Title: Egypt
1Egypt
Old Kingdom 3100-2185 BC Middle Kingdom 2133-1786
BC New Kingdom 1580-1085 BC
Artist as Magician
2New Vocabulary Ka Palatte Mastaba Pylon
3- Civilization in Egypt organized earlier, but
first dynasties 3000 BC-the start of the old
kingdom - Pharaoh was supreme ruler and a god- basis of all
civilization and of artwork - Knowledge of civilization rest solely in tombs
- Preoccupation with the cult of the dead (like
Neolithic) but no fear of the spirits of the dead - Each person must provide for the happiness of his
afterlife- would reproduce daily life in tombs
for their Ka (spirit) to enjoy- blurring of line
between life and death - Tomb was like afterlife insurance
4- Utilitarian-used to prepare eye makeup (to
protect from sun glare) - King Narmer united upper and lower Egypt- wears
the crown of upper Egypt - Palette is first known work of historical art (as
opposed to pre-historic) and is not funerary - Symbols include Papyrus (lower Egypt), falcon
(Horus), bare feet, lower figures
Palette of King Narmer, c. 3000 BC
5- Other Side-
- appears barefoot again and marches to inspect
decapitated enemies. - Pharoh is strong bull trampling enemy and
knocking down a citadel- bulls tail is a part of
pharoh garb for 3000 years - Center section is a symbol for unification -used
to hold eye makeup - Both panels have a strong sense of
order-organized into bands - Artist works for clarity first
- Only 3 views- frontal, profile, from above
- Strives to show pharaoh in most complete way- but
this prevents any feeling of movement
6Tomb Architecture-relates only to Pharaoh and
high officials
7Step Pyramid of Zoser, 2600 bc
Built on a Mastaba (Arabic for bench), burial
chamber deep underground with a shaft linking it
to the pyramid, meant to serve as a great monument
8Step Pyramid of King Zoser, 3rd Dynasty, 2600 BC
- Part of a huge funerary district with temples and
other buildings, scenes of religious celebration
before and after death-both symbolic and
practical - Designed by Imhotep-1st known artist in recorded
history
9- Columns
- Egyptian architecture began with mud bricks,
wood, reeds- Imhotep used cut stone masonry - style was similar to less enduring material-
columns are always engaged rather than
free-standing- just like bundles of reeds used to
look like- - now columns had an expressive purpose rather than
just functional-had a profound impact on Greek
architecture - tapering fluted columns were designed for harmony
and elegance, not just to hold things up - Papyrus columns are linked with lower Egypt
10Great Pyramids at Giza, 4th Dynasty
- Egyptian dead were always buried on the west side
of the Nile, where the sun sets - Burial Chamber is in the center of the pyramid
rather than underneath - Originally covered in smooth stone, built over
the course of 75 years - Funerary district is much more organized than
Zoser- surrounded by mastabas and smaller
pyramids - Pyramid shape came from cult of the sun god, Re,
also from step shape
11The Great Sphinx, Pyramids at Giza
- Next to pyramids (closest to Chefron)-serves as
guardian - 65 feet tall, carved from one stone
- Damaged during Islamic times, but had features of
Chefron - End of the period of huge scale monuments
12Chefron from Giza, 2500 BC
- Served as a back up in case mummies were
destroyed - Made of carved of extremely hard stone called
diorite - shows enthroned king with the falcon of the god
Horus - Shows the artists cubic view of the human
figure- created by drawing the front and side
view of the figure on the block of stone and then
working inward until the views met - figure is immobile and firm- the body is
impersonal but the face has some individual
traits
13- Standing (common pose), both have left foot
forward, yet they are not moving forward- - No emotion- outwardly or towards each other
- same height, provide a comparison of male and
female beauty
Mycerinus and Queen
14- Most poses were seated or standing- another pose
added in the 4th century BC- - the scribe pose- cross-legged on the ground-
scribe is a lower court official- most scribes
were sons of pharaohs. - Alert expression in face, individualized torso-
flabby and middle-aged - Serves true for the history of art- the lower the
rank of the subject, the more realism is used
Seated Scribe
15- Tomb paintings (non-royal)- landscapes were
popular - background is very active
- Ti is much larger than others- shows importance
- Ti isnt engaging in activity- hes watching-
also shows importance - Action is going on after death- body does not
respond, but the spirit appreciates the activity - Scenes are not nostalgic, they describe life
cycle activities - Success of the hunt symbolizes triumph over evil
Ti Watching a Hippo
16- Collapse of centralized pharaonic power at the
end of the sixth dynasty Egypt entered political
disturbance for 700 years- - power by local overlords who revived rivalry of
the north/south - after 12th century, invaded by Hyksos, of Asiatic
origin and ruled for 150 years until 1570 BC - Portraiture- faces are troubled rather than
serene- have self-awareness- very realistic
physically and psychological-
The Middle Kingdom
Portrait of Sesostris, 1850 BC
17New Kingdom...
- 500 years following Hyksos- 18th-20th dynasties
are a golden age of Egypt- - extended borders into Palestine and Syria period
known as the empire- tremendous trade and
architectural projects-centering on new capital,
Thebes - divinity of kings now connected with god Amun who
was fused with Ra (sun god) and was the ultimate
deity- priests of Amun grew in wealth and in
power and threatened power of pharaoh- - Amenhotep IV tried to gain more power by
declaring the existence of only one god, the sun
god Aten- changed his name to Akhenaten, closed
the Amun temples, and moved the capital to
central Egypt- - his attempts at monotheism did not outlast his
reign (1365-1347 BC)- country became based on
priests until until taken over by Greek and
Romans - New Kingdom art covers many styles
18- Built 1480 BC against rocky cliffs,
- Built by Hatshepsut, the first great female
ruler-often portrayed as a man in portraits - dedicated to Amun-
- linked by ramps and colonnades to a small chamber
deep in the rock- - great example of architecture within natural
setting- ramps echo shape of cliffs
Temple of Hatshepsut, 1480 BC
19- More imperial palaces built
- Dedicated to Amun, supreme God
- An example of the form of most New Kingdom
Palaces - Entrance is a Pylon
- Closed off by walls
- Faces the Nile
- Columns made much heavier than needed and were
elaborately carved
Temple at Luxor, 1390 BC
20How has style changed?
Mai and his Wife
- How has the societys vision of beauty changed?
- More androgynous, weaker-looking-why??
Akhenaten- done 15 years later
21- A famous example of the Akhenaten Style
- New sense of style that unfreezes the immobility
of Egyptian art - Was unfinished and found in the sculptors studio
Queen Nofretete, 1360 BC
22- Style and religion returned to tradition-
- Tutankhamen was Akhenatens son-died at age 18
- Three nesting coffins
Owes his fame to the undisturbed contents of his
tomb!!
Coffin of Tutankhamen