Faiza Maghni 2 (Algerian, French, 1964) - PowerPoint PPT Presentation

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Faiza Maghni 2 (Algerian, French, 1964)

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Self-taught painter from Oran, Faiza Maghni lives and works in Paris. Faiza Maghni attempts to translate through his portraits the beauty and complexity of women in his paintings symbolized the richness of costume and expression enigmatic look. – PowerPoint PPT presentation

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Title: Faiza Maghni 2 (Algerian, French, 1964)


1
F A I Z A
MAGHNI
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Persane
Malika
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Les yeux noir
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I paint women-children who want to keep some of
this childhood innocence as they grow up. They
may aspire to some kind of renaissance, coming
from a serene femininity and proud sovereign of
their destiny
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Soir pourpre
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The character and the composition are
voluntarily timeless. I try to create a moment of
poetry out of time, an intimate and hushed
atmosphere
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Clair de lune
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Reflets dargent
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Profil
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Rêve d'Orient
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Petite fille
Jihane
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Self-taught painter born 1964 in Oran, Algeria,
Faiza Maghni lives and works in Paris. The
painting has long been a desire more or less
unconscious and totally obscured that has become
natural in the future. Fascinated by Persian
miniatures, Arabic calligraphy, but also by
tribal art and contemporary painting, she is
inspired in his work and creates his own
universe. Faiza Maghni attempts to translate
through his portraits the beauty and complexity
of women in his paintings symbolized the richness
of costume and expression enigmatic look. His
approach in the abstract expression joins the
world of his portraits.
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Soufi
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Costume is the ornament. In my paintings, the
ornament expresses attitudes sometimes severe,
sometimes austere, other times carefree, and with
still others there is a certain majesty. Often I
create an exaggeration to express my own
intensity. Sometimes costume can be an impressive
armor and other times a kind of light and screen
that hides or reveals.
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Jardin secret
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Cerises
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Sans titre
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In my work I seek to convey a certain kind of
romanticism inspired by Arabic and Persian
poetry, taking my inspiration from the costumes
and hairstyles of the miniatures of the past
which I find full of subtlety and restraint.
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Comme un poisson
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Azur
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Cotton
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Fushia
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Baroque
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Im also drawn to the symbolic meanings found in
tribal jewelry and have reinvented this style in
my paintings, such as the giraffe-collared women
in Burma and Africa that are simultaneously a
symbol of beauty and a forced cruelty.
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Safran
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Renaissance
Romantique
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La rose noire
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Les deux soeurs 1
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Les deux soeurs 2
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Le lagoon bleu
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Text and pictures Internet Copyright All the
images belong to their authors Presentation
Sanda Foisoreanu  
05.2016
Sound Souad Massi - Ghir Enta Malou
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