Title: Italia Sorrento 1 The Wood Inlay Museum
1Sorrento
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Intarsia
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3Intarsia is a form of wood inlay and a specialty
of Sorrento, a lovely old town clinging to a
cliff side some thirty-nine kilometers southeast
of Naples. The intarsia technique involves
arranging dif-ferent woods (mahogany, rosewood,
elm, chestnut, ebony, olive, walnut, and other
varieties) into elaborate surface designs. The
result is intricate renderings of cityscapes,
architecture, floral and vegetal motifs, human
figures, and geometric patterns
MUTA, Museo della Tarsia Lignea, located in the
Palazzo Pomarici Santomasi, in the historical
center of Sorrento
4The MUTA is a private museum which was opened in
1999 inside the Pomarici Santomasi Palace (18th
century). Museo della Tarsia Lignea is, using the
word of its founder, the architect and
designer Alessandro Fiorentino, a special
museum-workshop where people can enjoy the old
Sorrentos tradition of wooden marquetry and buy
the new production of hand-made objects and
furnitures
Music Table 1859 by Michele Grandville
5The display of the ancient and modern inlay
collection is presented on four floors of the
building and they document through separate
divisions, the art of inlaid woodwork in its many
facets
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7On the first floor, the museum displays a large
exhibition of paintings, prints and photos
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9Table by Roberto Pane, Antonino Terminiello 1938
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14The Wood Inlay Museum in Sorrento traces
the history of intarsia with its collection
of furniture and smaller objects from the early
1800s to the present displayed in cabinets of
curiosities
15The bedroom of Princess Maria Sturdza, the wife
of Constantine Cortchacow (cousin of Tsar Nicolas
II). Intaglio in walnut, executed by Sorrento
Scuola d'Arte cca 1890
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18The bedroom of Princess Maria Sturdza, detail of
the wardrobe
19Every detail of the decoration on the bed evokes
the rank, name and family of the Princess.
20In addition to the coat of arms and monogram
carved on the foot of the bed, the wooden figures
of children on the four corners can be
interpreted as referring to her children
(Sorrento-Villa Cortchacow by Domenico Rea)
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27Luigi Gargiulo Table Torquato Tasso 1830
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29The technique of inlaid wood was widely used
across northern and central Italy by the late
Middle Ages. Masters of wood inlay
decorated medieval Italian churches with choir
screens, stalls, pulpits, and other church
furnishings with the intarsia technique
30Although intarsia masters are documented in
Sorrento as early as the sixteenth century,
intarsia furniture became especially fashionable
throughout Europe in the 1800s, following the
crew of royal influence. Intarsias popularity
spread to France, and the Napoleonic court
commissioned intricate works of furniture and
other decorative pieces made in the Naples region.
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32An intarsia school was established in the 1880s
in Sorrento, and the craft continued to flourish.
Around the turn of the twentieth century, the
beautiful Amalfi Coast began to lure increasing
numbers of foreign travelers. As Americans,
Germans, English, and Dutch began to discover the
special beauty of the local intarsia tradition,
this outside interest ensured that the craft
would endure
33Bed with canopy by Francesco Grandi and Arturo
Guidi 1887
34Bed with canopy by Francesco Grandi and Arturo
Guidi 1887 detail
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37Table by The school of Art in Sorrento 1890
38Table by The school of Art in Sorrento 1890
39Coin cabinet by Francesco Grandi 1892
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41Cigar holder 1850 by Michele Grandville
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43During the restoration of the Palace, the
original architectural and decorative works were
brought to light, including frescoes and ceilings
covered with painted paper made by hand
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46A small circular staircase was found hidden
behind a wall accessible only a trapdoor hidden
under the floor on the second floor. This was a
secret staircase which would have allowed the
inhabitants of the palazzo to hide and escape in
the event of danger
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51Table by Luigi Gargiulo 1880
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53Table by Luigi Gargiulo 1880
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58Music stand by Michele Grandville 1850
59Secrétaire dos d'âne 1880 Giuseppe Gargiulo
60Secrétaire dos d'âne
61Giusppe Gargiulo 1900 Nest of tables
62Table Sorrento peasant Antonino Gargiulo 1891
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65On the ground floor of the Museum there is a
workshop where inlaid furniture and objects
signed by Alessandro Fiorentino Collection are
sold
66The ground floor displays the exhibition of a
modern collection of inlaid objects and furniture
with decorative themes related to contemporary
culture
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6922 scatole dAutore (designer boxes)
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76Crosses designed and produced by Arch. Alessandro
Fiorentino
77Text Internet Pictures Sanda Foisoreanu
Internet All copyrights belong to
their respective owners Presentation Sanda
Foisoreanu
2018
Sound Nino Rota - Danze del Gattopardo
Giuseppe Verdi Valzer brillante. Teatro alla
Scala di Milano