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Ch 3 last set of notes

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Title: Ch 3 last set of notes


1
Ch 3 (last set of notes)
  • Psyc 317A

2
Lab One Feedback
  • Evaluation of Lab One is now complete Grades on
    course website.
  • Those who have not completed the lab must arrange
    to do so with TA Travis Baker (teb_at_uvic.ca) ASAP
    in order to pass the course.
  • Other Tips
  • Do not include raw data (research ethics requires
    it be kept for a brief period and then destroyed.
    Why?). Summarize data in a table (e.g. matrix)
  • Make your tables and charts look nice. Appearance
    is important making it self-explanatory is your
    goal. Use clear and effective labeling that is
    uncluttered. Format tables to appropriate size.
    Create a professional look.
  • Dont show all your calculations, but enough to
    show how calculations were carried out (e.g., by
    graph, by formulae, by website tool?)
  • Say only what you need to say. Use best judgment
    in selection. How?
  • Imagine your audience, not as your professor but
    as a community of peers (scientific community)
  • Conserve paper dont use title pages (name and
    number all pages)

3
Fourier Theorem in Perception Research
  • Fourier Analysis a set of mathematical
    algorithms for expressing complex wave phenomena
    as and equation of simpler waves functions
    (trigonometric functions like sine(x), cos(x),
    etc.).
  • Application of Fourier Analysis in visual
    perception
  • Any spatial pattern of luminance can be
    represented as an equation (e.g. a sum) of sine
    waves.
  • Any complex pattern of light across space can be
    analyzed inot a seies of simpler sine waves.
  • Fourier Synthesis is the building of complex
    representations of complex phenomenon out of
    simpler sin wave representations.
  • It is important to distinguish mathematical
    possibility (existence proofs, proof procedures)
    from neural implementation
  • Just because a square wave grating can be
    approximated (or represented) by a sum of sine
    waves does not mean that the brain is somehow
    doing (or approximating) Fourier Analysis in
    order to perceive that grating
  • this is an empirical question, not one provable
    by mathematics (or a priori)
  • mathematical representation is not
    (automatically) cognitive representation

4
Sine Wave Grating with Graph
SOURCE
  • Gradually fading bars can be graphically
    represented by single sine wave (mapping position
    onto luminance)
  • Such a grating is therefore called a sine wave
    grating
  • It can be used to adapt subjects to specific
    spatial frequencies it is indispensable for
    measure the contrast sensitivity function (CSF)

5
Spatial Frequencies and Illusory Contrast
  • High spatial frequencies cause less apparent
    contrast.
  • high spatial frequencies cause an illusion of
    reduced contrast
  • therefore, contrast sensitivity varies with
    spatial frequencies, especially near thresholds
  • What would a graph of spatial frequency onto
    contrast sensitivity look like?
  • Let x-axis be spatial frequency
  • Let y-axis be contrast sensitivity (which is the
    reciprocal of the contrast threshold).
  • How would you measure it?

6
Square Wave Grating with Graph
  • Solid distinct bars can be mapped with square
    waves (in red).
  • Such patterns are therefore called square-wave
    gratings
  • The amplitude on the graph represents the range
    of luminance in the display measured.
  • Visualize a sine graph superimposed on the above
    square graph. Visualize the height difference for
    each x between the two curves. How might that
    difference be expressed mathematically?

7
First and Third Harmonic Superimposed
  • The smaller curve cycles three times for every
    one time the fundamental cycles. Its amplitude
    is only 1/3.
  • Imagine these two summed up

8
Fourier Analysis components of a square wave
Fig. B2 Appendix, page 592
The square wave (a) can be considered the sum of
its fundamental frequency sign-wave (b) plus its
nth harmonics (for all odd n). (e) bcd.
(a)bcd Any spatial pattern of luminance can
be broken down and expressed as a sum of sine
waves. Fourier analysis is useful for studying
properties of visual systems, but it should not
be assumed to be a model of visual processing.
9
Fourier Synthesis
  • Creating a high contrast square sqave grating
    from continuous signals
  • A graphical representation of a given square wave
    can be created by adding the fundamental wave (a
    sine wave with amplitude and frequency equal to
    the square wave) to the odd harmonics

The n-th harmonic is a wave with n-times the
frequency and 1/n-th the amplitude.
10
Contrast SensitivityFunction
Why are sine wave gratings used to measure CSF?
The solid curve is a CSF psychophysical mapping
of spatial frequencies onto contrast sensitivity.
  • Higher contrast sensitivity means lower threshold
    of resolution, generally around 4-6 cpd.
  • The dotted curve shows reduced contrast
    sensitivity after adaptation to a 7.1 cpd
    sine-wave grating.

11
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