Title: Where in the World Are We?
1- Where in the World Are We?
2- Where in the World Are We?
3Etruscan ArtThe Forefathers of the Romans
4Etruscans Who?
- Primary Italian society prior to the Roman empire
- Same as Archaic period in Greece
- Much of their culture was adopted by Rome
- Most information comes from their tombs
- Preoccupied with death and superstition
- Rather bloodthirsty
- Invented gladiators
Sacrifice of the Trojan Captives 4th Century BC
(300s)
5Early Funerary Customs
- Cremated and buried their dead
- Created clay urns that would symbolize the dead
person and keep their spirit from haunting the
living
Burial Urn - 675-650 BC
6Sarcophagi (Coffins)
- Coffins became more and more elaborate over time
Terracotta (clay) Sarcophagus - 520 BC
7Tomb Decoration
- To get the spirit to remain in the tomb, they
would make them look as much like a home as
possible
Burial Chamber 3rd Century BC
8Tomb Fresco
- Scenes depicting everyday Etruscan life
- Dances, festivals, executions, etc.
Ritual Dance Tomb of the Lionesses 480-470 BC
9Later Tombs
- Death become much less fun around the 4th
Century BC (300s) - The smiles are gone, replaced by demon figures,
scary monsters - Still TERRACOTTA
Sarcophagus - early 300s BC
10Temple Architecture
- Built mostly of clay and wood - stone foundation
is all that remains - Cross between a Greek temple and an Etruscan house
Reconstruction of 2nd C. BC Etruscan Temple
11Temple Architecture
- Built mostly of clay and wood - stone foundation
is all that remains - Cross between a Greek temple and an Etruscan house
Reconstruction of 2nd C. BC Etruscan Temple
12Architectural Sculpture
- Life-size
- Terracotta
- Note archaic Greek and Mesopotamian influences
Artist Vulcan Apollo - 510 BC
13Bronze Portrait Sculpture
- Romans gradually took over in the 5th and 4th
centuries BC - Etruscan minority still produced artwork
- Note toga and imperial gesture
Portrait of Aulus Metellus 80BC
14Etruscan Summary
- Most information/art comes from tombs
- Masters of clay and bronze
- Very superstitious and bloodthirsty
- Combined Greek and Near Eastern styles
- Aesthetic, cultural, and engineering ancestors of
the Romans
15Art of the Roman Empire
16The Roman Melting Pot
- Like the USA, the Romans assimilated many
different kinds of people - Each nation would bring its own artistic styles
- The influences most obvious in Roman art were
- Greece
- Etruria (the Etruscans)
- Egypt
- The Near East (Mesopotamia)
17Aesthetics - Greek and Roman
18Aesthetics - Greek and Roman
- Greeks
- Search for ideal beauty
- Romans
- Emphasis on practicality - a good copy was just
as good
19Aesthetics - Greek and Roman
- Greeks
- Search for ideal beauty
- Pathos
- Romans
- Emphasis on practicality - a good copy was just
as good - Entertainment
20Aesthetics - Greek and Roman
- Greeks
- Search for ideal beauty
- Pathos
- Depicted themselves as they wanted to be
- Romans
- Emphasis on practicality - a good copy was just
as good - Entertainment
- Emphasized true realism
21Really, Really BIG Buildings
Due to the development of
- Concrete (with brick or marble facade)
- The true arch
- The barrel vault
The Sanctuary of Fortuna Primigenia 90s B.C.
22The Bath House
Bath house floor mosaic Ostia
The Basilica of Constantine, Rome 310-320 A.D.
23Amazing Public Works
Pont du Gard, Nimes France
24The Colosseum
- Seating for 50,000!
- Gladiators, executions, mock battles
- Timber flooring with elevators, cages drainage,
etc. underneath - Giant awning for shade
- Nautical (sea) battles
Constr. 72-80 A.D.
25Pizzuoili Amphitheater 69-70 AD
26The Pantheon
- Originally a temple to the 7 planetary gods
(pantheism) - Now a museum
- Intended to be perfectly balanced
- Based on the circle and square (domed)
118-125 AD
27The Triumphal Arch
The Arch of Constantine 310-320 A.D.
28Commemorative Columns
- The ultimate gravestone
- Low-relief carvings commemorate specific events
The Column of Trajan 106-113 A.D. - Def. of
Romanians 125 ft. tall - 625 ft. of carvings
29Roman Sculpture
Two main categories
- Imperial
- Designed to make the ruler into something
superhuman/godlike - Idealized
- Simple portraiture
- True realism - tried to capture the sitters real
appearance
Augustus of Primaporta 20 BC
30Augustus of Primaporta
31Note - contraposto - imperial gesture
Augustus of Primaporta
32Head of Constantine
Octavius depicted as Mercury
33Portrait Sculpture
- Very popular for anyone with the money to pay
- Literally mapped the face of the sitter
Emperor Philippus (the Arab) 244-249 AD
Emperor Vespasian - 75AD
34Ancestor Portraits
- Like a three-dimensional family album
Portrait head examples - Vatican Museum
Patrician with busts of his ancestors - 30BC
35Roman Mosaic
- Mosaic - image created using small pieces of
colored marble inlaid into the plaster surface
The Battle of Issus - copy of Greek painting -
9x17 (Alexander the Great defeating the
Persians) Awesome COMPOSITION
36Composition
- The purposeful arrangement of shapes
- To direct the attention of the viewer
- To add direction/drama
- To reinforce an idea
37Domestic Painting (Fresco)
- To decorate, entertain, or make the house appear
bigger
House in Herculaneum - 79 AD
38Phony Gardens
20 BC
39Mythological Scenes, Phony Cupboards or Textures
Venus and Amor
Still Life - 50 AD
40Ritual Scenes
Scenes from the Villa of Mysteries -
Pompeii Illustrations of cult rituals
41Pompeii and Herculaneum
79 AD
42Late Roman Painting
- Egypto-Roman portrait painting
- Utilized Encaustic
- Pigment suspended in hot WAX
- Painted on wood panel
43Classical Art
- Term used to describe art and architecture that
uses elements originating with the Greeks and
Romans
44Classical Art
- Term used to describe art and architecture that
uses elements originating with the Greeks and
Romans - Sculpture
- Togas, drapery
- Pathos
- Idealized human forms
45Classical Art
- Term used to describe art and architecture that
uses elements originating with the Greeks and
Romans - Sculpture
- Togas, drapery
- Pathos
- Idealized human forms
- Architecture
- Fluted columns
- Arches
- Post lintel