ENTC 3030 - PowerPoint PPT Presentation

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ENTC 3030

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... your problem, identify your aim, and home in on your ... Aims Imply Audience. The key to drafting a statement of aim is to keep it simple and operational. ... – PowerPoint PPT presentation

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Title: ENTC 3030


1
ENTC 3030
  • AUDIENCE AIMS

2
  • What is the best strategy for meeting the
    readers needs?
  • For example, an industrial engineer might see
    automating a manufacturing operation as a
    technical problem.
  • But it is also a financial problem that needs to
    be justified administratively by managerial
    decision makers.
  • The writer whose proposal simply concentrates on
    a technical explanation fails to shape the
    arguments for the readers who will ultimately
    make the decision.

3
Your Readers Interests
  • Readers are usually motivated by their job
    responsibilities as
  • decision makers (managers),
  • knowledge producers (experts),
  • operators and maintainers (technicians), and
  • generalists (laypeople).

4
  • Note that every expert in particle physics is not
    going to
  • think the same way,
  • use the same methods, or
  • have the same problems.

5
  • The veteran technician knows more about many
    technical subjects than the university-trained
    colleague.

6
  • Addressing your audience is even more complicated
    when the audience includes
  • managers,
  • specialists,
  • technicians, and
  • laypeople.

7
  • Each part of your audience will need to find the
    information it needs.
  • An audience of managerial readers, for example,
    will evaluate what you have to say in the terms
    of their decision making
  • costs,
  • benefits,
  • alternatives.

8
  • The expert, technician, and lay reader will also
    analyze your message according to his or her
    interests and responsibilities.

9
  • Some documents have a primary audience, which you
    can often identify by clearly defining the
    purpose of the document.
  • Your aim should identify your audience.

10
Coverage, Organization, and Technical Level
  • The expectations of your audience should
    determine
  • the coverage you give your subject,
  • the organization you give your material,
  • its technical level (including graphics), and
  • your tone.

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  • Choice of material is your first decision.
  • Coverage refers to the scope of the subject, and
    it can vary greatly.

13
  • You can cover your subject in many ways,
    depending on your readers main concerns.
  • Someone needs to finance and administratively
    support the work others have to be convinced of
    the feasibility of the process and agree with
    your breakdown of the technical elements of the
    project.

14
  • For an audience of managers or entrepreneursthose
    who must decide whether your project merits
    fundingyou might focus on the technical
    feasibility and commercial advantages of a new
    process for speech recognition.
  • For technical experts, you might more fully
    describe the technical aspects of the.

15
  • Even the lay reader gets inco the picture
    sometimes as a general client, entrepreneur, or
    local citizen.
  • Your focus may accordingly shift toward speech
    recognition applications in business, medicine,
    and so on.

16
  • Its up to the writer to work out who the
    audience is and what they need to know.

17
  • Organize your material around your readers
    priorities.
  • Tailor documents to audiences to adjust the
    language, especially the special terminology,
    mathematics, symbols, and graphics.
  • Even graphical presentation of information can
    range from highly specialized line graphs to
    general pictures.

18
Document Pathways
  • Most organizations have a hierarchy through which
    written communication passes.
  • The organizational chart often shows some of this
    path.

19
  • The document may well move up the hierarchy
    through
  • supervisor,
  • the group leader,
  • to the division manager, and
  • finally to the research director.

20
  • Figuring out where the document will go is in a
    writers interest.
  • The document pathway will tell a lot about your
    audience and therefore about the general coverage
    and organization needed in your document.

21
  • Your understanding of this audience comes from
    knowing what the people reading your document
    will want to do.
  • Some will work with you on the draft to improve
    the content and presentation.
  • Others will read the finished version and take
    action. Still others may skim and file it, and
    many will just dump it in the wastebasket.
  • Some may even use it to assess the quality of
    your work.

22
  • The best preparation you can make for
    understanding your readers is to study how your
    company or institution is organized and
    familiarize yourself with its staff and their
    responsibilities.

23
The Peer Specialist.
  • Several structural engineers and materials
    specialists might comment on your first draft.
  • These group members share an interest in the
    success of the report.

24
  • They read the document, add their comments in the
    margins, and contribute ideas.
  • One or more of them might be listed as coauthors.
  • As an audience, then, this group is closest to
    the subject matter and may be the most
    technically informed.

25
The Supervisor.
  • The group supervisor, who typically is held
    accountable for meeting larger corporate research
    objectives, has a major stake in the documents
    the group produces.
  • The supervisor wants to make the document focus
    on established objectives in an effective way.

26
  • Draft documents often fail to make a clear
    statement.
  • They also fail, sometimes, to address the
    established aim of the group enterprise, or they
    dont communicate in effective and organized
    prose.
  • This person may comment on the document at its
    first draft stage and cycle the document back for
    revisions.

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  • Reading and revising can be very demanding,
    especially for novice writers.
  • As documents return for second or third revision,
    the tension can build.

29
The Manager
  • RD groups often report to a manager, who
    coordinates and directs the broad effort.
  • This higher-level administrator does not
    participate, normally, in preparing individual
    documents but is undoubtedly one of the
    documents most important readers.

30
  • Like group supervisors, managers release
    documents to meet their responsibilities for
    knowledge production, but they also monitor
    research goals and progress, a process in which
    the written report plays an important part.

31
Writing for Publication
  • Specialist, manager, and lay audience take on new
    meanings when you write for the published record.
  • Away from the in-house RD environment, the
    audience often becomes easier to identify.

32
  • The large, specialized readership of a journal,
    for example, can be assumed to have similar
    education, professional interests, and technical
    expertise.
  • Most articles are written to expand the knowledge
    base in a given field, and an expert audience can
    therefore follow terminology, mathematics, and
    methods.

33
  • You can develop communication strategies partly
    by inspecting published documents (e.g.,
    proposals, refereed articles, formal research
    reports).
  • The coverage, language, and graphics follow
    certain conventions throughout a journal
    publication.

34
  • The document pathway typically moves through an
    editor to several referees.
  • The editor is not your supervisor but the
    employee of another organization.

35
  • The editor acts as coordinator and stylistic
    overseer for one cycle, and referees judge the
    documents technical merits in the other cycle.

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  • If the document in question is a proposal, this
    outside referee audience will file reports
    supporting or rejecting the funding.
  • If the document is a refereed article, the
    referees file reports supporting or opposing
    publication.
  • Often, the referees recommend revision followed
    by resubmission.

38
Framing Writing Projects
  • Science and engineering are part problem solving.
  • Defining your problem will improve your writing.
  • The more specific your problem, the better you
    can design your research and determine your
    goals.

39
  • To frame a problem you have to identify your
    audience and refine your topic.

40
From Technical Problem to Writing Topic
  • A problem is a conflict that someone wants to
    remedy.
  • A topic renders the problem and its solution into
    a focused research and writing objective.

41
  • Each topic reflects the original problem but
    refines and limits it for an audience.
  • Narrowing your topic in this way defines your
    research and writing goals.

42
  • Your topic reflects your audience and its
    interests.
  • In research environments, problems typically
    reflect state-of-the-art theory and practice and
    hence are more abstract and specialized.

43
  • Engineers and scientists working in industrial
    RD generally dont generate the topics they
    write about.
  • They work on problems identified by clients,
    colleagues, research directors, or supervisors.

44
Limiting Your Topic
  • Limiting your topic increases your control over
    the subject matter.
  • By narrowing your goals to what you can do within
    your resources, you improve your chances of
    success.
  • Narrowing the topic helps you avoid committing
    yourself to a project with no boundaries.

45
  • To limit your topic, make it more specific.
  • Read background material and related project work
    and discuss these with colleagues, experts,
    clients, or supervisors.
  • Write down what you know about the problem youre
    addressing.
  • Refining your topic saves you time at the writing
    stage.

46
  • Avoid becoming rigidly attached to your first
    problem definition.
  • Initial assumptions are often quite wrong.
  • Problems are likely to evolve with information
    gathering.
  • Experiments, reflection, and discussion with
    colleagues will help you consider alternatives.

47
From Topic to Aim The Goal of Your Document
  • A document is a slice of your work, one that
    needs its own structure.
  • Before you begin drafting, therefore, you need to
    develop an aim for your document.
  • An aim is the reason for writing the document, a
    specific goal.

48
  • When you develop a research topic into a document
    aim, you convert a category to an operation.
  • You propose to do something for someone, namely
    your audience.

49
  • Defining your aim means asking yourself, Why am I
    writing this document?
  • Usually, your answer to this question tells you
    that you want to describe physical objects and
    processes, narrate developments or analyze your
    topic, in order to get your readers to do
    something or persuade them of something.

50
  • As you define your problem, identify your aim,
    and home in on your audience, you create the
    framework for your writing.
  • One way of pulling all these considerations
    together is to write a paragraph or two that
    reflect your thinking, a statement of aim.
  • This statement defines your audience, refines
    your topic, and focuses on a specific argument.

51
  • Like any statement of aim, theirs should answer
    three questions
  • What is the primary aim of your document?
  • In the first few sentences, try to state your
    goal in simple operational language that implies
    action.
  • What problem is being addressed?
  • After you have established your aim, examine the
    problem in more detail by establishing the
    situation and conflict you are addressing.

52
  • You might cite previous work by others on the
    problem.

53
  • A problem usually consists of several parts or
    key variables.
  • By identifying what these variables are, you
    establish your perspective on the problem.
  • You also tell your readers just how you are going
    to treat your material.

54
  • What is the scope of your document?
  • By stating your objectives in the document, you
    provide the kernel of your argument.

55
  • Keep the objectives simple but specific enough
    for your reader to grasp your method of solving
    the problem.

56
Aims Imply Audience
  • The key to drafting a statement of aim is to keep
    it simple and operational.
  • You strip away most of the qualifying detail to
    arrive at your central goal, the problem
    addressed, and your specific objectives.
  • The process, although always difficult, forces
    you to come to terms with the priorities for your
    work. It is a process of clarification.

57
  • Readers read to solve their own problems.
  • If you state your aim clearly, your potential
    readers may make informed choices about whether
    or not to read your work.
  • If you stick to your aim throughout your
    document, a reader who shares your aim will keep
    reading.

58
  • Always ask yourself, What are my intended readers
    going to do or know after reading my work?
  • Keep this question in front of you as you draft
    your document.
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