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CHINMAYA MISSION CHICAGO TEACHERS TRAINING SEMINAR

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Install an alter preferably to the extreme right side of ... Diligence in developing the theme and plot narration. Focused progress without winding wavering. ... – PowerPoint PPT presentation

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Title: CHINMAYA MISSION CHICAGO TEACHERS TRAINING SEMINAR


1
CHINMAYA MISSION CHICAGOTEACHERS TRAINING
SEMINAR
  • MODULE I
  • A TYPICAL BAL VIHAR
  • CLASS SESSION

2
1. CLASS SET UP
  • ALTAR SET UP
  • SEATING ARRANGEMENT FOR TEACHERS AND STUDENTS
  • HELPFUL HINTS FOR THE TEACHERS

3
1. CLASS SET UP (cont)
  • ALTER SET UP
  • Install an alter preferably to the extreme right
    side of the class room, above the eye level of
    children for their easy visibility.
  • Place an attractive picture of any Hindu deity
    worshipped by the household or the ashram center.
  • Light an oil lamp or an agarbatti if possible.
  • Dress up the deity with attractive clothes, a
    garland, or loose flowers if possible.
  • Place a photograph of Pujya Gurudev Swami
    Chinmayanandaji.

4
1. CLASS SET UP (cont.)
  • HELPFUL HINTS FOR TEACHERS
  • Both the teachers should face children, always
    visible to all the children for consistent eye
    contact, to ensure order and safety, attention,
    to watch over all that goes on and help kids
    follow instructions.
  • Seating in rows - helps towards neatness and
    discipline.
  • Smaller children in the front, taller in the back
    for better attention through eye connection with
    teachers.
  • Per Gurujis suggestion encourage children to
    sit in the same rows regularly helps cultivate
    awareness towards responsibility and to keep the
    place clean, orderly.
  • This also helps teachers to familiarize and
    remember the students names and class structure.
  • Cleanliness at the end of the session
  • Reinforcing regularly a sense of respect towards
    class room facilities and reverence towards
    ashram environment.

5
A TYPICAL (B.V.) CLASS ACTIVITY STRUCTURE
  • PRAYERS
  • ATTENDANCE (ROLE CALL)
  • LESSON TOPIC (per monthly lesson plan).
  • CONCLUSION

6
2. A TYPICAL (B.V.) CLASS ACTIVITY STRUCTURE
  • PRAYERS
  • Invocation prayers
  • Guided meditation
  • Daily prayers
  • Chanting
  • NOTE AVERAGE TIME UTILIZED 20 MINUTES

7
A. PRAYERS
  • INVOCATION
  • 3 TIMES OM
  • HELPFUL HINTS- GUIDE CHILDREN GENTLY AS FOLLOWS
  • Sit up straight
  • Eyes gently closed
  • Think of the Lord with deep reverence
  • Breathe deeply through the nostrils each time and
    in a long, vibrant voice chant OM three times.

8
A. PRAYERS (cont.)
  • INVOCATION
  • SHANTI MANTRA
  • Om sahanaa vavatu, sahanau bhunaktu
  • A BRIEF GUIDED MEDITATION
  • A brief mental quietude exercise (guided
    meditation through simple imagery/thought
    massage).

9
A. PRAYERS (cont.)
  • INVOCATION (cont.)
  • Ganesha mantra vakra tunda mahakaaya
  • Saraswati mantra saraswati namastu
  • Guru stotram
  • (Up to grade 4 teach and chant clusters of 3
    verses each time until all verses completed. 5th
    grade onwards chant all of the verses).

10
A. PRAYERS (cont.)
  • STANDARD DAILY PRAYERS
  • Karagre vasate Lakshami
  • Gange cha yamunechaiva
  • Om Bhurbhuvah svaha
  • Brahmarpanam
  • Ahamvaishvanaro bhutva
  • Shumbham karoti kalyanam
  • Kayenavaachaa
  • Karacharana kritamvak
  • Tryambakam yajaamahe
  • Helpful hint Teach clusters of 3 verses at a
    time in subsequent session chant learnt verses
    first followed by new ones.

11
A. PRAYERS (cont.)
  • STOTRAS Per the prescribed grade level syllabus
    see handout in folder)
  • Shree Ganesha stotram
  • Shree Ganga stotram
  • Shree Guru paduka stotram
  • Shree Madhurashtakam
  • Shree Sharada stotram
  • Lingashtakam
  • Nirvanashatkam
  • BHAGAVAD GEETA CHANTING-chapter 3 for year 2004

12
B. ATTENDANCE (role call)
  • Ideal timing soon after the prayers
  • Reasons for formal role call activity
  • Indirect incentives of regularity and punctuality
  • Statistical records resource
  • An indirect source of discipline instillation
  • An opportunity for teachers to share positive
    strokes for good record.
  • Opportune moment to gauge morale (mood) of each
    child through insightful mental observation of
    response to role calling.
  • Note average time utilized 05 minutes

13
C. LESSON TOPICS
  • Plan your work and then work out your plans
    Swami Chinmayanandaji
  • Strategize for success.
  • In order to succeed have a clear vision, a
    defined action plan, a clear alignment within the
    team to generate true service as teacher to the
    self and all.
  • LESSON TOPICS PER MONTHLYLESSON PLAN
  • TO BE COVERED BY SWAMIJI MODULE 2.

14
D. CLASS SESSION CONCLUSION(QUIETUDE AND
CONCLUDING PRAYERS)
  • Alertness to ensure that lesson topic ends 10
    minutes before the class time.
  • Winding down with a brief quietening exercise
    (meditation)
  • Encourage children to keep all of the room area
    neat and organized (rather than teachers to
    return later (?!) to do so!
  • Conscientiously practice and encourage from day
    one of the term to collect all of personal
    belongings and place them in personal hand bags
    to avoid litter and lost/found collection.
  • Reinforce regularly the sense of respect and
    reverence towards the sanctity of the Bala Vihar
    location as well as the main shrine.
  • NOTE AVERAGE TIME UTILIZED 05-10 MINUTES

15
CHINMAYA MISSION CHICAGOTEACHERS TRAINING
SEMINAR
  • MODULE III.B
  • PRESENTATION TECHNIQUES

16
THE ART OF STORY TELLING
  • Why tell stories?
  • It is a creative mode of instruction - works
    invariably far better than formal teaching
    methods.
  • All children (and adults too) relate
    instinctively and spontaneously through verbal
    and animated character portrayal.
  • Encourages verbal self confidence in the teller.
  • Fosters an awareness of ones own unique
    imagination.
  • Enhances listening skills in children.
  • It is an interactive community fun activity.
  • Can contribute to student success and emotional
    well being.
  • The ancient art of story telling is well suited
    for student exploration.
  • It is accessible to all ages and abilities no
    special equipments beyond imagination and power
    of listening and speaking is needed.
  • It is a learning tool towards expressiveness,
    ability to communicate thoughts, feelings, be
    articulate, and be empowered to relate.

17
THE ART OF STORY TELLING (cont.)
  • Skills for success
  • Careful selection of stories.
  • Diligence in developing the theme and plot
    narration.
  • Focused progress without winding wavering.
  • Flexibility towards situational occurrences.
  • Never teach, only tell a story.
  • Mindfulness towards listeners receptivity.

18
THE ART OF STORY TELLING (cont.)
19
CHINMAYA MISSION CHICAGOTEACHERS TRAINING
SEMINAR
  • MODULE IV.B
  • BAL VIHAR TEACHERS RESPONSIBILITIES

20
BAL VIHAR TEACHERS RESPONSIBILITIES
  • Punctuality
  • Regularity
  • Simple tips towards dynamic role modelship

21
BAL VIHAR TEACHERS RESPONSIBILITIES (cont.)
  • Discipline with dignity
  • Be creatively challenging
  • Be motivational
  • Be insightful
  • Be practical

22
BAL VIHAR TEACHERS RESPONSIBILITIES (cont.)
  • THE 10 TIPS
  • Always treat youngsters with respect and preserve
    their dignity.
  • Always do what is in the students' best
    interests.
  • Seek solutions, not blame.
  • Model tolerant, patient, dignified, and
    respectful behavior.
  • Use the least intrusive intervention possible.
  • Connect with your students and build strong
    personal bonds with them.
  • Instill hope for success (otherwise there is no
    reason for kids to behave in your class). NEVER
    do anything disrespectful, illegal, immoral,
    ineffective, bad for health/safety,or you
    wouldn't want done to you.
  • NEVER give up on a student.  Be perturbed with
    the actions of a student, but keep believing in
    his/her ability to change for the better. CATCH
    KIDS BEING GOOD . . . A LOT!!
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