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Media Audience Behavior

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Who chooses what (Neilson) What they choose what they do (expectation) ... Ritual or expressive model - audience as participant; sharing experience ... – PowerPoint PPT presentation

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Title: Media Audience Behavior


1
Media Audience Behavior
  • Introduction

2
Question
  • What do we know most about audiences from
    existing comm theories and resources?
  • Who chooses what (Neilson)
  • What they choose what they do (expectation)
  • What they get out of it (uses and
    gratifications)

3
What do we need to know about audiences?
  • How people make choices about what media they
    choose and what performances they see
  • Psychology and sociology of the viewing experience

4
How do we distinguish between active and passive
audiences?
  • Which viewers work?
  • What kind of work do they do?

5
How do we distinguish between texts of fantasy
and reality?
  • Reality texts require reader to postpone
    immediate gratification
  • Fantasy viewers are entertained through escape
  • Can todays audiences be defined as either one or
    the other?

6
Audiences defined
  • Collective term for receivers in mass comm
    process source channel, message, receiver,
    effect
  • Readers or viewers of media,channel or
    performance
  • Media audience not observable

7
Historical influences
  • Previously defined by place (local, global)
    people (gender, demographics), medium, message
    content, time (prime, drive)
  • Audience as Mass aggregate of detached
    individuals with focused attention
  • Audience as Market - links sender and receiver in
    calculative rather than social relationship -
    cash transaction

8
Audience-Sender relationship models
  • Transmission model - audience as target to
    influence or control
  • Ritual or expressive model - audience as
    participant sharing experience
  • Attention model - audience as spectator
    entertainment focus with no meaning transfer

9
Notion of performance
  • Involves a relationship between performer and
    audience
  • Is a live event (worship, political meeting,
    sports, concerts, funerals, carnivals etc)
  • Involves ceremony and sense of sacred and
    extraordinary
  • Social distance in public spaces

10
Forms of AudiencesSimple
  • Immediacy, localized, ceremonial Distance
    between performer and audience
  • Superstars and star texts
  • Active decoding, passive behavior
  • Performed in spaces / closed between shows
  • Public

11
Forms of AudienceMass
  • No spatial location
  • Indirect communication
  • Post-modern, mass-mediated society fragmented
    performances
  • Global spaces
  • Low ceremony, low attention
  • Star-audience relationship para-social,
    imitation
  • Watch to reinforce own opinions
  • Motivated by loneliness, curiosity

12
Types of mass audiences
  • Illiterates - visuals only 60 of general
    audience sex fiction and adventure comics
  • Pragmatists - 30 general audience social
    beings, interested in status, thing oriented,
    advertising targets Readers Digest, Time
  • Intellectuals - less than 10 concerned with
    issues and ideas thinkers Harpers, Atlantic
    Monthly

13
Forms of AudiencesDiffused
  • Everyone is an audience all the time
  • Media-drenched society, lots of time watching,
    listening
  • Performative society
  • Continuing roles
  • World is a spectacle we are both watchers and
    being watched
  • Global and local, public and private
  • Imagined and interpretive communities

14
Viewing Metaphor
  • Football in America

15
A game of signs
  • Country is a football stadium during Superbowl
  • Actual seat in stadium signifies wealth - box for
    riches, bleachers for poor
  • Codes/signals are used in huddles to transmit
    play messages
  • Much of game is based on deception - fooling the
    other team

16
A manipulator of time
  • Instant replay
  • Slow motion
  • Avant-guard film with stream of consciousness
    back and forth through time

17
A socialized agent
  • Teaches us how to get along in society - roles
    and rules
  • Emphasizes specialization
  • About containment and breaking free

18
Opposition to boring baseball
  • FOOTBALL
  • Urban
  • Educated players
  • Specialized
  • Team effort
  • Vicarious excitement
  • Body a weapon
  • Up-tite audience
  • BASEBALL
  • Pastoral
  • Country boys
  • General
  • Individualistic
  • Relaxation
  • Bat a weapon
  • Relaxed audience

19
Alternative to religion
  • FOOTBALL
  • Superstars
  • Sunday games
  • Ticket
  • Complex plays
  • Coaches
  • Stadium
  • Fans
  • Beer/hotdogs
  • RELIGION
  • Saints
  • Sunday services
  • Offerings
  • Theology
  • Clergy
  • Church
  • Congregation
  • Wine/eucharist

20
Capitalist enterprise
  • Diverts peoples attention from social situations
  • Huge business that exists to make
  • Players are commodities
  • Players have no loyalty, only huge salaries
  • Advertisers exploit viewers
  • Means of social mobility for minorities

21
Questions for discussion
  • 1. How do those perceptions fit into these types
    of audiences
  • Active / passive
  • Reality / fantasy
  • Simple / mass
  • 2. Can we accept the notion of a diffused
    audience as an a priori for this class?
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