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creating design expertise Bryan Lawson

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Title: creating design expertise Bryan Lawson


1
creating design expertiseBryan Lawson
  • Now for the evidence, said the King, and then
    the sentence.
  • No ! said the Queen, first the sentence, and
    then the evidence!
  • Nonsense! cried Alice, so loudly that everybody
    jumped, the idea of having the sentence first !
  • Lewis Carroll

2
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It is a well known fact that all inventors get
their first ideas on the back of an envelope. I
take a slight exception to this, I use the front
so that I can incorporate the stamp and then the
design is already half done. Roland Emett
4
Design expertise Lawson and Dorst 2008 after
Dreyfus 2003
visionary
master
expert
competent
advanced beginner
novice
naive
Develops new ways of doing things in
field Operates on margins of domain and other
domains Seeks anomalies for new vision of
domain May be less interested in competence
Radical change Seeks opportunities, some
reflection Elements of situation selected for
relevance Makes plans to achieve goals
Reliance on maxims But more sensitive to
situation Begins to be aware of exceptions to
rules
Much more contingent in action Focuses on success
and failure in overall field Acute sense of
context and subtle cues
Looks for and adheres to strict rules Tries to
copy results of experts
Intuitively performs appropriate
actions Recognises situations Little problem
solving and reasoning
5
Naive
6
Naïve (practiced maybe?)
7
A recent book celebrating the work of the best
upcoming architects in Singapore defines young
architects as those under 45 years of age. -
(URA Singapore)
in architecture, you are young if you are under
50, an infant if you are under 40 and a babe in
arms if you are under 30. - Hugh Pearman
It would be greatly to the advantage of all
concerned if they (scientists), like the
military, were normally taken on for a
career-length term, say 25 years.at age 45 they
would, subject to performance, normally be
promoted by one grade and retired immediately on
half pay. - Professor John Postgate FRS
8
extracted from letters by employers of design
graduates -
  • (I ask) whether the basics are being taught
    properly in order that the products of our
    schools of architecture are equipped adequately
    to progress in whichever facet of modern
    professional practice they choose to work in.
  • The student of today needs extensive supervision.
    I have to check all his drawings. It is all very
    well encouraging students to come up with wacky
    ideas but the universities really need to
    concentrate on covering the basic competencies
    first. Without that their graduates are
    increasingly unemployable by practice.

9
design knowledge A designerly way of knowing.
Nigel Cross
  • theoretical or
  • semantic memory
  • versus
  • experiential or
  • episodic memory

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the congregational space began to float free
like a ship.
12
shared references Belvedere
  • Design as a team /social activity

13
referential drawings
14
Novice the development of Schemata Bartletts
remembering experiment
15
The childs schemata in action
16
Student schemata
17
ways of knowing
18
parallel ways of knowing
19
materials only join in a certain way
comfortably Eva Jiricna
Modellers or Carvers Adrian Stokes (1934) The
Stones of Rimini
20
Interacting with drawings
  • The designer has a conversation with the drawing
  • Donald Schon

21
Novices and Advanced BeginnersMies van de
Rohe Paul Klee
22
Novice Year 1
Advanced Beginner Year 6
23
Novice Year 1
  • Year Six

Advanced Beginner Year 6
24
sun
Using SCHEMATA
sausage
25
Some Results
  • Compare top 5 with worst 5 reproductions
  • top five showed
  • 98 more cognitive actions
  • 55 more formal references
  • 155 more symbolic references
  • Increased symbolic descriptions
  • 55 more for non-architectural sketch
  • 255 for the architectural sketch.
  • When the drawing is in the designers domain of
    expertise they use more symbolic references to
    concepts they expect to be shared.
  • Thus appears to show that designers are able to
    see more conceptual ideas in drawings from their
    own domain.

26
Some Results
  • Compare top 5 with worst 5 reproductions
  • top five showed
  • 98 more cognitive actions
  • 55 more formal references
  • 155 more symbolic references
  • Increased symbolic descriptions
  • 55 more for non-architectural sketch
  • 255 for the architectural sketch.
  • When the drawing is in the designers domain of
    expertise they use more symbolic references to
    concepts they expect to be shared.
  • Thus appears to show that designers are able to
    see more conceptual ideas in drawings from their
    own domain.

27
recognising
  • Its a sort of imperative for me you know. I
    insist upon having my concentration on quite a
    small area, like a chess player. I could not
    imagine playing chess in an open place with big
    chequers.
  • Herman Hertzberger

28
recognising gambits Richard Seymour
music stand
Concorde
origami
29
JD noticed air filter in ballbarrow paint spray
room clogged. built a cyclone cleaning tower to
remove particles by centrifugal force
30
integrationGeorge Sturt, (1923). The
Wheelwright's Shop. Cambridge University Press.
31
Integration Lasduns strata
  • Support the interior functions while allowing for
    flexible planning
  • radical
  • provide coherence to a large scheme which is,
    nonetheless, broken down to the human scale
  • formal
  • Give visual expression to the public nature of
    the institution for a theatre must be a place
    where human contact is enriched and a common
    experience shared
  • symbolic

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modes of researchGibbons, M., C. Limoges, et al.
(1994). The production of knowledge the dynamics
ofscience and research in contemporary
societies. London, Sage Publications.
  • MODE 1
  • the classical natural science model
  • gaining knowledge
  • finding causes
  • developing theories
  • oriented to peers
  • discipline based
  • rule based knowledge
  • knowledge production separate from application
  • MODE 2
  • an emerging in practice model
  • solving problems
  • predicting effects
  • developing services
  • oriented to client
  • transdisciplinary
  • consensual knowledge
  • knowledge production integrated with application

34
Richard MacCormac
  • I think that my role in the practice is to
    initiate the design processes in all the major
    jobs, not so much in building types like housing
    where I think we have established a kind of
    repertoire, a typological repertoire, which is to
    do with density and to do with the main problems
    like car parking and so on which are.... it's
    sort of vernacular if you like, we do quite a lot
    of it for housing associations and so on.....
    vernacular in the sense that its a language
    that's the common language.

35
A novice design process
  • We have an outdoor play space
  • Identifying / naming
  • The problem is how to design the building so the
    outdoor play space is safe
  • Construing / framing
  • We could have an L shape on the site
  • Moving
  • They draw
  • Representing

36
Expert Tutor v Novice Student
  • Student
  • The scheme is almost like two cubes at an angle,
    kind of two separate parts, bottom level is
    public, next is studio and top is dwellings
  • Tutor
  • And that runs across the two cubes?
  • Student
  • Yeah both of them, initially I was trying to
    separate them but when I put one floor on top of
    another you cant.

37
Expert Tutor v Novice Student
  • Tutor
  • Whats that kink there?
  • Student
  • Its been really annoying me, but I want the two
    cubes to relate to the site so it kinda needs to
    be there.
  • Tutor
  • You need to take a decision about this.
  • Actually the idea of the two cubes at an angle
    may introduce something else. Look you could pull
    them apart a little and then it becomes the
    starting point that makes me think.

38
Expert Tutor v Novice Student
  • Tutor
  • You can articulate them and have the circulation
    drop down theredistinguish the public
    spacetheres a potential light well developing
    herebring light into the place in the slotit
    suggests strongly a place to put the toilet.and
    youve got ventilationand some privacyat the
    moment the bathroom is on this prime
    elevationthen it connects better to the bedrooms
    too.in fact the kitchen can come in too
  • (Louis Kahns notion of served and servant
    spaces)
  • Student
  • Oh and now we get the clarity back too, we run
    the slot right across

39
Conversation protocol segmented
40
Segmentation
  • Originator
  • tutor, student
  • Action
  • formulate, evaluate, move
  • Cognitive Dimension
  • symbolic, structural, componential
  • Cognitive Level
  • process, content
  • Transformation
  • vertical, lateral

41
Protocol segments classified
42
Tutors make more Moves (plt0.001)
Number of segments
Duration of segments
43
Tutors make more Lateral Moves (plt0.001)
Vertical transformation (numbers of segments)
Lateral transformation
44
Tutor roles
  • Consultant
  • Fix the problem, make the solution better
  • Teacher
  • It works like this.
  • Parrot
  • If you like that you might like this..
  • Master
  • Employee in practice

45
Unbounded knowledge
46
Unbounded knowledge
47
Expert Guiding Principles
materials only join in a certain way comfortably
48
Santiago Calatravacompetition design for the
Cathedral of St. John the Devine, New York
49
Learning to be creative Laxtons modelLaxton,
M. (1969). Design education in practice.
Attitudes in Design Education. K. Baynes. London,
Lund Humphries.
50
developing design expertise
  • Schemata NOVICE
  • constructing concepts that enable symbolic
    perception
  • Precedent ADV. BEGINNER
  • acquiring a store of experiential knowledge
    potentially useful in design
  • Guiding Principles COMPETENT
  • a set of over-riding principles that influence
    and select material to be collected in the
    precedent store and feedback on their use
  • Recognition EXPERT
  • being able to recognise deep underlying
    structures enabling links to precedent to be made
  • Gambits MASTER
  • developing schemata that integrate problem
    situations and ranges of possible moves into the
    precedent store

51
Studio versus LabIshmael Samsuddin PhD 2008
52
How well are we doing?
  • Hubbard 1996
  • showed that town planners quite clearly used
    different values about architecture to the public
    they serve
  • Wilson 1996
  • showed that architects use different evaluative
    systems to others about buildings
  • this tendency is acquired during education
  • strong correlation between preferences within
    each school of architecture
  • that these preferences are linked to stylistic
    attributes

53
Visionary
54
Visionary.competent ?
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