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Shipping of fine art to

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Invitation letter form Host Museum/Gallery. Copy of Import-Export Code ... Ensure host gallery/museum in India agrees to furnish temporary import bond ... – PowerPoint PPT presentation

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Title: Shipping of fine art to


1
Shipping of fine art to from India
  • Presented by Al Mithal, Star Worldwide Group

2
Antiquities
3
National Museum, New Delhi
  • One of Indias largest Museums
  • Promoted by the Ministry of Culture
  • Has in its possession over 2,00,000 works of
    exquisite art, both of Indian and Foreign origin
    covering more than 5,000 years of our cultural
    heritage.
  • Acts as a nodal agency for shipping antiquities
    from all other government museums within India

4
Archaeological Survey of India
  • Under the Ministry of Culture
  • Is the premier organization for the
    archaeological research and protection of the
    cultural heritage of the nation.
  • Regulates all archaeological activities in the
    country as per the provisions of the Ancient
    Monuments and Archaeological Sites and Remains
    Act, 1958.
  • Regulates the import and export of all
    antiquities as per the Antiquities and Art
    Treasure Act, 1972.
  • Issues a Temporary Export Permit (TEP) for all
    antiquities temporarily exported for exhibitions
    overseas.

5
Regulations for Lending of Antiques
  • A loan agreement must be signed between the nodal
    agency and the host museum/institution. This is a
    protracted procedure and generally requires
    atleast 8 to 10 weeks, as it has to be vetted by
    the Ministry of Legal Affairs.
  • All loans must be inspected and evaluated by the
    Archaeological Survey of India (ASI), who issues
    a Temporary Export Permit (TEP) for the loans.
  • A meeting of at least six members of the National
    Screening and Evaluation Committee (NSEC) must be
    convened prior to obtaining of the TEP from ASI.
    This must be done 4-6 weeks prior to shipping
    from India and all cost to organize the meeting
    have to be borne by the host museum/institution.
  • An all risk wall to wall Insurance coverage for
    all loans, as per the values determined by the
    NSEC must be obtained through an nationalized
    insurance company. Insurance costs in India are
    quite high, compared to the US and Europe.
  • A representative from the lending and nodal
    agency must accompany each shipment, as on board
    courier.

6
Contemporary Fine Art
7
National Gallery of Modern Art New Delhi Mumbai
  • Acquires and preserves works of modern art from
    1850s onward
  • Maintains and develops galleries for permanent
    and temporary display.
  • Organizes exhibitions to promote modern art
    within the country and overseas.
  • Maintains and preserve documents relating to
    works of modern art.
  • Acts as Nodal Agency for shipping of Contemporary
    Art owned by the Government/State owned
    Galleries.

8
Regulations for Lending of Contemporary/Modern Art
  • A loan agreement must be signed between the nodal
    agency and the host Gallery/Museum. This is a
    protracted procedure and generally requires
    atleast 8 to 10 weeks, as it has to be vetted by
    the Ministry of Legal Affairs.
  • Only works more than a 100 years old or
    classified as very rare (AAA Category) and of
    national importance, must be evaluated by the
    National Screening Evaluation Committee (NSEC).
  • A meeting of at least six members of the National
    Screening and Evaluation Committee (NSEC) must be
    convened prior to obtaining of the Temporary
    Export permit. This must be done 4-6 weeks prior
    to shipping from India and all cost to organize
    the meeting have to be borne by the host
    museum/institution.
  • An all risk wall to wall Insurance coverage for
    all loans, as per the values determined by the
    NSEC must be obtained through an nationalized
    insurance company. Insurance costs in India are
    quite high, compared to the US and Europe.
  • A representative from the lending and nodal
    agency must accompany each shipment, as on board
    courier.

9
Temporary Export by Private Lender/Gallery
  • Temporary export clearance are valid for a period
    of 6 Months.
  • The following documents are required from each
    lender
  • Pro-forma Invoice of non commercial value
  • Packing list
  • Invitation letter form Host Museum/Gallery
  • Copy of Import-Export Code Certificate (IEC). If
    lender is not registered, Star Worldwide can act
    as shipper and ship under its IEC registration.
  • Certificate from the bank stating that no foreign
    exchange is involved.
  • Photographs of the works for Identification
  • Letter from lender to authorize fine art agent to
    arrange temporary export formalities.
  • If some of the works are sold and not returning
    back, the lender must show the inward foreign
    remittance from the sale into his bank account in
    India.

10
Temporary Import
  • Temporary Import is granted for a period of 6
    months
  • The following documents are required
  • Pro-forma Invoice of non commercial Value
  • Packing List
  • Import-Export Code certificate of the Importer
  • Re-export Bond for the total amount of the value
    plus the Customs duties (approx 150 of the
    value), undertaking works will be re-exported
    within 6 month of date of temporary import.
  • For Private Museums/Galleries, a Bank Guarantee
    for approximately 150 of the value.
  • Photographs of the works for Identification

11
Permanent Export by Private Seller
  • The seller must provide the following Customs
    documents
  • Commercial invoice
  • Packing list
  • Import-Export Code Certificate (IEC)
  • The seller should be registered to import-export
    out of India. (Note most artists are not
    registered and work through galleries.)
  • The seller should be the beneficiary in the
    inward remittance made against the invoice

12
Infra-structure Facilities in India
  • Poor and inadequate facilities at airports/ports
    for receiving, handling storage of art works
  • Limited Climate controlled facilities for
    perishables. Limited storage area for High Value
    Cargo.
  • Very basic equipment for cargo handling. Fork
    lifts available, but operators not trained to
    handle art works.
  • Large crates can, at times, be left in open and
    uncovered areas of the cargo warehouse.
  • No designated areas available for opening of
    crates and inspection of works.
  • Airport Customs staff are not trained for
    handling of art works and treat it like any other
    general cargo.

13
Important Guide Lines - Shipments to India
  • All works, without exception, must be crated and
    water-proofed
  • Documentation i.e. packing list, invoice etc
    should be provided to Star atleast 5 working days
    prior to arrival of shipment to enable us to
    obtain pre-clearance and arrange for Customs
    inspection at Gallery/Museum site, instead of
    airport.
  • Couriers are normally not allowed to witness
    tarmac loading unloading at Indian airports,
    however Star representatives are authorized to
    supervise palletization/de-palletization and in
    selected cases, tarmac supervision can also be
    arranged.
  • Domestic air services, for transporting large
    artworks within India are very limited, hence,
    for touring exhibitions, allow sufficient time
    between venues.
  • Ensure host gallery/museum in India agrees to
    furnish temporary import bond/ Bank guarantee
    required by Indian Customs.

14
Important Guide Lines - Shipments From India
  • If borrowing works from Government museums, start
    the procedure for approvals and loan agreement
    terms with lending institutions well in advance
    preferably 6 months or more prior to shipment
  • Unless otherwise agreed, be aware that all costs,
    within India and overseas, will have to be borne
    by the host museum/organizer
  • Appoint a local fine art agent to liase with
    lenders, Ministry of Culture and the nodal agency
    to expedite approvals, arrange NSEC meetings etc
    etc. The rapport and relationship of the local
    agent, with the various government agencies, is a
    crucial element in speeding up the process
  • Authorize the local fine art agent to arrange for
    photography, framing and any other related
    services, as required by the lenders, for export
    of the works
  • Be aware that all Government loans from India
    will have to be insured, for wall to wall
    coverage, through an Indian insurance company and
    premiums are normally very high, compared to the
    US Europe
  • All works, without exception, must be crated and
    water-proofed
  • Couriers are normally not allowed to witness
    tarmac loading unloading at Indian airports,
    however Star representatives are authorized to
    supervise palletisation/de-palletisation and in
    selected cases, tarmac supervision can also be
    arranged

15
About Star Worldwide
  • Indias oldest largest specialist fine art
    handling company
  • 3 generations, 5 decades of experience
  • Multi-locational domestic network, covering the
    entire Indian sub-continent. Offices in Delhi,
    Mumbai, Bangalore, Chennai, Hyderabad and
    Kolkata.
  • Exclusive official fine art handling agent for
    the National Museum, National Gallery of Modern
    Art and The Ministry of Culture.
  • IATA approved and ISO 9001 certified.
  • Offers the following services
  • Museum specification packing crating
  • Customized and secure handling transportation
  • Wall-to-wall insurance
  • Climate controlled storage
  • Courier assistance, Travel and Hotels etc.
  • Tarmac Supervision (wherever permissible)
  • Photography, framing, conservation, restoration
    etc, where required

16
Why Star Worldwide?
  • Experience the essence of our growing success
    and stature
  • 50 years of history in the art handling business
  • Integrity Ethics ours is one of the most
    respected names within the industry
  • Focus
  • Providing each client with customized fine art
    packing and transport solutions
  • Safety, Security and Care at every step
  • Continuous focus on Improvement and Innovation
  • Our people
  • Experienced and dedicated staff a team of over
    150 experienced and dedicated packing crews and
    art handling managers, focused on Customer
    Service and attention to detail
  • Constant training programs at all levels and in
    all areas of service

17
Why Star Worldwide?
  • Infra-structure
  • Our own fleet of purpose built vehicles with
    communication and monitoring equipment
  • In-house Carpentry shop for crates/cases
    conforming to Museum Specs.
  • Secured storage at all our locations
  • Air-conditioned and de-humidified storage to
    protect high value products and works of art
  • Specialized handling equipment
  • High speed broadband connectivity and computer
    network linkage between all our offices

18
Some of Our Prestigious Clients
  • National Museum, New Delhi
  • National Gallery of Modern Art, New Delhi
  • The British Museum, London
  • The Tate Gallery, London
  • The Victoria Albert Museum, London
  • Asia Society, New York
  • Kunstmuseum, Bern
  • Haus der Kunst, Munich
  • Japan Foundation, New Delhi Tokyo
  • Asian Civilization Museum, Singapore

19
Some Major Art Events Handled by Star
  • The Arts of Kashmir
  • Asia Society, New York, 2007-08
  • The Golden Age Of Classical India, The Empire Of
    Gupta Art
  • Grand Palais, Paris, 2007
  • Tejas
  • BOZAR, Brussels, 2007
  • Edge of Desire Recent Art in India
  • Art Gallery of Western Australia, Australia And
    The Asia Society, New York,
  • Tibetan Tankhas
  • Rubin Museum of Art, New York 2005
  • Raja Ravi Verma Collections
  • National Gallery of Modern Art, Mumbai 2003

20
Some Major Art Events Handled by Star
  • The Dutch Masters
  • National Gallery of Modern Art Mumbai, 2003
  • Century City
  • The Tate Gallery London, 2001
  • The Art of the Sikh Kingdoms
  • Victoria Albert Museum, London, 1999
  • At the End of the Century
  • Museum of Contemporary Art, Los Angeles, 1998
  • The Enduring Image
  • National Museum, New Delhi Mumbai 1998
  • The Padshahnama
  • National Museum, New Delhi, 1997.
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