Discrete Techniques

1
Discrete Techniques

• Chapter 7

2

• Introduction
• Texture mapping, antialiasing, compositing, and
  alpha blending are only a few of the techniques
  that become possible when the API allows us to
  work with discrete buffers.
• This chapter introduces these techniques,
  focusing on those that are supported by OpenGL
  and by similar APIs.

3
1. Buffers

• We have already used two types of buffers Color
  buffers and Depth buffers. Later we will
  introduce others.
• What all buffers have in common is that they are
  inherently discrete.
• They have limited resolution, both spatially and
  in depth.

4

• Define a buffer by its spatial resolution (n x m)
  and its depth k, the number of bits/pixel

pixel
5

• OpenGL defines the frame buffer as consisting of
  a variety of buffers

6

• OpenGL buffers
• Color buffers can be displayed
• Front
• Back
• Auxiliary
• Overlay
• Depth
• Accumulation
• High resolution buffer
• Stencil
• Holds masks
• The depth of these buffers combined can exceed a
  few hundred bits.

7
2. Digital Images

• Before we look at how the graphics system can
  work with digital images through pixel and bit
  operations, lets examine what we mean by a
  digital image.
• Within our programs, we generally work with
  images that are arrays of pixels.
• These images can be of a variety of sizes and
  data types, depending upon the type of image with
  which we are working.

8

• Image Formats
• We often work with images in a standard format
  (JPEG, TIFF, GIF)
• How do we read/write such images with OpenGL?
• No support in OpenGL
• OpenGL knows nothing of image formats
• Some code available on Web
• Can write readers/writers for some simple formats
  in OpenGL

9

• Displaying a PPM Image
• PPM is a very simple format
• Each image file consists of a header followed by
  all the pixel data
• Header
• P3
• comment 1
• comment 2
• .
• comment n
• rows columns maxvalue
• pixels

10

• Reading the Header
• FILE fd
• int k, nm
• char c
• int i
• char b100
• float s
• int red, green, blue
• printf("enter file name\n")
• scanf("s", b)
• fd fopen(b, "r")
• fscanf(fd,"\n ",b)
• if(b0!'P' b1 ! '3')
• printf("s is not a PPM file!\n", b)
• exit(0)
• printf("s is a PPM file\n",b)

check for P3 in first line
11

• Reading the Header (cont)
• fscanf(fd, "c",c)
• while(c '')
• fscanf(fd, "\n ", b)
• printf("s\n",b)
• fscanf(fd, "c",c)
• ungetc(c,fd)
• skip over comments by looking for in first
  column

12

• Reading the Data
• fscanf(fd, "d d d", n, m, k)
• printf("d rows d columns max value
  d\n",n,m,k)
• nm nm
• imagemalloc(3sizeof(GLuint)nm)
• s255./k
• for(i0iltnmi)
• fscanf(fd,"d d d",red, green, blue )
• image3nm-3i-3red
• image3nm-3i-2green
• image3nm-3i-1blue

13

• Scaling the Image Data
• We can scale the image in the pipeline
• glPixelTransferf(GL_RED_SCALE, s)
• glPixelTransferf(GL_GREEN_SCALE, s)
• glPixelTransferf(GL_BLUE_SCALE, s)
• We may have to swap bytes when we go from
  processor memory to the frame buffer depending on
  the processor. If so, we can use
• glPixelStorei(GL_UNPACK_SWAP_BYTES,GL_TRUE)

14

• The display callback
• void display()
• glClear(GL_COLOR_BUFFER_BIT)
• glRasterPos2i(0,0)
• glDrawPixels(n,m,GL_RGB,
• GL_UNSIGNED_INT, image)
• glFlush()

15
3. Writing into Buffers

• Conceptually, we can consider all of memory as a
  large two-dimensional array of pixels
• We read and write rectangular block of pixels
• Bit block transfer (bitblt) operations
• The frame buffer is part of this memory

memory
source
frame buffer (destination)
writing into frame buffer
16

• Note that, from the hardware perspective, the
  type of processing involved has none of the
  characteristics of the processing of geometric
  objects.
• Consequently the hardware that optimizes bitblt
  operations has a completely different
  architecture from the pipeline hardware that we
  used for geometric operations.
• Thus, the OpenGL architecture contains both a
  geometric pipeline and a pixel pipeline, each of
  which is usually implemented separately

17

• 3.1 Writing Modes
• Read destination pixel before writing source

18

• Writing Modes
• Source and destination bits are combined bitwise
• 16 possible functions (one per column in table)

XOR
replace
OR
19

• 3.2 Writing with XOR
• Recall from Chapter 3 that we can use XOR by
  enabling logic operations and selecting the XOR
  write mode
• XOR is especially useful for swapping blocks of
  memory such as menus that are stored off screen
• If S represents screen and M represents a menu
• the sequence
• S ? S ? M
• M ? S ? M
• S ? S ? M
• swaps the S and M

20
4. Bit and Pixel Operations in OpenGL

• Not only does OpenGL support a separate pixel
  pipeline and a variety of buffers, but also data
  can be moved among these buffers and between
  buffers and the processor memory.
• The plethora of formats and types can make
  writing efficient code for dealing with bits and
  pixels a difficult task. We shall not discuss
  what the details are, but instead shall look at
  what capabilities are supported.

21

• 4.1 OpenGL Buffers and the Pixel Pipeline
• OpenGL has a separate pipeline for pixels
• Writing pixels involves
• Moving pixels from processor memory to the frame
  buffer
• Format conversions
• Mapping, Lookups, Tests
• Reading pixels
• Format conversion

22

• Raster Position
• OpenGL maintains a raster position as part of the
  state
• Set by glRasterPos()
• glRasterPos3f(x, y, z)
• The raster position is a geometric entity
• Passes through geometric pipeline
• Eventually yields a 2D position in screen
  coordinates
• This position in the frame buffer is where the
  next raster primitive is drawn

23

• Buffer Selection
• OpenGL can draw into or read from any of the
  color buffers (front, back, auxiliary)
• Default to the back buffer
• Change with glDrawBuffer and glReadBuffer
• Note that format of the pixels in the frame
  buffer is different from that of processor memory
  and these two types of memory reside in different
  places
• Need packing and unpacking
• Drawing and reading can be slow

24

• Bitmaps
• OpenGL treats 1-bit pixels (bitmaps) differently
  from multi-bit pixels (pixelmaps)
• Bitmaps are masks that determine if the
  corresponding pixel in the frame buffer is drawn
  with the present raster color
• 0 ? color unchanged
• 1 ? color changed based on writing mode
• Bitmaps are useful for raster text
• GLUT font GLUT_BIT_MAP_8_BY_13

25

• Raster Color
• Same as drawing color set by glColor()
• Fixed by last call to glRasterPos()
• glColor3f(1.0, 0.0, 0.0)
• glRasterPos3f(x, y, z)
• glColor3f(0.0, 0.0, 1.0)
• glBitmap(.
• glBegin(GL_LINES)
• glVertex3f(..)
• Geometry drawn in blue
• Ones in bitmap use a drawing color of red

26

• 4.2 Bitmaps
• OpenGL treats arrays of one-bit pixels (bitmaps)
  differently from multibit pixels (pixelmaps) and
  provides different programming interfaces for the
  two cases.
• Bitmaps are used for fonts and for displaying the
  cursor, often making use of the XOR writing mode.

27

• glBitmap(width, height, x0, y0, xi, yi, bitmap)

offset from raster position
increments in raster position after bitmap
drawn
first raster position
second raster position
28

• Example Checker Board
• GLubyte wb2 0 x 00, 0 x ff
• GLubyte check512
• int i, j
• for(i0 ilt64 i) for (j0 jlt64, j)
• checki8j wb(i/8j)2
• glBitmap( 64, 64, 0.0, 0.0, 0.0, 0.0, check)

29

• 4.4 Pixels and Images
• OpenGL works with rectangular arrays of pixels
  called pixel maps or images
• Pixels are in one byte ( 8 bit) chunks
• Luminance (gray scale) images 1 byte/pixel
• RGB 3 bytes/pixel
• Three functions
• Draw pixels processor memory to frame buffer
• Read pixels frame buffer to processor memory
• Copy pixels frame buffer to frame buffer

30

• OpenGL Pixel Functions

glReadPixels(x,y,width,height,format,type,myimage)
size
type of pixels
start pixel in frame buffer
type of image
GLubyte myimage5125123 glReadPixels(0,0,
512, 512, GL_RGB, GL_UNSIGNED_BYTE,
myimage)
glDrawPixels(width,height,format,type,myimage)
starts at raster position
31

• 4.5 Lookup Tables
• In OpenGL, all colors can be modified by lookup
  tables as they are placed into buffers.
• These maps are essentially the same as the color
  lookup tables that we introduced in Chapter 2

32

• 4.6 Buffers for Picking
• You can use the read and write capabilities of
  the buffers to allow you to do picking quite
  easily.
• The colors in the extra buffer are identifiers
  of the objects rendered at that pixel location.
• If we combine this with z-buffer, then each pixel
  has the identifier of the closest object to the
  camera.

33
5. Mapping Methods

• Although graphics cards can render over 10
  million polygons per second, that number is
  insufficient for many phenomena
• Clouds
• Grass
• Terrain
• Skin

34

• Modeling an Orange
• Consider the problem of modeling an orange (the
  fruit)
• Start with an orange-colored sphere
• Too simple
• Replace sphere with a more complex shape
• Does not capture surface characteristics (small
  dimples)
• Takes too many polygons to model all the dimples

35

• Modeling an Orange (2)
• Take a picture of a real orange, scan it, and
  paste onto simple geometric model
• This process is known as texture mapping
• Still might not be sufficient because resulting
  surface will be smooth
• Need to change local shape
• Bump mapping

36

• Three Types of Mapping
• Texture Mapping
• Uses images to fill inside of polygons
• Environmental (reflection mapping)
• Uses a picture of the environment for texture
  maps
• Allows simulation of highly specular surfaces
• Bump mapping
• Emulates altering normal vectors during the
  rendering process

37

• Texture Mapping

geometric model
texture mapped
38

• Environment Mapping

39

• Bump Mapping

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6. Texture Mapping

• Textures are patterns.
• They can range from regular patterns, such as
  stripes and checkerboards, to the complex
  patterns that characterize natural materials.
• Textures can be 1, 2, 3, and 4 dimensional
• 1D used to create a pattern for a curve.
• 3D a block of material used to sculpt an
  object.
• 2D is by far the most common.

41

• Where does mapping take place?
• Mapping techniques are implemented at the end of
  the rendering pipeline
• Very efficient because few polygons make it past
  the clipper

42

• Is it simple?
• Although the idea is simple---map an image to a
  surface---there are 3 or 4 coordinate systems
  involved

2D image
3D surface
43

• Coordinate Systems
• Parametric coordinates
• May be used to model curved surfaces
• Texture coordinates
• Used to identify points in the image to be mapped
• World Coordinates
• Conceptually, where the mapping takes place
• Screen Coordinates
• Where the final image is really produced

44

• 6.1 Two-Dimensional Texture Mapping

45

• Mapping Functions
• Basic problem is how to find the maps
• Consider mapping from texture coordinates to a
  point a surface
• Appear to need three functions
• x x(s,t)
• y y(s,t)
• z z(s,t)
• But we really want
• to go the other way

(x,y,z)
t
s
46

• Backward Mapping
• We really want to go backwards
• Given a pixel, we want to know to which point on
  an object it corresponds
• Given a point on an object, we want to know to
  which point in the texture it corresponds
• Need a map of the form
• s s(x,y,z)
• t t(x,y,z)
• Such functions are difficult to find in general

47

• Two-part mapping
• One solution to the mapping problem is to first
  map the texture to a simple intermediate surface
• Example map to cylinder

48

• Cylindrical Mapping

parametric cylinder
x r cos 2p u y r sin 2pu z v/h
maps rectangle in u,v space to cylinder of radius
r and height h in world coordinates
s u t v
maps from texture space
49

• Spherical Map

We can use a parametric sphere
x r cos 2pu y r sin 2pu cos 2pv z r sin 2pu
sin 2pv
in a similar manner to the cylinder but have to
decide where to put the distortion Spheres are
used in environmental maps
50

• Box Mapping
• Easy to use with simple orthographic projection
• Also used in environmental maps

51

• Second Mapping
• Map from intermediate object to actual object
• Normals from intermediate to actual
• Normals from actual to intermediate
• Vectors from center of intermediate

52

• Aliasing
• Point sampling of the texture can lead to
  aliasing errors

point samples in u,v (or x,y,z) space
miss blue stripes
point samples in texture space
53

• Area Averaging
• A better but slower option is to use area
  averaging

pixel
preimage
Note that preimage of pixel is curved
54

• 6.2 Texture Mapping in OpenGL
• Three steps to applying a texture
• specify the texture
• read or generate image
• assign to texture
• enable texturing
• assign texture coordinates to vertices
• Proper mapping function is left to application
• specify texture parameters
• wrapping, filtering

55

• Texture Mapping

screen
geometry
image
56

• Texture Example
• The texture (below) is a 256 x 256 image that has
  been mapped to a rectangular polygon which is
  viewed in perspective

57

• Texture Mapping and the OpenGL Pipeline
• Images and geometry flow through separate
  pipelines that join at the rasterizer
• complex textures do not affect geometric
  complexity

58

• Specify Texture Image
• Define a texture image from an array of
  texels (texture elements) in CPU memory
• Glubyte my_texels512512
• Define as any other pixel map
• Scanned image
• Generate by application code
• Enable texture mapping
• glEnable(GL_TEXTURE_2D)
• OpenGL supports 1-4 dimensional texture maps

59

• Define Image as a Texture
• glTexImage2D( target, level, components, w, h,
  border, format, type, texels )
• target type of texture, e.g. GL_TEXTURE_2D
• level used for mipmapping (discussed later)
• components elements per texel
• w, h width and height of texels in pixels
• border used for smoothing (discussed later)
• format and type describe texels
• texels pointer to texel array
• glTexImage2D(GL_TEXTURE_2D, 0, 3, 512, 512, 0,
  GL_RGB, GL_UNSIGNED_BYTE, my_texels)

60

• Converting A Texture Image
• OpenGL requires texture dimensions to be powers
  of 2
• If dimensions of image are not powers of 2
• gluScaleImage( format, w_in, h_in, type_in,
  data_in, w_out, h_out, type_out, data_out )
• data_in is source image
• data_out is for destination image
• Image interpolated and filtered during scaling

61

• Mapping a Texture
• Based on parametric texture coordinates
  glTexCoord() specified at each vertex

Texture Space
Object Space
t
1, 1
(s, t) (0.2, 0.8)
0, 1
A
a
(0.4, 0.2)
c
b
B
C
(0.8, 0.4)
s
0, 0
1, 0
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• Typical Code
• glBegin(GL_POLYGON)
• glColor3f(r0, g0, b0)
• glNormal3f(u0, v0, w0)
• glTexCoord2f(s0, t0)
• glVertex3f(x0, y0, z0)
• glColor3f(r1, g1, b1)
• glNormal3f(u1, v1, w1)
• glTexCoord2f(s1, t1)
• glVertex3f(x1, y1, z1)
• .
• .
• glEnd()
• Note that we can use vertex arrays to increase
  efficiency

63

• Interpolation
• OpenGL uses bilinear interpolation to find proper
  texels from specified texture coordinates. There
  can be distortions

texture stretched over trapezoid showing effects
of bilinear interpolation
good selection of tex coordinates
poor selection of tex coordinates
64

• Texture Parameters
• OpenGL has a variety of parameters that determine
  how texture is applied
• Wrapping parameters determine what happens of s
  and t are outside the (0,1) range
• Filter modes allow us to use area averaging
  instead of point samples
• Mipmapping allows us to use textures at multiple
  resolutions
• Environment parameters determine how texture
  mapping interacts with shading

65

• Wrapping Mode
• Clamping if s,t gt 1 use 1, if s,t lt0 use 0
• Wrapping use s,t modulo 1
• glTexParameteri( GL_TEXTURE_2D,
  GL_TEXTURE_WRAP_S, GL_CLAMP )
• glTexParameteri( GL_TEXTURE_2D,
  GL_TEXTURE_WRAP_T, GL_REPEAT )

66

• Magnification and Minification
• More than one texel can cover a pixel
  (minification) or more than one pixel can cover a
  texel (magnification)
• Can use point sampling (nearest texel) or linear
  filtering ( 2 x 2 filter) to obtain texture
  values

67

• Filter Modes

• Modes determined by
• glTexParameteri( target, type, mode )

glTexParameteri(GL_TEXTURE_2D, GL_TEXURE_MAG_FILTE
R, GL_NEAREST)
glTexParameteri(GL_TEXTURE_2D, GL_TEXURE_MIN_FILTE
R, GL_LINEAR)
Note that linear filtering requires a border of
an extra texel for filtering at edges (border
1)
68

• Mipmapped Textures
• Mipmapping allows for prefiltered texture maps of
  decreasing resolutions
• Lessens interpolation errors for smaller textured
  objects
• Declare mipmap level during texture definition
• glTexImage2D( GL_TEXTURE_D, level, )
• GLU mipmap builder routines will build all the
  textures from a given image
• gluBuildDMipmaps( )

69

• Example

point sampling
linear filtering
mipmapped point sampling
mipmapped linear filtering
70

• Texture Functions
• Controls how texture is applied
• glTexEnvfiv( GL_TEXTURE_ENV, prop, param )
• GL_TEXTURE_ENV_MODE modes
• GL_MODULATE modulates with computed shade
• GL_BLEND blends with an environmental color
• GL_REPLACE use only texture color
• GL(GL_TEXTURE_ENV, GL_TEXTURE_ENV_MODE,
  GL_MODULATE)
• Set blend color with GL_TEXTURE_ENV_COLOR

71

• Perspective Correction Hint
• Texture coordinate and color interpolation
• either linearly in screen space
• or using depth/perspective values (slower)
• Noticeable for polygons on edge
• glHint( GL_PERSPECTIVE_CORRECTION_HINT, hint )
• where hint is one of
• GL_DONT_CARE
• GL_NICEST
• GL_FASTEST

72

• Generating Texture Coordinates
• OpenGL can generate texture coordinates
  automatically
• glTexGenifdv()
• specify a plane
• generate texture coordinates based upon distance
  from the plane
• generation modes
• GL_OBJECT_LINEAR
• GL_EYE_LINEAR
• GL_SPHERE_MAP (used for environmental maps)

73

• 6.3 Texture Objects
• Texture is part of the OpenGL state
• If we have different textures for different
  objects, OpenGL will be moving large amounts data
  from processor memory to texture memory
• Recent versions of OpenGL have texture objects
• one image per texture object
• Texture memory can hold multiple texture obejcts

74

• Applying Textures II
• specify textures in texture objects
• set texture filter
• set texture function
• set texture wrap mode
• set optional perspective correction hint
• bind texture object
• enable texturing
• supply texture coordinates for vertex
• coordinates can also be generated

75

• Other Texture Features
• Environmental Maps
• Start with image of environment through a wide
  angle lens
• Can be either a real scanned image or an image
  created in OpenGL
• Use this texture to generate a spherical map
• Use automatic texture coordinate generation
• Multitexturing
• Apply a sequence of textures through cascaded
  texture units

76
9. Compositing Techniques

• OpenGL provides a mechanism, alpha blending,
  than can (among other effects) create images with
  transparent objects
• The objective of this section is to learn to use
  the A component in RGBA color for
• Blending for translucent surfaces
• Compositing images
• Antialiasing

77

• 9.1 Opacity and Blending
• Opaque surfaces permit no light to pass through
• Transparent surfaces permit all light to pass
• Translucent surfaces pass some light translucency
  1 opacity (a)

78

• Physical Models
• Dealing with translucency in a physically correct
  manner is difficult due to
• the complexity of the internal interactions of
  light and matter
• Using a pipeline renderer

79

• Writing Model
• Use A component of RGBA (or RGBa) color to store
  opacity
• During rendering we can expand our writing model
  to use RGBA values

blend
source blending factor
destination component
source component
destination blending factor
Color Buffer
80

• Blending Equation
• We can define source and destination blending
  factors for each RGBA component
• s sr, sg, sb, sa
• d dr, dg, db, da
• Suppose that the source and destination colors
  are
• b br, bg, bb, ba
• c cr, cg, cb, ca
• Blend as
• c br sr cr dr, bg sg cg dg , bb sb cb db ,
  ba sa ca da

81

• 9.2 Image Compositing
• The most straightforward use of a blending is to
  combine and display several images that exist as
  pixel maps, or equivalently, as sets of data that
  have been rendered independently

82

• 9.3 Blending and Compositing in OpenGL
• Must enable blending and pick source and
  destination factors
• glEnable(GL_BLEND)
• glBlendFunc(source_factor,
• destination_factor)
• Only certain factors supported
• GL_ZERO, GL_ONE
• GL_SRC_ALPHA, GL_ONE_MINUS_SRC_ALPHA
• GL_DST_ALPHA, GL_ONE_MINUS_DST_ALPHA
• See Redbook for complete list

83

• Example
• Suppose that we start with the opaque background
  color (R0,G0,B0,1)
• This color becomes the initial destination color
• We now want to blend in a translucent polygon
  with color (R1,G1,B1,a1)
• Select GL_SRC_ALPHA and GL_ONE_MINUS_SRC_ALPHA as
  the source and destination blending factors
• R1 a1 R1 (1- a1) R0,
• Note this formula is correct if polygon is either
  opaque or transparent

84

• Clamping and Accuracy
• All the components (RGBA) are clamped and stay in
  the range (0,1)
• However, in a typical system, RGBA values are
  only stored to 8 bits
• Can easily loose accuracy if we add many
  components together
• Example add together n images
• Divide all color components by n to avoid
  clamping
• Blend with source factor 1, destination factor
  1
• But division by n loses bits

85

• 9.4 Antialiasing
• Line Aliasing
• Ideal raster line is one pixel wide
• All line segments, other than vertical and
  horizontal segments, partially cover pixels
• Simple algorithms color
• only whole pixels
• Lead to the jaggies
• or aliasing
• Similar issue for polygons

86

• Antialiasing
• Can try to color a pixel by adding a fraction of
  its color to the frame buffer
• Fraction depends on percentage of pixel covered
  by fragment
• Fraction depends on whether there is overlap

no overlap
overlap
87

• Area Averaging
• Use average area a1a2-a1a2 as blending factor

88

• OpenGL Antialiasing
• Can enable separately for points, lines, or
  polygons
• glEnable(GL_POINT_SMOOTH)
• glEnable(GL_LINE_SMOOTH)
• glEnable(GL_POLYGON_SMOOTH)
• glEnable(GL_BLEND)
• glBlendFunc(GL_SRC_ALPHA, GL_ONE_MINUS_SRC_ALPHA)
  

89

• 9.5 Back-to-Front and Front-to-Back Rendering
• Is this image correct?
• Probably not
• Polygons are rendered
• in the order they pass
• down the pipeline
• Blending functions
• are order dependent

90

• Opaque and Translucent Polygons
• Suppose that we have a group of polygons some of
  which are opaque and some translucent
• How do we use hidden-surface removal?
• Opaque polygons block all polygons behind them
  and affect the depth buffer
• Translucent polygons should not affect depth
  buffer
• Render with glDepthMask(GL_FALSE) which makes
  depth buffer read-only
• Sort polygons first to remove order dependency

91

• 9.6 Depth Cueing and Fog
• We can composite with a fixed color and have the
  blending factors depend on depth
• Simulates a fog effect
• Blend source color Cs and fog color Cf by
• Csf Cs (1-f) Cf
• f is the fog factor
• Exponential
• Gaussian
• Linear (depth cueing)

92

• Fog Functions

93

• OpenGL Fog Functions
• GLfloat fcolor4
• glEnable(GL_FOG)
• glFogf(GL_FOG_MODE, GL_EXP)
• glFogf(GL_FOG_DENSITY, 0.5)
• glFOgv(GL_FOG, fcolor)

94
10. Multirendering and the Accumulation Buffer

• Compositing and blending are limited by
  resolution of the frame buffer
• Typically 8 bits per color component
• The accumulation buffer is a high resolution
  buffer (16 or more bits per component) that
  avoids this problem
• Write into it or read from it with a scale factor
• Slower than direct compositing into the frame
  buffer

95
12. Summary and Notes

• In the early days of computer graphics, people
  worked with only three-dimensional geometric
  objects, whereas those people who were involved
  with only two-dimensional images were considered
  to be working in image processing.
• Advances in hardware have made graphics and image
  processing systems practically indistinguishable.

96

• The idea that a two-dimensional image or texture
  can be mapped to a three dimensional surface in
  no more time than it takes to render the surface
  with constant shading would have been unthinkable
  a few years ago.
• Now these techniques are routine.
• In this chapter we have concentrated on
  techniques that are supported by recently
  available hardware and APIs
• Many of the techniques introduced here are new,
  many more are just appearing in the literature
  even more remain to be discovered.

97
13. Suggested Readings

• Bump mapping was first suggested by Blinn (77).
  Environmental mapping was developed by Blinn and
  Newell (76)
• Hardware support for texture mapping came with
  the SGI Reality Engine
• Many of the compositing techniques, including the
  use of the a channel, were suggested by Porter
  and Duff (84). The OpenGL Programmers Guide
  contains many examples of how buffers can be used.

98
Exercises -- Due next class