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Title: plot and structure


1
Chapter two
  • Plot and Structure

2
Plot
  • The sequence of incidents or events through which
    an author construct a story.
  • (skilled author are careful to present the
    sequence in a significant order)
  • Relationship
  • Plot to story (detail lesser/greater)
  • Map to journey (scale finer/grosser)

3
Plot summary
  • Includes
  • What characters say
  • What characters think
  • What characters do
  • Leaves out
  • Description
  • Analysis
  • Concentrate on major event

4
Contrast of plot and content of story
  • Plot of story, the way the authors arrange the
    action toward a specific end
  • Content of story contains its event and action

5
PLOT
  • Literary fiction
  • Commercial fiction (which its goal is to keep
    the reader turning the pages)
  • Contain
  • Many surprising twists and turns
  • Culminating
  • Climactic incident
  • Tried and true, fairly conventional structure in
    arranging plot elements
  • Need complex structure because it needs to convey
    complex meaning

6
Some story follow a standard chronology for their
plot or employ familiar structural pattern
  • Hunter In the snow
  • Chronological structure
  • Complex way to explore the relationship between
    its characters
  • More experimental
  • Unpredictable
  • Taking unexpected excursion into the thought
    process of characters
  • The most dangerous game
  • Chronological structure
  • Familiar structural pattern

7
The surface excitement in a story produce and
arise by(in both commercial and literary
fiction)
  • Some sort of conflict
  • ( a clash of actions, ideas, desires or wills)
  • Conflict may be between
  • Person against person
  • Person against environment
  • Person against himself or herself
  • Different kind of conflict
  • 1-physical example in wrestling match
  • 2-mental example in a chess game
  • 3-emotional example a person sitting in a silent
    room
  • 4-moral example lying or honesty

8
Protagonist
  • In every conflict the central character, whether
    sympathetic or unsympathetic as a person.(maybe
    we have more than one protagonist in a story)
  • Contrast of hero/heroine by protagonist
  • Hero/heroine means that central character has
    heroic qualities , for example do unbelievable
    thing
  • Protagonist simply means the central character
    so it s less ambiguous.

9
Antagonist
  • Any force arranged against the protagonist
    whether
  • persons,
  • things
  • conventions of society
  • the protagonists own character traits

10
Conflict in ( a clash of actions, ideas,
desires or wills)
  • Literary fiction
  • Commercial fiction
  • Utilize all four kinds of conflict
  • Is More mentally complicated
  • Good opposed to good
  • Half truth opposed to half truth
  • Internal conflict rather than physical
    confrontation is used
  • Emphasizes only the confrontation between man
    and man
  • Physical conflict
  • Its moral absolute
  • Good guy versus bad guy

11
suspense
  • Its a quality in a story that makes readers ask
  • What is going to happen next?
  • How will this turn out
  • It compels reader to keep reading
  • It increases by mixing curiosity with anxiety
    about the fate of a likable sympathetic character
  • Example
  • In love story does the boy win the girl?
  • In whodunits who committed the murder
  • In cliffhanger the hero tied to railroad or
    hanging on the edge of a cliff

12
Two device that the writer use to create suspense
  • 1- Introduce an element of mystery
  • 2- Placing the protagonist in a dilemma

13
SUSPENSE
  • COMMERCIAL FICTION
  • LITERARY FICTION
  • The most important criterion for keeping the
    reader continue it
  • It is sometimes artificially, just withholding
    some information
  • Is less important for engaging the readers
    interest but it must be
  • Amusing
  • Well written
  • Morally penetrating
  • Peopled by intriguing characters
  • Creating a desire to read it again

14
Contrast of
  • suspense
  • surprise
  • If we dont know ahead of time exactly what is
    going to happen and why , we experience suspense.
  • As long as we dont know whatever happens comes
    with an element of surprise
  • Its proportional to the unexpectedness of what
    happens
  • When the story depart radically from our
    expectation
  • In short story such radical departure is a
    surprise ending
  • In commercial fiction tends to have more surprise
    ending

15
Ways for judging the legitimacy and value of a
surprise ending
  • 1- by the fairness with which the surprise is
    achieved
  • 2-by the purpose that it serves

16
1-by the fairness with which the surprise is
achieved
  • Cheap trick or fraud
  • Fairly achieved
  • By an improbable coincidence
  • By planting of false clues to mislead reader
  • Arbitrary withholding of information
  • If it be just for its own sake
  • Its ending at first is such a surprise , the more
    we think about it , its perfectly logical and
    natural

17
Surprise ending
  • In literary fiction
  • In commercial fiction
  • The surprise is the one that furnishes meaningful
    illumination , not just a reversal of expectation
  • It often not always ends happily , so it is label
    depressing stories
  • It almost always has a happy ending, for example
  • The protagonist must solve her problem
  • Defeat an adversary
  • Win her man
  • Live happily ever after

18
Two justification for unhappy ending in literary
fiction
  • To be Liked real life
  • To ponder the complexities of life
  • Many situation in real life do have unpleasant
    outcomes. If fiction is to reflect and illuminate
    life it must acknowledge human defeats
  • The story with happy ending has been wrapped up
    for us and it requires no further thought
  • The unhappy ending cause to relive the story in
    mind to get more meaning , judge individual
    better when we see how the behave in times of
    trouble
  • Shakespeare's tragedies reverberate in mind more
    than his comedies

19
Ending
  • The most dangerous game
  • Hunters in the snow
  • Happy ending
  • Resolved all our anxiety
  • Unhappy ending
  • Force us to think about the mysteries and
    contradictions of human nature

20
Evaluating the literary fiction ending
  • (its not important that its happy or unhappy
    ending)
  • By
  • Whether it is logical
  • Whether it affords a full believable revelation

21
Indeterminate ending
  • Have no exact ending
  • Some problems are never solved
  • Some battles never permanently win
  • No definitive conclusion is reached
  • Example in hunter in the snow
  • Indeterminate ending
  • They wont maintain their alliance
  • No information about the ultimate fate of their
    friendship
  • But the story is more effective without a
    definite resoloution

22
Artistic unity
  • Is essential to a good plot
  • There must be nothing in the story that is
    irrelevant that does not contribute to the
    meaning
  • They include nothing that does not advance the
    central intention of the story
  • Author select and arrange the storys incident
    and scenes in the most effective order.

23
Plot manipulation
  • A turn in plot that is unjustified by the
    situation or the characters
  • it causes an motivated action
  • The readers feel it ,if the authors use chance
    and coincidence to provide a resolution to a
    story
  • This kind of resolution is called deus ex
    machina (god from a machine)
  • God descend from heaven at the last min to rescue
    the protagonist

24
Chance and coincidence (that can not be barred
from the real life and fiction)
  • chance
  • coincidence
  • The occurrence of an event that has no apparent
    cause in previous events or in preposition of
    characters
  • Using improbable chance for resolving a story may
    lose
  • Its sense of conviction
  • Its power to move the reader
  • Is the chance occurrence of two events that may
    have a peculiar correspondence
  • It must be used to initiate a story not to
    resolve it

25
Various approach to analysis of plot
  • 1- to draw diagram of different kind of plot
  • 2- to trace the development of rising action,
    climax and falling action.
  • To consider the function of plot in trying to
    understand the relationship of each incident to
    the larger meaning of the story

26
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27
Reviewing chapter two
  • 1-define the term plot
  • 2-describe the importance of conflict in fiction
  • 3-differentiate between the protagonist and the
    antagonist in a story
  • 4-explore the importance of the element of
    surprise in fiction
  • 5-consider the differences between a happy ,
    unhappy and an indeterminate ending
  • 6-review the importance of artistic unity in
    literary fiction

28
Answer to the Question of the destructors
  • 1-
  • Protagonist Trevor
  • antagonist Blackie and MR. Thomas
  • Conflict man versus society
  • 2-suspence is built in this story when the boys
    want to destroy Mr. Thomas s house and they
    fear that they couldnt destroy the house
    completely
  • 3-a
  • byes the story has happy ending because the
    protagonist of story achieved his goal to destroy
    the house

29
  • 4-
  • 5-
  • 6-
  • 7-
  • 8-
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