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GUIDED PEER EDITING

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If it reads like necessary background, place a happy face next to the background. ... If yes, underline the transition and put a happy face next to it. ... – PowerPoint PPT presentation

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Title: GUIDED PEER EDITING


1
GUIDED PEER EDITING
2
PLEASE STAY WITH THIS POWERPOINT AS YOU EDIT.
DO NOT WORK AHEAD!
3
RULES FOR PEER EDITING
  • Work hard at editing the paper. - It will help
    both your partner AND you!
  • Be truthful, but dont be mean! Give CONSTRUCTIVE
    CRITICISM!
  • Celebrate the STRENGTHS of the paper - dont
    focus solely on weaknesses!

4
WRITE ON THE DRAFT!
GREAT ANALYSIS!
  • Mark directly on the draft

5
TASK 1
READ THE PAPER!
6
TITLE?
  • Is there a creative title?
  • If there is a boring title or no title at all,
    offer a suggestion.

7
INTRODUCTION
  • Does the paper begin with a generalization about
    life?
  • Is the generalization explained further?
  • This generalization should not mention the novel
    in anyway.
  • After reading the explanation, are you clear on
    its meaning?

8
THESIS STATEMENT
  • Does it name the title, author, the
    generalization and a connection to the novel?
  • Is the thesis clear and arguable? If so, place a
    ? next to the thesis. If not, place a ? and make
    a comment on the draft that explains the problem.

9
Quote
  • Is there a quote from the book after the thesis
    that further explains the generalization?
  • Is the quote blended and tagged?
  • If so, place a ? next to it
  • If not, place a ? next to it and write them a
    message in the margin telling them what they are
    missing

10
Introduction Continued
  • Is the paper written in present tense and 3rd
    person? Make a note to the author to change any
    past tense verbs and to avoid using 1st and 2nd
    person pronouns
  • You should not find any words like you, your, me,
    I, us, or we. If you do, circle them and tell
    the author to change them!

11
Situation 1 Transition Sentence
  • The second paragraph should begin with a
    transition sentence. It should not start just
    giving background information from the novel.
    Underline the transition sentence.
  • The transition should tie the first situation to
    the thesis so the reader understands the
    connection. If you can see the connection
    between the situation and the thesis, place a ?
    next to the transition.
  • If you cannot, indicate that to the author!

12
Situation 1 Background Information
  • Draw a squiggly line around the background
  • Does the author give enough background
    information ( without summarizing) for the 1st
    situation? If it reads like summary, place a sad
    face next to the background. If it reads like
    necessary background, place a happy face next to
    the background.

13
Situation 1Quote
  • After the background the author should offer a
    quote as proof of his or her thesis.
  • Underline this quote
  • Is there a clear connection between the quote and
    the thesis? If so place a ? next to the quote.
    If not place a ? next to the quote.

14
Situation 1 QUOTE INCORPORATION
  • NOW CHECK TO SEE THAT THE QUOTE IS PROPERLY
    INCORPORATED INTO THE AUTHORS WRITING.
  • Place a number next to the quote if it
  • 1. USES A DIALOGUE TAG
  • 2 USES AN -ING DIALOGUE TAG
  • 3. SIGNIFICANT WORDS ARE WOVEN
  • NOW CHECK TO SEE THAT THE QUOTES ARE PROPERLY
    PUNCTUATED AND DOCUMENTED.
  • Example Finny says, I have suffered (103).

15
OH NO! A NAKED QUOTE?!?
16
Situation 1 - ANALYSIS
  • Find the spot in the paragraph where the writer
    begins his/her in-depth analysis of the 1st
    situation.
  • Circle this chunk of analysis.
  • Is this analysis developed with several relevant
    ideas?
  • If not, put a ? next to the chunk.
  • If it is well developed, put a ? next to the
    analysis.
  • Check to see that the analysis makes up 1/2 to
    2/3 of the paragraph. It should! Tell the
    author if it doesnt.

17
GIVE A SUGGESTION AS TO HOW TO FURTHER ANALYZE
THE SCENE.
  • How do I do help the writer analyze further? Ask
    yourself these questions
  • Why does the character do what he/she does? Why
    does the character say what he/she says?
  • What about the characters background might
    influence the decisions, actions, or words shown
    in the situation?
  • Does the character have a personal agenda or
    motive?
  • How does the character feel about the other
    characters in the scene?

18
Situation 2
19
Situation 2 TRANSITION
  • Does the second situation begin with a transition
    that links the first situation to the second
    situation and to the thesis? If yes, underline
    the transition and put a happy face next to it.
  • EXAMPLE Not only does Captain Keller show a
    domineering attitude toward his wife, but he also
    acts similarly toward Annie.
  • If there is no transition, make a note of it on
    the draft.

20
Situation 2 Background Information
  • Draw a squiggly line around the background
  • Does the author give enough background
    information (without summarizing) for the 2nd
    situation? If it reads like summary, place a ?
    next to the background. If it reads like
    necessary background, place a ? next to the
    background.

21
Situation 2 QUOTE
  • After the background the author should offer a
    quote as proof of his or her thesis.
  • Underline this quote
  • Is there a clear connection between the quote and
    the thesis? If so, place a ? next to the quote.
    If not, place a ? next to the quote.

22
Situation 2 QUOTE INCORPORATION
  • NOW CHECK TO SEE THAT THE QUOTE IS PROPERLY
    INCORPORATED INTO THE AUTHORS WRITING.
  • Place a number next to the quote if it
  • 1. USES A DIALOGUE TAG
  • 2 USES AN -ING DIALOGUE TAG
  • 3. SIGNIFICANT WORDS ARE WOVEN
  • NOW CHECK TO SEE THAT THE QUOTES ARE PROPERLY
    PUNCTUATED AND DOCUMENTED.
  • Example Finny says, I have suffered (103).

23
Situation 2 ANALYSIS
  • Find the spot in the paragraph where the writer
    begins his/her in-depth analysis of the 2nd
    situation.
  • Circle this chunk of analysis.
  • Is this analysis developed with several relevant
    ideas?
  • If not, put a ? next to the chunk.
  • If it is well developed, put a ? next to the
    analysis.
  • Check to see that the analysis makes up 1/2 to
    2/3 of the paragraph. It should! Tell the
    author if it doesnt.

24
Situation 3
25
Situation 3 TRANSITION
  • Does the third situation begin with a transition
    that links the second situation to the third
    situation and to the thesis? If yes, underline
    the transition and put a happy face next to it.
  • EXAMPLE Not only does Captain Keller show a
    domineering attitude toward his wife, but he also
    acts similarly toward Annie.
  • If there is no transition, make a note of it on
    the draft.

26
Situation 3 Background Information
  • Draw a squiggly line around the background
  • Does the author give enough background
    information (without summarizing) for the 3rd
    situation? If it reads like summary, place a ?
    next to the background. If it reads like
    necessary background, place a ? next to the
    background.

27
Situation 3 QUOTE
  • After the background, the author should offer a
    quote as proof of his or her thesis.
  • Underline this quote
  • Is there a clear connection between the quote and
    the thesis? If so, place a ? next to the quote.
    If not, place a ? next to the quote.

28
Situation 3 QUOTE INCORPORATION
  • NOW CHECK TO SEE THAT THE QUOTE IS PROPERLY
    INCORPORATED INTO THE AUTHORS WRITING.
  • Place a number next to the quote if it
  • 1. USES A DIALOGUE TAG
  • 2 USES AN -ING DIALOGUE TAG
  • 3. SIGNIFICANT WORDS ARE WOVEN
  • NOW CHECK TO SEE THAT THE QUOTES ARE PROPERLY
    PUNCTUATED AND DOCUMENTED.
  • Example Finny says, I have suffered (103).

29
Situation 3 ANALYSIS
  • Find the spot in the paragraph where the writer
    begins his/her in-depth analysis of the 3rd
    situation.
  • Circle this chunk of analysis.
  • Is this analysis developed with several relevant
    ideas?
  • If not, put a ? next to the chunk.
  • If it is well developed, put a ? next to the
    analysis.
  • Check to see that the analysis makes up 1/2 to
    2/3 of the paragraph. It should! Tell the
    author if it doesnt.

30
Conclusion
  • Does this paragraph begin with a connection to
    life outside the novel?
  • Does the author tie back to the generalization
    and the thesis and expand on them?
  • Does the author address a new and thoughtful
    conclusion based on the analysis that they came
    up with?
  • Does the writer offer you something to think
    about?
  • Do you feel the author has been successful in
    proving his or her thesis in a creative and well
    constructed essay? Make a comment at the end.

31
CONVENTIONS
  • Are there major spelling, grammar, and
    punctuation errors or habits that make the paper
    difficult to read?
  • If so, comment on these on the draft.
  • Does the author consistently write in present
    tense, bracketing quotes when necessary?
  • Does the author consistently write in third
    person, avoiding all forms of I and you?

32
REMEMBER...
  • Use your own judgment when you revise your paper.
  • THIS IS YOUR PAPER!
  • If you do not agree with your editor, do not make
    the suggested change.
  • FOLLOW YOUR GUT INSTINCT!

33
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