Title: Advertising Design Chapter 10
1Advertising Design- Chapter 10
- Successful Advertising
- Attracts attention
- Communicates a message
- Persuades an audience
- Design not for Art sake but for Business Sake
- But can it be art and still do its job?
2The Design Process
- Define the problem
- Research the project
- Create thumbnails and roughs
- Prepare comprehensives
- Review and refine the design
3Defining the problem
- What does the client want?
- Print or digital media?
- Budget?
- Timeframe?
- Target market?
4Researching the Project
- Research to understand the client and the
project - Research sources
- - Internet
- - Company salespeople/showroom
- - Visit competitors and compare products and
services
5Creating Thumbnails and Roughs
- Thumbnails
- Small, fast sketches used to explore solutions
- Simple, with little detail, and rarely use color
6Creating Thumbnails and Roughs
- Roughs
- Tighter, more visually refined
- Manually or on the computer, with required or
potential formats, layouts, typography, and color
for each idea
7Preparing Comprehensives
- An accurate reproduction of potential solutions
to the clients problem - Often created on the computer, with type,
photography, and illustrations in position to
show the client what each idea looks like - Also known as comps
8Reviewing and Refining
- Comps submitted to client
- Client and Designer work together to choose which
idea will work best - Sometimes ideas are combined
- Process continues until client is satisfied
9Review the Fundamentalsof Design
- Design elements
- Line, Shape, Value, Color, Texture, Space
- Design principles
- Balance, Proximity, Alignment, Unity, Emphasis,
Rhythm
10Page Design- Showing Relationships
- Guide the user through the design
- How do we as humans organize concepts?
- Gestalt Principles- Visual Grouping
- Similarity
- Proximity
- Continuity
11Visual Grouping- Similarity
- Shape, size, color or orientation
- Color is a powerful tool
- Emotional power and meaning
- Contrast or differences
- Draw attention
- Show hierarchical relationships
12Visual Grouping- Proximity
- We associate elements that are close together to
stronger relationships - Unity and Balance
- Using Grids
- Blank or White Space
ABRS CDTV
13Visual Grouping- Continuity
- We prefer continuous and unbroken lines.
- Mentally fill in missing pieces
- By using this in design can get viewer actively
involved - Guide viewers to elements
- Figure and Ground
14Figure and Ground
- Figure- focus of attention
- Ground- background
15Designing Content Elements
- Using Photographs Effectively
- Tell story or relevant to text
- Attention grabbing
- Clear, sharp, look good
- Well cropped and focused
- Do you have permission to use it?
16Designing Content Elements
- Using Photographs Effectively cont.
- Cropping
- Focus
- Sizing
- Proper to placement and layout
- Placing
- Lead to the rest of the content
17Designing Content Elements
- Typography Visual Design of Text
- Communicate thru font
- Mood and tone
- Coherence of style
- ProfessionalFunElegant
18Designing Content Elements
- Text Design
- Emphasize headings
- Text to background contrast
- Use Sans-Serif fonts, not Serif.
- Larger Type Size
- Shorter Lines
- NO ALL CAPS
- Avoid excessive italics
- Use plenty of blank space around text
19Creating Focused, Effective Brochures
- Planning- audience, tone, objective
- Subdivide topic- logical
- Research topic
- Write first draft of text
- Revise text
- Identify needed graphic elements
- Polish and edit- details!
- Test
20Basic Brochure Design
- How to fold the paper?
- Make the cover interesting- Top 3rd
- Use reader friendly type
- Use easy to read text formats
- Flush left text
- Use type devices for emphasis
- Dont be afraid of white space
- Consider using spot color
21InDesign An Overview
- Adobe InDesign
- User interface resembles Photoshop/Illustrator
- Advanced type controls
- Can import layered
- Photoshop/Illustrator files
- Export directly to Adobe PDF documents
- Preview separations and create special effects
22Shapes
- Made up of two parts Stroke and Fill
- Strokes available in any thickness
- Fill is the color that goes in the shape
- Can create rectangles, squares, ellipses,
circles, and polygons
23Powerful Typographic Controls
- Major strength of page layout software
- Working with type involves skill in the use of
type styles, sizes and spacing - Type Styles
- Serif or Sans Serif
- Italic, Square serif, Script, Blackletter and
Miscellaneous - Working with Type
- Type families and styles
-
24Working with Type
- Type family consists of all the styles of type
from the same design - Type size measured in points
- Leading is the vertical space between lines of
type - Line length is the horizontal measurement of a
line of type - Alignment set left, right, centered or justified
25Working with Type
- Different styles and alignment affect the look of
the design piece
26Electronic Publishing and Printing
- Computers connected to thousands of printers
outputting more paperwork than ever before - Difficult to store, retrieve information
- Environmental concerns
- 1992 Adobe Solution first version of the
Portable Document Format (PDF)
27An Adobe Solution
- Create a paperless office exchange and store all
information electronically - Electronic mail distribution networks
- PDFs not popular at first
- Today, PDFs used worldwide, using Adobe Acrobat
software
28The Importance of the Portable Document Format
- Adobe creates PDF format to control internal
company paperwork - Cross platform compatible Documents look and
print the same way on any computer using any
operating system - PDF format is device-independent
29What Are PDFs?
- Based on PostScript page description language
- Describes to an output device how a page should
look so it can print accurately - Advantage of PDF over Postscript translation
process built-in to its creation, prints more
consistently on different printers
30Production Tools and Process- Ch 11
- Vector Graphics
- Bitmap Graphics (raster)
- RIP( raster image processing) turning vector info
into raster.
31Image Capture
- Scanned Images images values and color are
converted to a series of dots - Number of dots per inch describes the resolution
(quality) of an image - Dots measured in lines per inch (LPI), with small
dots in lighter areas, larger dots in dark areas - Need to recreate LPI dots digitally
32Image Capture
- Dots per inch (DPI) generally created by
printing devices - Pixels per inch (PPI) generally describes dots
on a computer monitor - Spots per inch (SPI) technique spreads dots of
equal size over the image - Scanners use DPI or PPI Imagesetters/Platesetters
convert image to LPI or SPI
33Resolution and Image Quality
- Resolution measured in both LPI and SPI
- More lines or spots means higher resolution and
higher image quality - Newspapers Low res, 45-95 LPI/SPI
- Catalogs Average res, 100-133 LPI/SPI
- Annual Reports High res, 150-200 LPI/SPI
34Are you ready to RIP?
- Keep electronic files clean. Delete it, dont
cover it (with a white box) - Avoid putting files into files into files
(nesting) - When using multiple programs, assemble all in
final output program. - Do all image modifications before importing
- Avoid large scaling of graphics
- Scan an image at the approximate size you need
for final publication.
35File formats
- TIFF (tagged image file format)- bitmaps
- EPS (encapsulated PostScript)- object oriented
for storing graphics - JPEG (Joint Photographic Experts Group)-
compressed file format - GIF (graphics interchange format)- no compatible
with page layout - PICT- mac file
36Compression
- Lossless- less compression but preserve original
file - Lossy- high compression but lose some info (JPEG-
high frequency)
37Preparing Electronic Files
- Assemble files in page layout program
- Bring all your images
- Select automatic trapping option in layout
program and ask to check - All files must be CMYK if you are doing full
color output - In Photoshop, check color picker for an alert
symbol (will not print) - Include all original scans and vector graphics
- Be sure all documents are linked.
- Supply all fonts
- Organize and label all the files on a disk