Title: Myths of the West
1Myths of the West
- Frontier experience racial clashes with Native
Americans progress and extermination
2Myths of the South segregated archetypes
cavaliers, belles, mammies and bucks
3Nat Love, aka Deadwood Dick and below, Mexican
vaqueros at Buffalo Bills Wild West
African Americans and Mexican Americans in the
West Revising the Cowboy
- Of the estimated 35,000 cowboys who worked the
ranches during the 19th century, 5-9,000 were
black - At the end of the 19th century, 1 in 3 cowboys
was a vaquero
4Annie Oakley (1860-1926) and Ellen Watson (Cattle
Kate, 1861-1889)
5Women Behind the Lines Hidden Histories of the
War
- Spies
- When Belle Boyd was 17, she shot and killed a
drunken Union soldier who was trying to raise the
US flag over her house in West Virginia - The next year she worked as a spy for General
Jackson - Arrested in twice in 1863
- Government workers
- Thousands of southern women worked for the
Confederate government--Known as department
girls. They received higher wages than men in
the army - Hospital superintendents
- A CSA report in 1862 noted that hospitals managed
by men had mortality rate of 10 while those
managed by women had only 5 death rates -
6Shared Histories of Expulsion, Extermination and
Slavery
- Treatment of Native Americans
- Expulsion from lands (Cherokee Nation v. Georgia,
1831 Trail of Tears, 1831-8) - Resistance by religious leaders like Tecumseh
(sides w/ British in 1812 Sitting Bull and Red
Cloud, 1876) - Massacres by settlers and US Army (Sand Creek,
1864 Wounded Knee, 1890) - Reservations
- Question of citizenship
- Loss of historical voice
- Savage, demonised image in popular culture
- Development of Slavery in South
- Sale and enforced separation of families
- Resistance through slave revolts (1831, Nat
Turner, lay preacher) - Lynchings by the invisible army aka, the KKK
- Segregation and Jim Crow laws
- Voting rights denied in South
- Slave narratives as correctives to national
history (Harriet Jacobs, 1861) - Image of unbridled male sexuality and female
passivity in popular culture
7Gender and Race in American South
- Racial theories justified as a means of
protecting white women from aggressive black male
sexuality (KKK) - Black women subjected to rape by white men for
centuries mulatto population largely result of
white male sexuality and fantasies of power - Both white and black women and black men subject
to discrimination and disenfranchisement white
southern Grimke sisters were most prominent
abolitionists and advocates for sexual equality
from 1830s-1850s - Image of mulatta popular theme in 19th-century
literature Coopers Last of the Mohicans (1826)
and Clotel (1853), the story of Thomas
Jeffersons daughter with Sally Hemmings
virtuous mulatta used to defy racial stereotypes
8Multiracial Exclusion in the West (different from
Souths black-white racial binary)
- In California, mestizos, Indians, and Chinese
were not allowed to vote or testify in court.
Many Californios (of Spanish-Mexican-Indian
descent) were divested of their lands due to
their alleged Indian blood - Chinese Exclusion Act, 1882, forbids future
importation of Chinese labourers (made permanent
in 1902) - Statements against Japanese men in California and
other western states use language of
miscegenation and fears of unions with white
women to stir up racial hatred (borrowed from
South). Ban on Japanese immigration in 1924 - Were westerners really against slavery? CA, NV,
OR all pass anti-miscegenation laws in 1870s (not
repealed in CA until 1948 and 1959 in NV).
Oregons law forbidding settlement of free blacks
not repealed until 1926
9Gender and Race in the American West
- Pioneer women share same frontier experience as
men active wage earners and farmers women buy
land through Homestead Act, 1862 - Native American women form unions with trappers,
miners, soldiers - Captivity narratives white women cultural
border-crossers integration within native
culture white male fear of race contamination - Native women (Pocahontas) and mixed-race heroines
(Ramona, 1884) popular symbols which problematize
racial stereotypes - Ramona, a novel, raises awareness of Native
American situation which Jacksons history, A
Century of Dishonor (1881) cannot - Fears of Chinese and Japanese immigration focus
on potential unions with white womennativist
fears borrowed from South
10Mixed-Race Americans Mulattoes and
MestizosWhere race and gender intersect in the
West and the South
- How race is defined along Americas borders
(Mexican racialisation from Mexican War through
Bracero programme) - Anti-miscegenation laws in South police
instability of racial categories (light-skinned
blacks) - Citizenship debates in California (1849-51) and
Texas (1848) Are Native Americans citizens? Can
Mexican Americans vote?
11Helen Hunt Jackson (1830-1885)
- A Century of Dishonor (1881)
- Ramona (1884)
- Mexican ranchero class tries to defend land
rights against squatters, but loses money and
lands in court battles - Native Americans politically disenfranchised
genocidal pogroms instituted by state government
sanction murder of 8,000 Native Americans in
1850s - Native population in 1845 150,000. By 1880, only
16,000 left - 1850 CA legislature allows vagrant Indians to
become bond servants - 1886 all Indian land deemed in public domain
12Edna Ferber and the Mixed-Race Protagonist in
American Literature
- Cimarron (1929), no. 1 best-selling western with
a multiracial hero, filmed in 1931
13Images of the old West and South Racial Binaries
in American culture
- The Western (conflict between red and white)
- The noble but doomed savage (George Catlin),
cowboy and the myth of the frontier (Frederic
Remington) - Theodore Roosevelts Winning of the West
(1889-1896), racial conflict and extermination)
and Owen Wisters Virginian (1901, Native
Americans written out of West) - Zane Greys Vanishing American (1925)
- Stagecoach (1939, directed by John Ford, starring
John Wayne) whites against the Indians, most
enduring view of West - Racial revisionism Little Big Man, Dances with
Wolves, Geronimo
- The Plantation Epic (black and white society)
- Women and the mythology of the Lost Cause
- Thomas Dixon (The Leopards Spots, 1902 The
Clansman, 1905) reinvent post Civil War South as
violent clash between black and white - The Birth of a Nation (1915), racist history of
Civil War and Reconstruction, regenerates KKK
Micheauxs Within Our Gates contests view - Gone with the Wind (1936, 1939), womens
narratives of Civil War new history of race and
gender in American South - Alice Walkers The Color Purple (1982) and Tony
Morrisons Beloved (1987)
14Race and Gender in the Twentieth Century The West
- Historically, Mexicans have been looked upon as
inferior, non-white race. Parkman, Roosevelt,
Dana all criticise Mexicans as lazy, mixed-race
degenerates - Mexican American Immigration and racial purity
Mexicans not in quotas but only to satisfy big
business need for cheap labour - Jim Crow laws affect Mexicans in South too
separate schools, churches, restaurants,
restrooms, etc., and votes often controlled by
elite whites - Sharecroppers in Texas were black, white and
Mexicantensions develop between poor whites and
Mexicans - Indian Citizenship Act, 1924
- 1924 first Mexican and Canadian border patrol
instituted in US - League of United Latin American Citizens, est.
1928 in Corpus Christi, Texas to develop
coherent, upwardly mobile, white Mexican
population - Mexicans listed as white in 1920 census listed
as other in 1930 census - Racialising Okies in the Great Depression
- African American migration to California during
WWII - Japanese internment, 1942
- Sleepy Lagoon and Zoot Suit Riots
15Souths Racist Legacy in Hollywood Cinema
16Blackface and playing Indian
- In addition to perpetuating many racial
stereotypes, Hollywoods censorship code forbade
narratives which depicted mixed-race couples
(miscengenation). However, sometimes filmmakers
got around these strictures
17African Americans in Hollywood
- Oscar Micheaux most successful black filmmaker in
1920s - Hattie McDaniel wins Academy Award for Best
Supporting Actress, 1939 - Actor Canada Lee (Body and Soul, 1947)
blacklisted by HUAC - Dorothy Dandridge major 1950s sex symbol
- In the Heat of the Night (1967) with Sidney
Poitier and Rod Steiger landmark Civil Rights
film - Shaft (1971) Af-Am alternative to classic white
detective films
18Popular images of Native Americans
19Breaking Southern Belle Stereotypes in 1936
20The red dress is black miscegenation and
demystifying race
21The Politics of Race and Dress in the Civil War
South
22Passing for white cinema confronts the
imagined nature of race in Imitation of Life
(1934)
23Performing Race Imitation of Life (1959)