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Title: Criticism of Language, Stories,


1
Criticism of Language, Stories, Persuasion
Understanding Power and Culture
  • John A. Cagle

2
Condensation Symbols Ideographs Persuasion to
Culture
3
Graber, Doris A. Verbal Behavior and Politics.
Urbana University of Illinois Press, 1976.
  • Politics is by definition a social activity which
    involves interaction among people, through
    various forms of communication, to make and
    enforce rules for their social system. . . .
  • Through description and analysis of verbal
    behavior studies pertaining to politics, the book
    seeks to show how and why knowledge of verbal
    behavior is important to an understanding of
    politics.
  • This endeavor calls for
  • a discussion of the function which verbal
    behavior performs in the conduct of politics,
  • the manner in which those functions are performed
    under various circumstances, and
  • the consequences of verbal behavior, including
    the inferences which may be drawn from it.

4
Building Blocks of Political Language
  • Referential Symbols. When referential symbols
    are used, the message carries its meaning in a
    given cultural setting through the culturally
    shared denotations of the words in their
    syntactical context.
  • Instrumental Symbols. Besides carrying manifest
    meanings, these symbols are instrumental in
    evoking latent meaningsmeaning not readily
    apparent from the denotations of the words.
    Understanding of the latent meaning usually
    requires insight into the context in which the
    verbalization has occurred. An instrumental
    message may also carry attitudinal messages which
    are not apparent from the wording. Social
    relations may also be expressed instrumentally.
    Edward Sapir claimed that one of the really
    important functions of language is to be
    constantly declaring to society the psychological
    place held by all of its members.
  • Connotational Symbols. These symbols carry a
    variety of specific cognitive, emotional, and
    evaluative meanings for different audiences and
    individuals. These meanings tend to vary not
    only from audience to audience, but also from
    time to time and place to place. The denotation
    is what the message means generally to audiences
    when symbols have a standardized empirical
    referent. The connotation is what the message
    means to a particular individual or group at a
    particular time when it is placed into the
    context of personal or group predispositions and
    experiences.

5
Functions and Effects of Verbal Behavior
  • Attention Arousal
  • Establishing Political Linkages and Definitions
  • Creation of Reality Sleeves The political
    linkages thus far create particular perceptions
    of reality by linking a new event to a familiar
    cause, concept, or analogy, creating new
    perceptual realities for receivers who accept the
    linkages, which in turn become prisms through
    which future information is filtered and shaped.
    Some of these become reality sleevesconceptual
    straightjackets which tightly enclose the minds
    of individuals and groups and prevent them from
    accepting conflicting perceptions.
  • Effects of Verbal Commitment In the process of
    creating reality sleeves for others, political
    leaders often create a map of the territory of
    experience and commit themselves to its accuracy
    and to the political course they have charted.
    Commitments often remain binding even if the map
    is later found to be inaccurate.
  • Creation of Policy-Relevant Moods
  • The Use of Words to Stimulate Action
  • The Use of Words as Action
  • The Use of Words as Symbolic Rewards

6
Condensation Symbols in Politics
  • A condensation symbol is a name, word, phrase, or
    maxim which stirs vivid impressions involving the
    listeners basic values. The symbol arouses and
    readies him for mental or physical action.
  • Verbal condensation symbols are the most potent,
    versatile, and effective tools available to
    politicians for swaying mass publics. Politics
    abounds in such symbols.
  • Democracy, social progress, self-determination,
    socialism, communism, capitalism, imperialism,
    colonialism, exploitation, repressions, racism,
    freedom fightersthe list is ever-changing,
    endless.
  • When mass audiences respond strongly and
    uniformly to the appeals of such symbols, the
    symbols become Pavlovian cues the audience
    reacts automatically to the cue, rather than to
    the facts of the situation.

7
McGee, Michael Calvin. The Ideograph A Link
between Rhetoric and Ideology. Quarterly
Journal of Speech 66 (1980) 1-16.
  • If a mass conscious exists at all, it must be
    empirically present, itself a thing obvious to
    those who participate in it, or, at least,
    empirically manifested in the language which
    communicates it.
  • Since the clearest access to persuasion (and
    hence to ideology) is through the discourse used
    to produce it, I will suggest that ideology in
    practice is a political language, preserved in
    rhetorical documents, with the capacity to
    dictate decision and control public belief and
    behavior.
  • Further, the political language which manifests
    ideology seems characterized by slogans, a
    vocabulary of ideographs, easily mistaken for the
    technical terminology of political philosophy.
  • An analysis of ideographic usages in political
    rhetoric, I believe, reveals the interpenetrating
    systems or structures of public motives. Such
    structures appear to be diachronic and
    synchronic patterns of political consciousness
    which have the capacity both to control power
    and to influence (if not determine) the shape and
    texture of each individuals reality.

8
Stories and Culture
9
Assumptions of Narrative Analysis
  • Humans make sense of their world by the stories
    they tell about it
  • Beliefs and behaviors are based on good reasons
  • Narrative is a persuasive and vital form of
    interpretive discourse
  • Stories are symbolic actions that create social
    reality

10
Nature of Stories
  • Stories are linked to experience
  • Stories are linked to values
  • Narratives are based on experience, is a product
    of the memory, has a sense of chronology, is
    coherent, defines a central subject, and has
    closure.

11
Chararacteristics of Narrative
  • Theme
  • Plot
  • Structure
  • Characters
  • Narrator
  • Setting
  • Time and Causality

12
Criticism of Narratives
  • Mythic
  • Narrative paradigm
  • Dramatistic
  • Fantasy theme analysis
  • Fictitious
  • Archetypal
  • ETC.

13
Dramatism Kenneth Burke
  • The range of rhetoric is wide.
  • All life is drama.
  • Drama features human motives.
  • Hierarchy is fundamental to human symbolism.
  • Rhetoric promises transcendence.

14
Rhetorical Analysis of Narrative
  • Kenneth Burkes Pentad act, scene, agent,
    agency, and purpose
  • Pentadic ratios can be used to define the central
    relationship of any story
  • scene-act,
  • scene-agency,
  • scene-purpose,
  • act-purpose,
  • act-agent,
  • act-agency,
  • agent-purpose,
  • agent-agency, and
  • agency-purpose.

15
Burkean Critical Probes
  • Can principles of hierarchy be found in
    discourse?
  • What is rhetors vocabulary of motives?
  • Who or what is being scapegoated?
  • Are strategies of transcendence in evidence?

16
Myththe Substance of CultureFerdinand de
Saussure
  • Myths are master stories that describe
    exceptional people doing exceptional things and
    that serve as moral guides to proper action.

17
Types of Myth
  • Cosmological myths why we are here.
  • Societal myths the proper way to live.
  • Identity myths what makes one cultural grouping
    different from another.
  • Eschatological myths quo vadis?

18
Why use myth?
  • Heightened sense of authority
  • Sense of continuity
  • Sense of coherence
  • Sense of community
  • Sense of choice
  • Sense of agreement

19
Structuralism Claude Levi-Strauss
  • Myths worldwide are similar at the structural
    level although content is different
  • Critic should track the source of the myth
  • Effectiveness is tied to how mythic elements are
    combined
  • Task is to discover the unique harmony (of
    emotions, images, ideas, etc.) myth provides

20
Fantasy themes Ernest Bormann
  • Fantasy themes are mythic shorthand
  • Purpose is to dramatize ideas for listeners

21
Fantasy Themes Critical Probes
  • What are people like?
  • What are possibilities for group action?
  • On what people can you most depend?
  • What is mankinds purpose on earth?
  • What are measures of right and wrong?
  • How can success be measured?
  • What information is most valuable?

22
Ideology Criticism
23
What is Ideology?
  • A system of shared meanings that represents the
    world for us.
  • A network of interconnected convictions the
    influence how people see the world, truth and
    reality.
  • Politics, science, morality, and religion are
    forms of ideology.

24
What does Ideology do?
  • Shapes peoples identity by determining how they
    see the world.
  • Functions to determine a communitys set of
    beliefs.
  • Constrains the emergence of political expression.
  • Expresses and defends the interests of the
    powerful.

25
Rhetoric and Ideological Criticism
  • Rhetoricians seek to
  • Understand the integration of power and knowledge
    in society.
  • Identify the rhetorical strategies that maintain
    power differences or create unification.
  • The study of symbols is often central to this
    work
  • Consider what interventionist strategies might be
    appropriate to effect social change.
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