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How to Design Effective Writing Assignments

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Title: How to Design Effective Writing Assignments


1
How to Design Effective Writing Assignments
2
Starting with Goals . . .
  • Note The instructions offered here work best for
    longer, formal assignments. For suggestions
    about using shorter, write-to-learn assignments,
    please see Writing in Large Classes at
    www.writing.uci.edu

3
Goals of the Assignment
  • Begin by thinking about the goals of the writing
    assignment. Is the assignment designed to enable
    your students . . .
  • to learn course material?
  • to practice specific modes of reading, thinking,
    or research?
  • to create a particular kind of written product
    characteristic of your discipline?

4
Writing a Prompt
  • Put your assignment in writing (or create a
    prompt, to use the language of writing
    specialists).
  • Your written assignment will give students a more
    accurate and reliable guide than notes they may
    (or may not) take if you give it orally.
  • Moreover, it will help you remember what youve
    asked them to do, how you instructed them to
    carry out the task, and what criteria youve set
    up for evaluating the writing at the end of the
    process.

5
Thinking Rhetorically
  • Prompts address rhetorical elements such as
    situations, purpose, audience, genre.
  • They give the students instructions about the
    mode of development (analysis, argument,
    narration, description, etc.).
  • They should also give instructions about
    organization, appropriate forms of evidence or
    research, style, formatting, and citation of
    sources.

6
Criteria for Evaluation
  • Prompts make explicit your standards of
    evaluation.
  • What will constitute a successful product?
  • How will you weigh various elements such as
    research, organization, originality, style, and
    editing?

7
Audiences
8
Writing for Audiences
  • When students know their audience, they have an
    easier time approaching a writing assignment.
    Students grow as writers when they have
    opportunities to address multiple audiences.
  • Below are three general audiences for whom
    students are often asked to write
  • academic (for teachers and students)
  • professional/disciplinary
  • public

9
The Academic Audience
  • The most common audience for writing assignments
    is, by default, the instructor. Consider varying
    the audience. Have students write . . .
  • as upper-division majors to a new student trying
    to decide on a major.
  • on a subject about which their audience knows
    very little.
  • as if both they and their audience are literary
    critics, scientists, etc. (the typical situation
    but specified as such).

10
The Professional Audience
  • Asking students to write for a professional
    audience will help them connect their work to the
    real world. For instance, you might ask
    students to write as a computer software
    salesperson to a prospective client or you might
    ask them to write for a particular professional
    publication. When we assign forms of writing
    used by professionals in their field, students
    gain not only broader writing experiences but
    deeper familiarity with disciplinary habits.

11
The Public Audience
  • In addition to professional audiences, try having
    students write for public situations.
  • For instance, try asking students to . . .
  • write as a specialist in a field to a newspaper
    regarding a public problem
  • write as an informed citizen to a community group
    investigating a public issue
  • write as a specialist or informed citizen to a
    public official recommending a change in attitude
    or course of action about a public issue

12
Teaching Genres
13
A Question of Genre
  • Genres are discipline specific. Foregrounding
    generic conventions and making them part of what
    you teach will help students determine audience
    and purpose.
  • What are the genres most characteristic of your
    discipline?
  • What forms of reasoning, evidence, organization,
    style, and format work best in the genre youve
    assigned?

14
Possible Genres
  • essay
  • analysis (or critique) of a text or object
  • position paper
  • policy statement
  • call to action/political speech
  • editorial
  • case study
  • popular magazine article
  • review article
  • abstract
  • field or lab report
  • research paper
  • documentation
  • instructions
  • technical report

15
Writing as a Process
16
Sequencing the Assignment
  • Students will do a better job with a long written
    work if they are led to produce it in stages.
    Here are some of the stages you might include,
    along with written products you might require
    along the way
  • research questions, rationale for topic,
    proposal, or prospectus
  • list of sources or annotated bibliography
  • sample summary or analysis of a key source
  • outline
  • rough draft
  • peer review
  • final draft
  • self-evaluation or writers memo

17
Preventing Plagiarism
  • Breaking the assignment into parts, especially
    requiring a list of sources and rough draft, will
    help you discover students who resort to academic
    dishonesty.
  • Work with the UCI subject librarians in advance
    of making the assignment They can help you
    pre-select sources, if you wish. Setting up a
    class session in the library will insure that
    your students have had an introduction to
    appropriate research techniques.

18
Conducting Peer Review
  • Once students have written working drafts, allow
    them to read and comment on each others work.
  • This exercise gives students the opportunity to
    learn whether or not theyve communicated their
    ideas effectively. It also puts student writers
    in the position of readers and creates for them a
    community of knowledgeable peers (Bruffee).
  • Peer review helps teach students how to evaluate
    writing themselves and give constructive feedback
    to peers--skills highly valued in academic,
    public, and professional communities alike.

19
Conferring About Drafts
  • Once youve provided written feedback on student
    drafts, hold conferences during office hours.
    Conferences enable students to ask specific
    questions about their work and allow you to
    elaborate on your written comments.
  • You can conduct conferences on a one-on-one basis
    or in small groups in which you lead a
    collaborative discussion about each students
    work.
  • A CWC writing consultant would be happy to help
    with peer review or student conferencing (email
    sjarratt_at_uci.edu.

20
Providing Writing Samples
  • Since many students learn by example or
    imitation, writing samples can be helpful. They
    show students how conventions--such as
    organization, analysis, and argument--come
    together in superior work.
  • As a model, you might use a successful student
    paper from a previous quarter.
  • Consult writing handbooks or on-line resources in
    your discipline for sample writing or further
    suggestions about using models in the classroom.

21
Works Cited and Consulted
  • Bruffee, Kenneth. Collaborative Learning and
    the Conversation of Mankind. College English
    46 (1984) 635-52.
  • Hollowell, John. A Student Guide to Writing at
    UCI. Tenth Edition. Boston Pearson Custom
    Publishing, 2002.
  • Jarratt, Susan. A Short Course on Rhetoric
    http //www.writing.uci.edu/shortcourse.html

22
Additional Resources for Assignment Design
  • http//www.writing.uci.edu/faculres.html
  • http//www.cstw.ohiostate.edu/Tutor/handout11.htm
  • Bean, John C. Engaging Ideas The Professors
    Guide to Integrating Writing, Critical Thinking,
    and Active Learning in the Classroom. San
    Francisco Jossey-Bass, 1996.
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