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Southern Oregon University, May 2003

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Title: Southern Oregon University, May 2003


1
Southern Oregon University, May 2003
  • From Soap Films to Hyper-Sculptures

Carlo Séquin, University of California,
Berkeley
2
Background
  • My love for geometry and abstract
    sculptureemerged long long before I learned to
    play with computers.
  • Thanks to Alexander Calder, Naum Gabo,Max
    Bill, M.C. Escher, Frank Smullin, ...

3
Leonardo -- Special Issue
On Knot-Spanning Surfaces An Illustrated Essay
on Topological Art With an Artists Statement by
Brent Collins
George K. Francis with Brent Collins
4
Brent Collins
Hyperbolic Hexagon II
5
Brent Collins Stacked Saddles
6
Scherks 2nd Minimal Surface
Normal biped saddles
Generalization to higher-order saddles(monkey
saddle)
7
Saddles, Min. Surfaces
  • Soap films spanning wire framestry to minimize
    total surface area.This results in nicely
    balanced saddles,known as minimal surfaces.

8
Minimal Surfaces
  • At all surface points, they have equal and
    opposite principal curvatures

Catenoid
Schwarz surface
9
Exotic and Artistic Minimal Surfaces
  • http//www.math.uni-bonn.de/people/
    weber/gallery/index/index5.html

10
Hyperbolic Hexagon by B. Collins
  • 6 saddles in a ring
  • 6 holes passing through symmetry plane at 45º
  • wound up 6-story
    Scherk tower
  • What would happen,
  • if we added more stories ?
  • or introduced a twist before closing the ring ?

11
A Difficulty with 3D Sculpture
  • They should look good from all angles !
  • This is a tough challenge.
  • Not true for Hyperbolic Heptagon

12
Closing the Loop
straight or twisted
13
Brent Collins Prototyping Process
Mockup for the "Saddle Trefoil"
Armature for the "Hyperbolic Heptagon"
Time-consuming ! (1-3 weeks)
14
Sculpture Generator I, GUI
15
A Simple Scherk-Collins Toroid
  • Parameters(genome)
  • branches 2
  • stories 1
  • height 5.00
  • flange 1.00
  • thickness 0.10
  • rim_bulge 1.00
  • warp 360.00
  • twist 90
  • azimuth 90
  • textr_tiles 3
  • detail 8

16
Also a Scherk-Collins Toroid
  • branches 1
  • storeys 5
  • height 1.00
  • flange 1.00
  • thickness 0.04
  • rim_bulge 1.01
  • warp 360
  • twist 900
  • azimuth 90
  • textr_tiles 1
  • detail 20

17
A Scherk Tower (on its side)
  • branches 7
  • stories 3
  • height 0.2
  • flange 1.00
  • thickness 0.04
  • rim_bulge 0
  • warp 0
  • twist 0
  • azimuth 0
  • textr_tiles 2
  • detail 6

18
Computer-Aided Design V Abstract Sculpture
(virtual)
  • Scherk-Collins Tower

19
1-story Scherk Tower
  • branches 5
  • stories 1
  • height 1.35
  • flange 1.00
  • thickness 0.04
  • rim_bulge 0
  • warp 58.0
  • twist 37.5
  • azimuth 0
  • textr_tiles 8
  • detail 6

20
180º Arch Half a Scherk Toroid
  • branches 8
  • stories 1
  • height 5
  • flange 1.00
  • thickness 0.06
  • rim_bulge 1.25
  • warp 180
  • twist 0
  • azimuth 0
  • textr_tiles e
  • detail 12

21
V-art
VirtualGlassScherkTowerwith MonkeySaddles(R
adiance 40 hours) Jane Yen
22
How to Obtain a Real Sculpture ?
  • Prepare a set of cross-sectional blue printsat
    equally spaced height intervals,corresponding
    to the board thickness that Collins is using
    for the construction.

23
Collins Fabrication Process
Wood master patternfor sculpture
Layered laminated main shape
Example Vox Solis
24
Minimal Saddle Trefoil
  • A shape produced on Sculpture Generator 1
  • How would we build this from many layers ? ?

25
Slices through Minimal Trefoil
50
10
23
30
45
5
20
27
35
2
15
25
26
Profiled Slice through Heptoroid
  • One thick slicethru sculpture,from which Brent
    can cut boards and assemble a rough shape.
  • Traces represent top and bottom,as well as cuts
    at 1/4, 1/2, 3/4of one board.

27
Emergence of the Heptoroid (1)
Assembly of the precut boards
28
Emergence of the Heptoroid (2)
Forming a continuous smooth edge
29
Emergence of the Heptoroid (3)
Smoothing the whole surface
30
The Finished Heptoroid
  • at Fermi Lab Art Gallery (1998).

31
SFF (Solid Free-form Fabrication)
Monkey- Saddle Cinquefoil
32
Fused Deposition Modeling (FDM)
33
Zooming into the FDM Machine
34
Various Scherk-Collins Sculptures
35
Hyper-Sculpture
  • Attitudes, Arthur Silverman, 1996

36
Hyper-Sculpture
  • Rashomon, Charles Ginnever, 1998

37
Family of 12 Trefoils
W2
W1
B1 B2 B3
B4
38
Close-up of Some Trefoils
B1 B2
B3
Varying the number of branches, the order of the
saddles.
39
Higher-order Trefoils (4th order saddles)
W1 (Warp)
W2 ?
40
Exploring New Ideas W2
  • Going around the loop twice ...

resulting in an interwoven structure.
41
9-story Intertwined Double Toroid
Bronze investment casting from wax original
made on 3D SystemsThermojet
42
Extending a Paradigm
Thinking outside the box. Going beyond some
assumed limitations. What would happen, if ?
The computer becomesan amplifier /
acceleratorfor the creative process.
43
Another Extension
  • Allow different kinds of stretching

44
Totem_2(Séquin 2003)
45
Cohesion(Séquin 2003)
  • Use more durable materials bronze !

46
Minimal Trefoils -- cast and finished by Steve
Reinmuth
47
Steve Reinmuth
48
Brent Collins Pax Mundi
A new inspiration!
49
Keeping up with Brent ...
  • Sculpture Generator I can only do warped Scherk
    towers,not able to describe a shape like Pax
    Mundi.
  • Need a more general approach !
  • Capture a concept of such a sculpturein a
    procedural form
  • Express it as a computer program
  • Insert parameters to change salient aspects /
    features of the sculpture
  • First Need to understand what is going on
    !(This is the difficult and really creative
    step.)

50
Sculptures by Naum Gabo
  • Pathway on a sphere
  • Edge of surface is like seam of a baseball, or
    tennis ball
  • ? 2-period Gabo curve.

51
2-period Gabo Curve
  • Approximation with a simple polynomial curve
    (red) with 8 control points per period (yellow
    curve),but only 3 parameters are needed (blue
    arrows).

52
4-period Gabo Curve
  • Same construction as for a 2-period curve

53
Pax Mundi Revisited
  • Can be seen as Amplitude modulated, 4-period
    Gabo curve

54
SLIDE-UI for Pax Mundi Shapes
55
Via Globi 3 (Stone)
Wilmin Martono
56
Via Globi 5 (Wood)
Wilmin Martono
57
Viae Globi Family (Roads on a Sphere)
L2 L3 L4
L5
58
Extending the Paradigm
  • Try to Expand the Sculpture Family
  • Aim for more highly convoluted paths,
  • Maintaining a high degree of symmetry.

59
Maloja (FDM part)
  • A rather winding Swiss mountain pass road in the
    upper Engadin.

60
Stelvio
  • An even more convoluted alpine pass in Italy.

61
Altamont
  • Celebrating American multi-lane highways.

62
Lombard
  • A very famous crooked street in San Francisco
  • Note that I switched to a flat ribbon.

63
Sculpture Optimization
Using Virtual Shapes and Physical 3D Models for
Sculpture Optimization
64
Another Design by Brent Collins
THE SWEEP CURVE (FOR DOUBLE CYLINDER) IS
COMPOSED OF 4 IDENTICAL SEGMENTS THAT FOLLOW THE
SURFACE OF A SPHERE.
65
Reconstruction / Analysis (v1)
FROM THE FDM MACHINE
AWKWARD ALIGNMENT
66
Exploration Version 2 Add Twist
67
A More Complex Design (v3 add head)
68
Verification with 3D Model (v4)
GALAPAGOS-4
69
Fine-tuned Final(?) Version (v5)
70
Galapagos(version 6)
71
How to Make a Really Large Sculpture ?
  • Scaling-up problems
  • Production problems
  • Engineering problems
  • Installation problems
  • Maintenance problems
  • Insurance problems
  • ? Need a Commission !

72
The Poor Mans Opportunity Snow-Sculpting!Annua
l Championships in Breckenridge, CO
73
Stan Wagon, Macalester College, St. Paul, MN
  • Leader of Team USA Minnesota

74
Stan Wagon
  • Skier Mountaineer Snow Sculptor

75
Helaman Ferguson
  • Umbilic Torus Costa Surface

76
Breckenridge, 1999
  • Helaman Ferguson Invisible Handshake

77
Robert Longhurst
  • Moebius Band Enneper Surface

78
Breckenridge, 2000
  • Robert Longhurst
  • Rhapsody in White
  • 2nd Place

79
Breckenridge,2001
  • Robert Longhurst
  • White Narcissus

80
Batsheba Grossman
  • Antipot Antichron

81
Breckenridge, 2002
  • Bathsheba Grossman
  • A Twist in Time
  • Honorable Mention
  • Expressive Impact

82
Breckenridge, 2003
  • Brent Collins and Carlo Séquin
  • are invited to join the team
  • and to provide a design.
  • Other Team Members
  • Stan Wagon, Dan Schwalbe, Steve Reinmuth

83
Collins Initial Suggestion Minimal Trefoil
  • Stans Objection Too simple we know we can
    do this.No risk no fun !

84
Monkey Saddle Trefoil
  • from Sculpture Generator I

85
Maquettes
  • 3D-Print FDM

86
Name, Story
  • Snow Flower, Winter Rose, Winter Whirl, Wild
    White Whirl, Webbed Wild Whirl, Whirled Wild
    Web
  • finally the perfect homonym
    Whirled White Web
  • Like this global network, the ridges of our
    sculpture span the outer perimeters of the whole
    globe, and at the same time come close
    together in the central hole. It illustrates how
    the WWW can link together people from all over
    the world.

87
ACCEPTED !
  • Now how do we get this design into a
    10x10x12 block of snow ?

88
Construction Drawings
  • Top View Side View
    Axial View

Remove these prisms first!
89
Day 1
Removing lots of snow
90
Day 1 The Monolith
  • Cut away prisms

91
Day 2 Making a Torus
  • Mark center, circles
    Bulls-eye !

92
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93
Chipping away
94
(No Transcript)
95
Tools, Templates
96
Making a Torus
  • Use of template Need for a sun shield

97
End of Day 2
  • The Torus

98
Day 3, am Drawing Flanges
99
Day 3, pm Carving the Flanges, Holes
100
End of Day 3 Proper Topology
101
Day 4 Geometry Refinement
102
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103
End of Day 4 Desired Geometry
104
Day 5, am Surface Refinement
105
House Cleaning
106
Whirled White Web
Ready for inspection, judging
107
(No Transcript)
108
Official Team Photo
109
1240 pm -- 42 F
110
1241 pm -- 42 F
111
124001
Photo StRomain
112
1250 pm
113
3 pm
114
The Winners
  • 1st Canada B.C., 2nd USA
    Minnesota, 3rd USA Breckenridge

sacred geometry very intricate very 21st
century !
115
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116
4 pm
117
British Columbia Winter Comes
118
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119
Team Breckenridge (3rd Place)
Day 2 Day
3
120
Team Breckenridge A Fishing Tail
121
Mexico City Capilla Posa
122
China The Love of Mother
123
Quebec RèveOlution
124
Manitoba Birth of a Nation
125
USA New York 94 Hour Photo
126
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127
Future Plans
  • What are we going to do for Breckenridge
    2004 ?
  • We want to stay true to our avocationof
    presenting the beauty of mathematical surfaces
    to a wider audience.

128
SnoVolution
129
Turning a Snowball Inside-Out
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