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Reflective

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E.g. 'Dog' (from: Max van Manen, www.phenomenologyonline.com) Dog-eat dog, underdog, Top dog, bottom dog. lap dog. teacher's pet. Cur, pariah, bitch, dogsbody ' ... – PowerPoint PPT presentation

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Title: Reflective


1
Reflective Empirical Methods
  • Norm Friesen
  • March, 2006

2
Reflective Empirical Methods
  • Reflection thinking about the question and the
    phenomenon in a way that opens up its various
    aspects and dimensions.
  • Empirical sources of vicarious experience
    (from Max van Manen, www.phenomenologyonline.com
    )

3
Reflective Empirical
  • Reflective
  • Thematic, Guided Existential, Collaborative,
    Linguistic, Exegetical, Hermeneutic Interview
  • Empirical
  • Describing, Gathering, Interviewing, Observing,
    Fictional, Imaginal(from Max van Manen,
    www.phenomenologyonline.com)

4
Thematic Reflection
  • Themes
  • the constellations that make up the universes of
    meaning we live through. By the patterns and
    light of these themes we can navigate and explore
    such universes.
  • Themes are heuristic. They are means "to get at"
    the phenomenon we are addressing.(from Max van
    Manen, www.phenomenologyonline.com)

5
Reflection Guided Existential
  • Lived Time speeds up, slows down e.g. of bank
    machine experience
  • Lived Space we are the space were in e.g. of
    different architectural spaces
  • Lived Body Body as anchorage, way of being, as
    object of observation
  • Lived Relation relational distance,
    atmosphere, intensity, disconnection(from Max
    van Manen, www.phenomenologyonline.com)

6
Linguistic Reflection
  • Etymological histories of words often have rich,
    life-world significances (experiential residue)
  • Conceptual understanding differences in meaning
    in words expressions.
  • E.g. Dog
  • (from Max van Manen, www.phenomenologyonline.com)

7
Dog-eat dog, underdog, Top dog, bottom dog
8
lap dog teacher's pet
9
Cur, pariah, bitch, dogsbody "you dirty dog,
flea bag mongrel, mutt, gone to the dogs
10
Dog tired
11
Exegetical
  • critical, sensitive, and creative reading of
    related texts
  • Prevailing theories and constructions as a foil
    for what you are searching for in
    phenomenological research
  • Prevailing theories and constructions can also
    point to phenomenological insights
  • Creative, Accidental, Serendipitious sources
    (video example)(from Max van Manen,
    www.phenomenologyonline.com)

12
Other forms of Reflection
  • Collaborative as in this session, with others
    working together
  • Insight-cultivating from philosophy and other
    sources(from Max van Manen,
    www.phenomenologyonline.com)

13
Phenomenological Interview
  • an interpretive conversation wherein both
    partners reflectively orient themselves to the
    interpersonal or collective ground that brings
    the significance of the phenomenological question
    into view
  • Keep the question open(from Max van Manen,
    www.phenomenologyonline.com)

14
Phenomenological Interview
  • Not structured can list general questions or
    beginning script
  • Close to the phenomenon, if possible
  • Ask for reminiscences speculation
  • Steer away from explanation
  • ASK what did you feel not what did you think
  • Comfortable location follow-up interviews

15
Empirical Methods Describing
  • start with your own experience
  • the patterns of meaning of one's own experiences
    are also the possible experiences of others, and
    therefore may be recognizable by others
  • (from Max van Manen, www.phenomenologyonline.com)

16
Gathering
  • Describe the experience as much as possible as
    you live(d) through it.
  • Describe the experience from the inside, as it
    were-almost like a state of mind
  • Focus on a particular example or incident of the
    object of experience
  • Try to focus on an example of the experience
    which stands out for its vividness, or as it was
    the first time(from Max van Manen,
    www.phenomenologyonline.com)

17
Observing
  • Close and participatory observation
  • E.g. participate in the childs world
  • Similar to the attitude of the author who is
    always on the look-out for stories to tell,
    incidents to remember(from Max van Manen,
    www.phenomenologyonline.com)

18
Imaginal experiences
  • Non-discursive artistic material as transformed
    experience
  • E.g. experience of space in nature(from Max
    van Manen, www.phenomenologyonline.com)

19
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