror.
  • The establishment of the feudal system
  • The 1381 peasant uprising
  • The completion of the Doomsday Book?????
  • The launching of the Crusade
  • The siging of the Magna Charter???
  • The war with France or the 100-years war
    (1337-1453)

4
  • The literary scene of the period
  • There were mainly two forms of literary
    writings, religious writing and romance.
  • The formation of Middle English
  • For about 3oo years after 1066, languages spoken
    in England were confusion. There were Old
    English, French and Latin.
  • For about 3oo years after 1066, languages spoken
    in England were confusion. There was Old English,
    descended from Anglo-Saxons,
  • The 100-years war with France was an awakening
    of national consciousness in England.
  • The French language was gradually replaced by the
    native tongue. The English language gained
    absolute supremacy.

5
  • 5.Thousands of words and expressions were
    borrowed from French, Latin, Greek and Italian.
  • The English language in this transitional
    stage from Old English to modern English, through
    some 4 centuries (from12th 15th) of development
    and change, has gradually been known as Middle
    English.

6
  • Representatives in this period
  • 1.John Wycliffe (1320 1384) an Oxford scholar,
    the first to translate the Bible from Latin to
    Middle English (though not accurate), the
    pioneer in the field of translating the Bible.
  • 2. William Langland (1332 1400?) His
    masterpiece is Vision of Piers the plowman,
    written in the form of a dream allegory and in
    Middle English.
  • (A term) An allegory is a story or description
    in which the characters and events symbolize some
    deeper underlying meaning, and serve to spread
    moral teaching. It has double meaning i, e., a
    primary meaning, or a surface meaning, and a
    secondary meaning, or underlying meaning. In an
    allegory, abstract qualities or ideas such as
    patience, purity, or truth, are personified as
    characters in the story.

7
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8
Geoffrey Chaucer (1340 1400)
9
Life experience
  • 1340 Chaucer was born in London, in the Vintry.
  • 1357 Page to the Countess of Ulster.
  • 1359 Taken captive while on a military expedition
    to France.
  • 1360 Released on ransom and returned to England.
  • 1366 Married Philippa Roet, a Lady in waiting to
    the queen.
  • 1367 Served Edward III as a Valet
  • 1368 Went abroad as a Diplomat.
  • 1369 Sent to Italy to negotiate a commercial
    treaty.
  • 1374 Becomes Controller of Customs at the Port of
    London.
  • 1378 Sent to Italy as a diplomat.

10
  • 1379 Became Controller of Petty Customs, London.
  • 1380 Became Justice of Peace for Kent.
  • 1381 Became Knight of the Shire for Kent.
  • 1382 Chaucers wife Philippa Roet died.
  • 1384 Started receiving pension from Richard II
    due to strained financial conditions.
  • 1385 Granted an annual hogshead of wine from the
    King.
  • 1386 Pension increased by Henry IV.
  • 1389 Became Clerk of the Kings Works.
  • 1400 Died on October 25 and buried in the Poets
    Corner in Westminster Abbey.

11
His literary career
  • His education Little is known about his
    education. But he is good at Latin, French, and
    Italian.
  • Three periods
  • 1360s-about 1372French period a translator (The
    Romance of Rose) and an imitator (The Book of
    Duchess)
  • 1372 -1386Italian period a Borrower (Troilus
    and Cryseyde) borrowed theme, characters from
    Baccassios Filastrato.
  • the last 15 years of his lifeEnglish (Maturity)
    period a creator (The Canterbury Tales)-his own
    theme, choice of words, characters and plot.

12
His contributions to English language and poetry
  • His contributions to English language
  • Chaucers language is now called Middle/Current
    language
  • He established English as the literary language
    of England. He wrote in the London dialect of his
    day.
  • He did much in making the London dialect the
    foundation for the modern English Speech.
  • His contributions to English poetry
  • He introduced from France the rhymed stanza of
    various types, esp. the rhymed couplet of iambic
    pentameter or Heroic Couplet into English poetry,
    instead of the old Anglo-Saxon alliterative
    verse.

13
Explanations of the Literary terms
  • Iamb a meter pattern composed of a pair of
    syllables, with the first one unaccented and the
    second stressed.
  • Pentameter line A poetry line in which there are
    ten syllables, with two ones made up of a "foot",
    five feet in all.
  • Iambic pentameter It is a poetry meter. In each
    line, there are ten syllables which can be broken
    up into five feet (pentameter) of an unstressed
    syllable followed by a stressed syllable (iambic)
    hence iambic pentameter.

14
Analysis and appreciation of the first 2 stanzas
in the General Prologue of his masterpiece
  • Contents
  • Historical context
  • Brief introduction
  • the frame work
  • the gallery of portrait of his characters
  • the writing technique

15
  • 3. Analysis and appreciation of the first 2
    stanzas
  • synopsis and understanding
  • analysis and appreciation
  • interpretation of the peculiarity of the
    first stanza
  • symbols and themes
  • difference from Bacassios Decameron

16
  • The front cover of Canterbury Tales

17
Canterbury Cathedral
  • OUTSIDE INSIDE

18
Historical context
  • The time of the writing of The Canterbury Tales
    was a turbulent time in English history.
  • The Catholic Church was in the midst of the
    Great Schism and, though it was still the only
    Christian authority in Europe, was the subject of
    heavy controversy.
  • Lollardy, an early English religious movement
    led by John Wycliffe, is mentioned in the Tales,
    as is a specific incident involving pardoners
    (who gathered money in exchange for absolution
    from sin) who nefariously claimed to be
    collecting for St. Mary Rouncesval hospital in
    England.

19
  • The Canterbury Tales is among the first English
    literary works to mention paper, a relatively new
    invention which allowed dissemination of the
    written word never before seen in England.
  • Political clashes, such as the 1381 Peasant's
    Revolt and clashes ending in the deposing of King
    Richard II, further reveal the complex turmoil
    surrounding Chaucer in the time of the Tales'
    writing.
  • Many of his close friends were executed and he
    himself was forced to move to Kent in order to
    get away from events in London.

20
Brief introduction
  • The Canterbury Tales is one of the landmarks of
    English literature, perhaps the greatest work
    produced in Middle English and certainly among
    the most ambitious. Chaucer did not complete the
    entire Canterbury Tales as he designed it. There
    are altogether 30 travelers on the pilgrimage to
    Canterbury. He structured the tales so that each
    pilgrim would tell four tales on the way there
    and back, and that would bring the total up to
    120. However, Chaucer only completed 20
    complete stories and 4 fragments, not even
    completing one tale for each pilgrim.

21
  • The frame work This long poem consists of three
    parts The General Prologue 20 tales, and four
    fragments and separate prologues to each tale.
  • His gallery of portraits of people comes from
    all classes of the English society of his time,
    ranging from a Knight to a humble Plowman, except
    the royalty and the peasant. The Pilgrims are a
    microcosm of the 14th century English society.

22
  • His writing technique
  • 1.plainly narrative
  • 2. everything is based on reality. The Prologue
    supplies a miniature of the English society at
    that time. Chaucer liked to use the realistically
    writing skill to represent the reality.
  • 3. That is why he is called the father of
    realism/ master of realism He applies to the
    work a strong sense of humor and an infinite
    sense of humanity

23
Synopsis
  • In April the pleasant showers of rain had pierced
    the drought of March to the very root and bathed
    every plant with life-giving moisture. The
    refreshing west wind had quickened the young
    shoots in every wood and field. The young sun had
    completed its second half course in the zodiac
    sign of the Aries, and the small birds encouraged
    by nature sang melodiously. People longed to go
    on pilgrimages and seek strange shores in this
    rejuvenating month. People from every corner of
    England went to Canterbury to seek the holy
    blessings at the shrine of Saint Thomas Becket.
  • One spring day at the Tabard Inn in
    Southwark, while the narrator (Chaucer) was
    waiting for the next day to go on his pilgrimage
    to Canterbury, a group of twenty-nine pilgrims
    arrived at the inn. The narrator was accepted
    into their company and they decided to rise early
    next morning and carry on their journey. The
    narrator describes each of these pilgrims and
    tells the reader about their ranks and the kind
    of clothes they wore.

24
Anslysis and appreciation
  • When in April" places us immediately in the
    reverdie tradition -- literally the
    "re-greening," a mode in medieval lyric poetry
    celebrating the revival of spring and all that
    that entails.
  • 1-18 lines present a unified and ideal organic
    hierarchy -- a great chain of awakenings from the
    rain to the roots of the plants to the flowers,
    the sun to the fields and the birds growing
    musical and insomniacal, to humans who maybe
    sublimate the same impulses into pilgrimages to
    holy shrines of martyrs. So we progress from the
    natural to the divine, or from the natural/divine
    to the anthropomorphic/sacred. Memorize these 18
    lines!

25
  • As a tradition, in Middle ages, if a poet began
    his poem with spring, the reader would learn
    that the poet would tell a love story. The
    General Prologue begins with the description of
    Spring characteristic of dream visions of secular
    love, the same tone, even some of the same
    details in his Le Roman de la rose. His audience
    may well have thought they were about to hear
    another elegant poem on aristocratic love.
    However, they hear instead
  • Then longen folk to gon on pilgrimages. The
    focus changes from secular love to religion, to a
    pilgrimage, and the texture shifts from the
    elegant abstractions and allegorical personages
    to a very real London in the fourteenth century.

26
  • A pilgrimage is a religious journey undertaken
    for penance and grace. It was very popular in
    fourteenth-century England, as the narrator
    mentions. Pilgrims traveled to visit the remains
    of Saint Thomas Becket, archbishop of Canterbury,
    who was murdered in 1170 by knights of King Henry
    II. Soon after his death, he became the most
    popular saint in England. The pilgrimage in The
    Canterbury Tales should not be thought of as an
    entirely solemn occasion, because it also offered
    the pilgrims an opportunity to abandon work and
    take a vacation.

27
  • At line 20, the narrator abandons his unfocused,
    all-knowing point of view, identifying himself as
    an actual person for the first time by inserting
    the first personIas he relates how he met the
    group of pilgrims while staying at the Tabard
    Inn. He emphasizes that this group, which he
    encountered by accident, was itself formed quite
    by chance (2526). He then shifts into the
    first-person plural, referring to the pilgrims as
    we beginning in line 29, asserting his status
    as a member of the group.

28
  • This is a sudden shift. We readers find ourselves
    hearing "Bifel," "I," "by aventure" -- and we're
    in the realm of chance, offhandedness,
    subjectivity, personal specificity, randomness,
    the casual.
  • A distinction is now required between
    Chaucer-poet and Chaucer-pilgrim. It's the
    pilgrim giving us the prologue. Point-of-view is
    through this puppet's eyes. So the often ironic
    poet is using a narrator, a persona, through
    which to speak -- a pretty faux-Chaucer.

29
  • The narrator ends the introductory portion of his
    prologue by noting that he has tyme and space
    to tell his narrative. His comments underscore
    the fact that he is writing some time after the
    events of his story, and that he is describing
    the characters from memory. He has spoken and met
    with these people as also a pilgrim, but he has
    waited a certain length of time before sitting
    down and describing them as a poet. He positions
    himself as a mediator between two groups the
    group of pilgrims of which he was a member of the
    pilgrims and us, the audience, whom the narrator
    explicitly addresses as you in lines 34 and 38.

30
  • On the other hand, the narrator's declaration
    that he will tell us about the condicioun,
    degree, and array (dress) of each of the
    pilgrims suggests that his portraits will be
    based on objective facts as well as his own
    opinions. (REALISM)

31
Interpretation of the peculiarity of the opening
part
  • The opening part of the General Prologue mixes
    the spiritual with the secular and moves between
    each form with relative ease.
  • It sets up imagery of spring and regeneration.
  • It does not conform to the cliché tradition "in
    springtime a young man's fancy turns to love,"
    but veers into more spiritual territory. In
    springtime these travelers make a religious
    pilgrimage to Canterbury.
  • It sets the tone and mood of the tales gay and
    ironic.

32
Symbols
  • (A literary term)Symbols are objects, characters,
    figures, or colors used to represent abstract
    ideas or concepts.
  • Springtime
  • The Canterbury Tales opens in April, at the
    height of spring.
  • The springtime symbolizes rebirth and fresh
    beginnings, and is thus appropriate for the
    beginning of Chaucer's text.
  • Springtime also evokes erotic love, for
    example, the Squire is compared to the freshness
    of the month of May, in his devotion to courtly
    love.

33
Themes
  • (A literary term)Themes are the fundamental and
    often universal ideas explored in a literary
    work.
  • "The Canterbury Tales" has several
    overlapping themes, which not only enrich the
    books texture but also lend it some kind of
    coherence and unity. Most of these themes are
    abstract and cannot be stated as singular
    propositions. Nearly all the subjects of
    Chaucers most serious contemplation can be found
    in his magnificent epic.

34
  • The major themes are
  • critique of the church
  • themes of the inherent corruptness of human
    nature and decline of moral values
  • the problem of the position of women and
    marriage relationships
  • themes of honor and truth
  • themes of Christian virtue and chivalry.

35
Difference from Baccassios Decameron
  • The structure of The Canterbury Tales is indebted
    to Boccaccio's Decameron, in which ten nobles
    from Florence, to escape the plague, stay in a
    country villa and amuse each other by each
    telling tales. Boccaccio had a significant
    influence on Chaucer. The Knight's Tale was an
    English version of a tale by Boccaccio, while six
    of Chaucer's tales have possible sources in the
    Decameron the Miller's Tale, the Reeve's, the
    Clerk's, the Merchant's, the Franklin's, and the
    Shipman's. However, Chaucer's pilgrims to
    Canterbury form a wider range of society compared
    to Boccaccio's elite storytellers.

36
  • The Canterbury Tales differs from Boccaccio's
    Decameron the speakers are not from a single
    social class, but drawn from a broad range of
    society, from the noble knight to the drunken
    rascal of a Miller and the impoverished Parson.
    Choosing a pilgrimage as the vehicle for the
    tales was a brilliant move -- a pilgrimage was
    the one occasion in medieval life when so wide a
    range of members of society could plausibly join
    together on relatively equal terms, allowing for
    greater differences in tone and substance.

37
It is hot, let me feel the cool snow
  • Coffee,please.

38
The Pre-Elizabethan Age Thomas More
  • CONTENTS
  • A brief introduction of the historical background
  • Literary representatives in pre-Elizabethan age
  • Thomas More

39
Historical background
  • From 1400 to 1550, significant changes had been
    undergoing. Old England was in transition.
  • The wars of Roses (1455-1483) Barely at the end
    of the 100-years War with France, England was
    again blown into the whirlwind of civil war.
  • Tudor Dynasty Then the King, Henry VII, took the
    advantage of this situation, founded Tudor
    dynasty.
  • The religious reformation in England Then Henry
    VIIs son, Henry VIII (1509 -1547) succeeded the
    throne. He started the extensive movement against
    the control of the Roman Catholic Church.

40
  • He declared the break with Rome. This is
    the Protestant Reformation, which in essence a
    political movement in a religious disguise, a
    part of struggle of the newly rising class for
    power.
  • 4. The Counter-reformation The reformation was
    closely followed by the Counter reformation
    during the reign of Queen Mary (1553 1558),
    Henry VIIIs daughter. She was a devout Catholic.
    So many Protestants were burned as heretic. This
    religious persecution did not stop until Queen
    Elizabethan Age.

41
  • The Enclosure movement and introduction of the
    printing
  • In England the movement for enclosure began
    in the 12th century and proceeded rapidly in the
    period 14501640, when the purpose was mainly to
    increase the amount of full-time pasturage
    available to manorial lords. Much enclosure also
    occurred in the period from 1750 to 1860, when it
    was done for the sake of agricultural efficiency.
    By the end of the 19th century the process of the
    enclosure of common lands in England was
    virtually complete.

42
  • 6. The religious Reformation in Europe
  • The term Reformation refers in general to the
    major religious changes that swept across Europe
    during the 1500s, transforming worship, politics,
    society, and basic cultural patterns. One key
    dimension was the Protestant Reformation, the
    movement that began in 1517 with Martin Luther's
    critique of doctrinal principles and church
    actions in Germany and that led to the
    establishment of new official churchesthe
    Lutheran, the Reformed or Calvinist, and the
    Anglican. These were separate from the Latin
    Catholic Church in organization and different
    from it in theology.

43
  • Renaissance and Humanism (literary terms)
  • Renaissance It is a movement of the humanistic
    revival of classical art, architecture,
    literature, and learning that originated in Italy
    in the 14th century and later spread throughout
    Europe, marking the transition from medieval to
    modern times.
  • Humanism A cultural and intellectual movement
    of the Renaissance (14th century to 17th century)
    that emphasized secular concerns, rejecting
    religious beliefs and centers on humans and their
    values, capacities, and worth, as a result of
    the re-discovery and study of the literature,
    art, and civilization of ancient Greece and Rome.

44
  • Humanists argued that man should be given all
    freedom to enrich their intellectual and
    emotional life. In religion they demanded the
    reformation of the church. In art literature,
    instead of singing praise to God, they sang in
    praise of man and of the pursuit of happiness in
    this life. Humanism shattered the shackles of
    spiritual bandage of mans mind by the Catholic
    Church and opened his eyes to a brave young
    world in front of him.
  • The English Renaissance can be traced in
    Chaucers The Canterbury Tales. In the later half
    of the 14th century, Chaucer went to Italy. This
    trip had a great influence on him. Generally
    speaking, English literature of Renaissance may
    be divided into 3 stages of development. The
    first stage extends from the end of 15th century
    to the last half of the 16th century The second
    stage was just in the Elizabethan age The third
    one was the Jacobean period. The literary forms
    were poetry, prose, fiction and drama.

45
Representative in pre-Elizabethan age
  • Thomas More and his masterwork Utopia
  • Sir Thomas More (7 February 1478 6 July
    1535), also known as Saint Thomas More, was an
    English lawyer, author, and statesman who in his
    lifetime gained a reputation as a leading
    Renaissance humanist scholar, and occupied many
    public offices, including Lord Chancellor
    (15291532). More coined the word "utopia", a
    name he gave to the ideal, imaginary island
    nation whose political system he described in
    Utopia, published in 1516. He was beheaded in
    1535 when he refused to sign the Act of Supremacy
    that declared King Henry VIII Supreme Head of the
    Church of England.

46
The Elizabethan age
  • Now came the Elizabethan Age in 1558. In this
    age, the literature can be divided into 3 phase
    (Read P35 -40) And there appeared the most
    famous the University Wits (P37 -38). During her
    rein, England was not only prosperous in inner
    economics, powerful in expansion abroad and
    ocean, but also flourised in culture and
    thoughts, esp, in literature, such as poetry
    (sonnets), prose and drama.

47
The three sub-periods in literature
  • 1st period 1557-1579
  • The publication of Edmund Spensers The
    Shepheardes Calendar
  • Thomas Wyatt introduced the sonnet into England
  • Henry Howard, Earl of Surry brought the the
    blank verse into England
  • (A literary term) Blank verse It is Rhyme-less
    iambic pentameter or a line of ten syllables in
    five iambs, a rhythemic unit of two syllables
    with the unstressed followed by the stressed
    syllable.(Milton is the master of this)

48
  • 2nd period 1580-1599
  • In poetry, Sperser contibuted his The Faerie
    Queene
  • The epic poem came out unfinished with only
    the first six books in 1596, which was dedicated
    to Elizabeth. The excellence of it lies in the
    complexity and depth of Spensers moral vision
    and in the Spenserian Stanza, which Spenser
    invented for his masterpiece.
  • The main ideas in this poem NATIONALISM
    (celebration of Queen Elizabeth) HUMANISM (shows
    strong opposition to Roman Catholicism)
    PURITANISM (shows moral teaching)
  • Spenserian Stanza (a literary term) It is a
    nine-line stanza of 8 lines in iambic pentameter
    plus an iambic hexameter(six-foot line). The
    rhyme scheme is abab bcbc c. It is created by
    Spenser in his The Faerie Queene, thus named
    after him.

49
  • Philip Sidneys sonnet Astrophel and Stella
    The theme, heavenly and earthly love is
    reflected.
  • Shakespeares sonnets.
  • In prose, Sidneys Apologie for Poetry
  • In pastoral Romance, heres Sidneys Arcardia.
    It is pastoral.
  • Pastoral poetry (a literary term) Poetry that
    portrays or evokes rural life, usually in an
    idealized way.
  • In essays, Francis Bacon published some of his
    essays.
  • Another contribution from John Lyly is his
    Eupheus.
  • In drama, there were the University Wits
    first, including Christopher Marlowe, Bobert
    Greene, George Peele, Thomas Lodge, Thomas Nash
    amd Thomas Kyd, who were all graduates from
    Oxford or Cambridge or both except Thomas
    Kyd.They paved the way for the rise of
    Shakespeare. And then, Shakespeares some 20 of
    his plays were finished.

50
  • The 3rd period1599-1625
  • Shakespeare finished all his later plays
  • Ben Jonson did almost the whole of his work
  • Francis bacon did his best work in this
    period,dominated English prose literarture for
    decades.
  • The Authorized Bible, also named King James Bible
    came into being in 1611. It is still the best of
    its kind today, unequaled in precision, beauty
    and power.

51
Assignments
  • Written work
  • Define the terms iambic pentameter, symbols,
    themes, Ranaissance, humanism, blank verse,
    Spenserian Stanza and pastoral poetry.
  • What are Chaucers contribution to English poetry
    and language?
  • What are peculiar in the opening part of the
    General Prologue in Canterbury Tales by Chaucer?
  • What is the symbol in the General Prologue? What
    does it symbolize?
  • Who are the University Wits?
  • What is Edmund Spensers masterpiece? What are
    the main ideas reflected in it?

52
  • Topics for discussion
  • How to define Chaucers literary career? Why?
  • What kinds of people are included in the gallery
    of his character portrait in Canterbury Tales by
    Chaucer?
  • Why Chaucer is called father of realism?
  • How to undrestand the identity of Chaucer as both
    a poet and a pilgrim?
  • Compare Baccassios Decameron and Chaucers
    Canterbury Tales to find the difference between
    them.
  • Why did literature flourish in Elizabethan age?
  • The formation of English people and Old English
    language
  • The formation of the Middle English Language
  • Oral work
  • Memorize the first 18 lines in the General
    Prologue.

53
  • Spring is coming. Lets go on pilgrimage.
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