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Where in the World Are We?

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Cross between a Greek temple and an Etruscan house. Reconstruction of 2nd C. BC Etruscan Temple ... Pigment suspended in hot WAX. Painted on wood panel ... – PowerPoint PPT presentation

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Title: Where in the World Are We?


1
  • Where in the World Are We?

2
  • Where in the World Are We?

3
Etruscan ArtThe Forefathers of the Romans
4
Etruscans Who?
  • Primary Italian society prior to the Roman empire
  • Same as Archaic period in Greece
  • Much of their culture was adopted by Rome
  • Most information comes from their tombs
  • Preoccupied with death and superstition
  • Rather bloodthirsty
  • Invented gladiators

Sacrifice of the Trojan Captives 4th Century BC
(300s)
5
Early Funerary Customs
  • Cremated and buried their dead
  • Created clay urns that would symbolize the dead
    person and keep their spirit from haunting the
    living

Burial Urn - 675-650 BC
6
Sarcophagi (Coffins)
  • Coffins became more and more elaborate over time

Terracotta (clay) Sarcophagus - 520 BC
7
Tomb Decoration
  • To get the spirit to remain in the tomb, they
    would make them look as much like a home as
    possible

Burial Chamber 3rd Century BC
8
Tomb Fresco
  • Scenes depicting everyday Etruscan life
  • Dances, festivals, executions, etc.

Ritual Dance Tomb of the Lionesses 480-470 BC
9
Later Tombs
  • Death become much less fun around the 4th
    Century BC (300s)
  • The smiles are gone, replaced by demon figures,
    scary monsters
  • Still TERRACOTTA

Sarcophagus - early 300s BC
10
Temple Architecture
  • Built mostly of clay and wood - stone foundation
    is all that remains
  • Cross between a Greek temple and an Etruscan house

Reconstruction of 2nd C. BC Etruscan Temple
11
Temple Architecture
  • Built mostly of clay and wood - stone foundation
    is all that remains
  • Cross between a Greek temple and an Etruscan house

Reconstruction of 2nd C. BC Etruscan Temple
12
Architectural Sculpture
  • Life-size
  • Terracotta
  • Note archaic Greek and Mesopotamian influences

Artist Vulcan Apollo - 510 BC
13
Bronze Portrait Sculpture
  • Romans gradually took over in the 5th and 4th
    centuries BC
  • Etruscan minority still produced artwork
  • Note toga and imperial gesture

Portrait of Aulus Metellus 80BC
14
Etruscan Summary
  • Most information/art comes from tombs
  • Masters of clay and bronze
  • Very superstitious and bloodthirsty
  • Combined Greek and Near Eastern styles
  • Aesthetic, cultural, and engineering ancestors of
    the Romans

15
Art of the Roman Empire
16
The Roman Melting Pot
  • Like the USA, the Romans assimilated many
    different kinds of people
  • Each nation would bring its own artistic styles
  • The influences most obvious in Roman art were
  • Greece
  • Etruria (the Etruscans)
  • Egypt
  • The Near East (Mesopotamia)

17
Aesthetics - Greek and Roman
  • Greeks
  • Romans

18
Aesthetics - Greek and Roman
  • Greeks
  • Search for ideal beauty
  • Romans
  • Emphasis on practicality - a good copy was just
    as good

19
Aesthetics - Greek and Roman
  • Greeks
  • Search for ideal beauty
  • Pathos
  • Romans
  • Emphasis on practicality - a good copy was just
    as good
  • Entertainment

20
Aesthetics - Greek and Roman
  • Greeks
  • Search for ideal beauty
  • Pathos
  • Depicted themselves as they wanted to be
  • Romans
  • Emphasis on practicality - a good copy was just
    as good
  • Entertainment
  • Emphasized true realism

21
Really, Really BIG Buildings
Due to the development of
  • Concrete (with brick or marble facade)
  • The true arch
  • The barrel vault

The Sanctuary of Fortuna Primigenia 90s B.C.
22
The Bath House
Bath house floor mosaic Ostia
The Basilica of Constantine, Rome 310-320 A.D.
23
Amazing Public Works
  • Bridges
  • Roads
  • Aqueducts

Pont du Gard, Nimes France
24
The Colosseum
  • Seating for 50,000!
  • Gladiators, executions, mock battles
  • Timber flooring with elevators, cages drainage,
    etc. underneath
  • Giant awning for shade
  • Nautical (sea) battles

Constr. 72-80 A.D.
25
Pizzuoili Amphitheater 69-70 AD
26
The Pantheon
  • Originally a temple to the 7 planetary gods
    (pantheism)
  • Now a museum
  • Intended to be perfectly balanced
  • Based on the circle and square (domed)

118-125 AD
27
The Triumphal Arch
The Arch of Constantine 310-320 A.D.
28
Commemorative Columns
  • The ultimate gravestone
  • Low-relief carvings commemorate specific events

The Column of Trajan 106-113 A.D. - Def. of
Romanians 125 ft. tall - 625 ft. of carvings
29
Roman Sculpture
Two main categories
  • Imperial
  • Designed to make the ruler into something
    superhuman/godlike
  • Idealized
  • Simple portraiture
  • True realism - tried to capture the sitters real
    appearance

Augustus of Primaporta 20 BC
30
  • Note
  • - contraposto

Augustus of Primaporta
31
Note - contraposto - imperial gesture
Augustus of Primaporta
32
Head of Constantine
Octavius depicted as Mercury
33
Portrait Sculpture
  • Very popular for anyone with the money to pay
  • Literally mapped the face of the sitter

Emperor Philippus (the Arab) 244-249 AD
Emperor Vespasian - 75AD
34
Ancestor Portraits
  • Like a three-dimensional family album

Portrait head examples - Vatican Museum
Patrician with busts of his ancestors - 30BC
35
Roman Mosaic
  • Mosaic - image created using small pieces of
    colored marble inlaid into the plaster surface

The Battle of Issus - copy of Greek painting -
9x17 (Alexander the Great defeating the
Persians) Awesome COMPOSITION
36
Composition
  • The purposeful arrangement of shapes
  • To direct the attention of the viewer
  • To add direction/drama
  • To reinforce an idea

37
Domestic Painting (Fresco)
  • To decorate, entertain, or make the house appear
    bigger

House in Herculaneum - 79 AD
38
Phony Gardens
20 BC
39
Mythological Scenes, Phony Cupboards or Textures
Venus and Amor
Still Life - 50 AD
40
Ritual Scenes
  • Roman TV

Scenes from the Villa of Mysteries -
Pompeii Illustrations of cult rituals
41
Pompeii and Herculaneum
79 AD
42
Late Roman Painting
  • Egypto-Roman portrait painting
  • Utilized Encaustic
  • Pigment suspended in hot WAX
  • Painted on wood panel

43
Classical Art
  • Term used to describe art and architecture that
    uses elements originating with the Greeks and
    Romans

44
Classical Art
  • Term used to describe art and architecture that
    uses elements originating with the Greeks and
    Romans
  • Sculpture
  • Togas, drapery
  • Pathos
  • Idealized human forms

45
Classical Art
  • Term used to describe art and architecture that
    uses elements originating with the Greeks and
    Romans
  • Sculpture
  • Togas, drapery
  • Pathos
  • Idealized human forms
  • Architecture
  • Fluted columns
  • Arches
  • Post lintel
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