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Overview of State-of-the-Art in Digital Image Forensics

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Title: Overview of State-of-the-Art in Digital Image Forensics


1
Overview of State-of-the-Art in Digital Image
ForensicsImage Source Identification
  • Author H. T. SENCAR and N. MEMON
  • Reporter Yao Ge

2
Motivation 1/2
  • In todays digital age, the creation and
    manipulation of digital images is made simple by
    low-cost hardware and software tools.
  • As a result, we are rapidly reaching a situation
    where one can no longer take the authenticity and
    integrity of digital images for granted (and
    more) .

3
Motivation 2/2
  • The Image Forensics can help us to evaluate the
    reality and integrity of a given digital image
  • Eg. evidence
  • One of the most popular research directions is
    Image Source Identification (ISI)

4
What is Image Source Identification (ISI)?
  • Purpose
  • To identify the characteristics of digital data
    acquisition device (e.g. Digital camera)
  • Aspects
  • Source mode Identification
  • Individual Source Identification

5
Image Acquisition Pipeline 1/3
Lens
Filter(s)
Sensor
Camera Processing
Color Filter Array
6
Image Acquisition Pipeline 2/3
  • Lens system
  • composed of a lens and the mechanisms to control
    exposure, focusing, and image stabilization to
    collect and control the light from the scene.
  • Filters
  • includes the infra-red and anti-aliasing filters
    to ensure maximum visible quality.
  • Image sensor
  • An image sensor is an array of rows and columns
    of photodiode elements, or pixels. When light
    strikes the pixel array, each pixel generates an
    analog signal proportional to the intensity of
    light, which is then converted to digital signal
    and processed by the DIP.
  • CFA
  • Since the sensor pixels are not sensitive to
    color, to produce a color image, a color filter
    array (CFA) is used in front of the sensor so
    that each pixel records the light intensity for a
    single color only.

7
Image Acquisition Pipeline 3/3
  • DIP
  • The output from the sensor with a Bayer (RGB)
    filter (assume) is a mosaic of red, green and
    blue pixels of different intensities. Each pixel
    contains the information of only one color. The
    digital image processor implements interpolation
    (demosaicing) algorithms to recover the missing
    information of the other two colors for each
    pixel.
  • The DIP also performs further processing such as
    white balancing, noise reduction, matrix
    manipulation, image sharpening, aperture
    correction, and gamma correction to produce a
    good quality image.

8
Source Model Identification
  • Image Features
  • CFA and Demosaicing Artifacts
  • Lens Distortions

9
Image Features 1/4
  • Principle
  • Features extracting Classifiers (criterion)

10
Image Features 2/4
  • E.g.
  • Defines a set of 34 features inspired by
    universal steganalysis techniques
  • Features Color features, wavelet coefficient
    statistics, image quality metrics

M. Kharrazi, H. T. Sencar, and N. Memon, Blind
Source Camera Identi?cation, Proc. of IEEE ICIP
(2004)
11
Image Features 3/4
  • Experimental Results
  • 2 cameras case
  • (average accuracy98.73)
  • 5 cameras case
  • (average accuracy88.02)

M. Kharrazi, H. T. Sencar, and N. Memon, Blind
Source Camera Identi?cation, Proc. of IEEE ICIP
(2004)
12
Image Features 4/4
  • Weakness
  • an overall decision. What specific features
    contribute much during the process are still
    unknown
  • this method may not give a satisfactory result
    with the increasing of the number of cameras
  • Conclusion
  • this approach is more suitable as a
    pre-processing technique to cluster images taken
    by cameras with similar components and processing
    algorithms

M. Kharrazi, H. T. Sencar, and N. Memon, Blind
Source Camera Identi?cation, Proc. of IEEE ICIP
(2004)
13
CFA and Demosaicing Artifacts 1/7
  • Choice of CFA
  • Demosaicing

Bayer Pattern (RGB)
CMYK
14
CFA and Demosaicing Artifacts 2/7
  • Principle
  • As the interpolation algorithms differ from each
    other in different camera models.
  • E.g.
  • The author uses the outputs of Expectation/Maximiz
    ation (EM) algorithm as features to detect
    different interpolation.

S. Bayram, H. T. Sencar and N. Memon, Source
Camera Identification Based on CFA Interpolation,
Proc. of IEEE ICIP (2005)
15
CFA and Demosaicing Artifacts 3/7
  • Expectation/Maximization (EM) Algorithm
  • EM algorithm is originally used to detect whether
    a signal has been re-sampled or not.
  • It generates two outputs
  • The probability map. The value of each point on
    the probability map indicates the probability
    that the point is correlated with its neighbors.
  • The estimate of the weighting coefficients which
    represent the amount of contribution from each
    pixel in the interpolation kernel.

S. Bayram, H. T. Sencar and N. Memon, Source
Camera Identification Based on CFA Interpolation,
Proc. of IEEE ICIP (2005)
16
CFA and Demosaicing Artifacts 4/7
  • several examples of the periodic patterns that
    emerged due to re-sampling

S. Bayram, H. T. Sencar and N. Memon, Source
Camera Identification Based on CFA Interpolation,
Proc. of IEEE ICIP (2005)
17
CFA and Demosaicing Artifacts 5/7
  • Frequency spectrum of probability maps obtained
    by three types of digital cameras

S. Bayram, H. T. Sencar and N. Memon, Source
Camera Identification Based on CFA Interpolation,
Proc. of IEEE ICIP (2005)
18
CFA and Demosaicing Artifacts 6/7
  • Experimental results
  • The set of weighting coefficients obtained from
    an image, and the peak location and magnitudes in
    frequency spectrum are used as features. An SVM
    classifier is used.

S. Bayram, H. T. Sencar and N. Memon, Source
Camera Identification Based on CFA Interpolation,
Proc. of IEEE ICIP (2005)
19
CFA and Demosaicing Artifacts 7/7
S. Bayram, H. T. Sencar and N. Memon, Source
Camera Identification Based on CFA Interpolation,
Proc. of IEEE ICIP (2005)
20
Lens Distortions
Radial distortion
Rectified Image
  • Radial distortion is due to the change in the
    image magnification with increasing distance from
    the optical axis
  • Compensation for radial distortion induces unique
    artifacts in the images
  • Choi et al. introduces a second order radial
    symmetric distortion model
  • Model parameters are used as classification
    features
  • Accuracy 91

K. S. Choi, E. Y. Lam and K. K. Y. Wong, Source
Camera Identification Using Footprints from Lens
Aberration, Proc. of SPIE (2006).
21
Conclusion
  • Even the initial experiment results of previous
    methods are encouraging, some technique
    limitation still exist in different real
    situation.
  • There is a long distance to achieve the
    application level.

22
Thank you!
  • Dec. 2008
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