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History of Rock n Roll Chapter 1:

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Cross Road Blues. I Believe I'll ... after WWI (1919), when many African Americans head north to Chicago ' ... the world knew it was going to be turn on it's head ... – PowerPoint PPT presentation

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Title: History of Rock n Roll Chapter 1:


1
History of Rock n RollChapter 1
  • Roots of Rock n Roll

2
Origins of Rock n Roll
  • Blues originated as a mixture of African slaves
    native musical styles European styles of music
  • many African cultures placed much more emphasis
    on the need for rhythm over harmony
  • developed as a way to overcome the monotony of
    field labor on plantations
  • Southern (Delta) blues themes tend to focus more
    on sullen, down themes
  • Due to its birth from the oppression of slavery

3
King of the Delta Blues Men
  • Robert Johnson (1911-1938)
  • called the Godfather of Rock n Roll
  • Guitar skill attributed to the devil legend
  • Inspiration for Tommy in O Brother, Where Art
    Thou?
  • Very few actual recording sessions
  • complete catalogue only 29 tracks
  • No proof how he died, but all 3 legends involve
    poison a woman
  • Songs of Interest
  • Cross Road Blues
  • I Believe Ill Dust My Broom

4
Blues was primarily confined to the south until
after WWI (1919), when many African Americans
head north to Chicago
  • Big Bill Broonzy (1898-1958)
  • Son of slaves, 16 brothers sisters
  • 1907 - made his first fiddle out of a cigar box
  • Worked as a plow hand, preacher, railroad worker,
    waiter, piano mover
  • Served in WWI, moved to Chicago in 1920
  • Got first recording contract in 1924
  • Worked odd-jobs while making music until a
    European tour in 1951
  • Died of throat cancer in 1958
  • Song of interest Keys to the Highway

5
  • Broonzy said
  • The blues wont die because spirituals wont
    die. Blues is a steal from spirituals, and Rock
    is a steal from the blues
  • 1940-1944 African-American immigration to
    Chicago increases by almost 75
  • While Delta blues was acoustic, the blues sound
    that developed in Chicago was electrified.
  • Urban Blues reflected optimism for the many who
    had moved north and escaped the lifestyles of
    their parents and grandparents

6
From the Mississippi Delta to Muddy Waters
  • Muddy Waters
  • Born McKinley Morganfield 4/4/1915
  • nicknamed Muddy by his grandmother
  • Made a name for himself by age 17 playing at
    parties
  • emulated earlier blues artists Son House Robert
    Johnson
  • Moved to Chicago in 1940, but moved back to
    Mississippi by 1941

7
  • Recorded for the Library of Congress in 1941
  • moved back to Chicago started playing bars
  • had to have an amp to be heard over noise in
    Chicago bars
  • Wanted his blues to have a little pep
  • Winner of 6 Grammys
  • 1987 inducted into Rock n Roll Hall of Fame
  • 4 songs on RnR HOF list of 500 Songs that Shaped
    Rock
  • Songs of Interest
  • Rollin Stone
  • Hoochie Coochie Man
  • Mannish Boy
  • Got My Mojo Working

8
  • Howlin Wolf
  • Chester Burnett (1910-1976)
  • Nicknamed the Wolf, tried a style of yodeling
    got called the Howler
  • Close friend of Muddy Waters
  • Had a very lively stage act, predecessor of rock
    performers
  • Won Grammy for Smokestack Lightenin (1956)
  • 1991 - inducted into the Rock n Roll Hall of
    Fame
  • 3 songs on the 500 Song that Shaped Rock n Roll
  • Songs of Interest
  • Smokestack Lightenin
  • Back Door Man
  • Spoonful

9
Riley B.B. King
  • Born Sept. 16, 1925
  • Delta influenced mixed a jazz sound in his
    music
  • Bought his 1st guitar in 1937
  • Started recording music in 1949
  • Although he had a Farewell Tour in 2006, he
    continues to make music today (2009)
  • 52 albums in 60 years
  • Winner of 15 Grammy awards
  • Inducted into the RnR HOF in 1987
  • Songs of Interest
  • Every Day I Have the Blues
  • The Thrill Is Gone
  • Humming Bird

10
Tin Pan Alley Era
  • To appreciate the impact of Rock n Roll, you
    have to understand what was on the airwaves in
    the early 1950s
  • Jazz sounds, dominated by white performers
  • Blues considered race music
  • Typical lyrics non-offensive, noncontroversial,
    often dealt with boy/girl romantic love
  • Songs - usually slow / moderate tempo, with
    orchestral accompaniment a small chorus
  • Frank Sinatra, Tony Bennett, Johnny Ray, Eddie
    Fisher, Nat King Cole
  • Cole one of a very few black pop singers

11
Country Music
  • In the 1920s 30s it was never referred to as
    country music
  • Old timey music
  • Music from Dixie
  • Old familiar tunes
  • Later it became known as hillbilly music
  • These would be the songs you would here from O
    Brother Where Art Thou?
  • Despite the fact that Southern culture was viewed
    as degenerate, the music had a following
  • Hillbilly music appealed to many around America
    because the South stood for traditional values
    and orthodox religion

12
The Carter Family
  • Recorded from 1928-1956
  • Comprised of A.P., his wife Sarah her sister
    Maybelle
  • A.P. Sara divorced in 1939, continued to play
    until 1941
  • Maybelle went on tour with here 3 daughters
    (Helen, Anita, June)
  • The Carters re-formed in 1952 and continued to
    record until 1956
  • Songs of interest
  • The Wabash Cannonball
  • Will the Circle Be Unbroken
  • Keep On the Sunny Side

13
Jimmie Rodgers
  • First real star of country music
  • Style a combination of hillbilly blues
  • Worked on the railroad until he began recording
    in 1927
  • Inspired many hillbilly acts from the southwest
  • Led to the westernization of country music
  • Inducted to Rock n Roll HOF - 1986
  • Songs of Interest
  • Blue Yodel 9
  • In the Jailhouse Now

14
Racism in Music
  • Music entertainment was segregated in the 1940s
    50s
  • In the 1940s, African Americans had money to
    spend after WWII wanted to be entertained but
  • Werent welcomed in white clubs, even if
    performers were black
  • Radio was white-oriented, no black performers on
    network radio
  • Blues, jazz even pop by most black performers
    not sold in same stores as white performers

15
  • Whites did not listen to black music, and
    African Americans were not given a choice
  • Black performers did not appear on pop charts,
    likewise for white performers on RB charts
  • Since music did not cross-over, if there was a
    popular RB song, it got covered by a pop singer
  • While not mainstream, RB was gaining a following
    among high school college age whites around the
    US by 1954
  • Soon, music as the world knew it was going to be
    turn on its head
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