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Description
Commanding a cult following among horror fans,
Italian film director Dario Argento is best known
for his work in two closely related genres, the
crime thriller and supernatural horror, as well
as his influence on modern horror and slasher
movies. In his four decades of filmmaking,
Argento has displayed a commitment to innovation,
from his directorial debut with 1970's suspense
thriller The Bird with the Crystal Plumage to
2009's Giallo. His films, like the lurid
yellow-covered murder-mystery novels they are
inspired by, follow the suspense tradition of
hard-boiled American detective fiction while
incorporating baroque scenes of violence and
excess.nbspWhie considerations of Argento's
films often describe them as irrational
nightmares, L. Andrew Cooper uses controversies
and theories about the films' reflections on
sadism, gender, sexuality, psychoanalysis,
aestheticism, and genre to declare the
anti-rational logic of Argento's oeuvre.
Approaching the films as rhetorical statements
made through extremes of sound and vision, Cooper
places Argento in a tradition of aestheticized
horror that includes De Sade, De Quincey, Poe,
and Hitchcock. Analyzing individual images and
sequences as well as larger narrative structures,
he reveals how the director's stylistic excesses,
often condemned for glorifying misogyny and
other forms of violence, offer productive
resistance to the cinema's visual, narrative, and
political norms.