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CRITICAL MARKETING AC934

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Title: CRITICAL MARKETING AC934


1
CRITICALMARKETINGAC934
CRITICALMARKETINGAC934
Steffen Böhm Jerzy Kociatkiewicz
  • Steffen Böhm
  • Jerzy Kociatkiewicz

2
Critical Marketing
  • Introduce central concepts of marketing
  • Discuss the main issues facing marketing today
  • Develop a critical review of the role played by
    marketing in contemporary society

3
4Ps of Marketing (the Marketing Mix)
  • Promotion
  • Product
  • Price
  • Place (distribution)

4
Truth and Lies in Advertising
  • Advertising presents an idealised/stylized
    version of the product and/or the world
  • So does any other artform
  • Advertising may mislead audience as to the
    benefit of using a product
  • An informed audience is well aware of these
    biases
  • Advertising may provide false information
  • Only if the audience believes in presented
    message

5
What is an Advertisement? Why?
  • A university prospectus
  • A political manifesto
  • A film trailer
  • A speed limit road sign
  • A manufacturers label sewn on the outside of
    clothes e.g. on jeans or trainers
  • A shop name on a carrier bag
  • A poster in the grounds of a church, with Jesus
    Lives written on it
  • A T-shirt with a slogan on it e.g. Time to
    Party
  • A Youtube logo in the corner of a videoclip

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Rhetorics
  • Rhetorics is the art of persuasion (studied at
    least since Ancient Greece)
  • Advertisements are created to interest, inform,
    and convince their audiencein other words, they
    are rhetorical texts
  • Are all rhetorical texts advertisements?

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10
Lies
  • There are strong incentives for companies to lie
    and mislead
  • Advertisements often disguise their commercial
    nature, pretending instead to be purely
    informative announcements (audience knows to
    react differently to commercial and
    non-commercial text)
  • Regulations and consumer protection agencies are
    limited in their effectiveness, particularly in
    regard to shor-term campaigns

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Irony and Games
  • Advertising audience becomes more and more savvy
    and discerning, and less susceptible to
    authoritative messages
  • The role of advertisement is increasingly to hold
    attention rather than to
  • Playful, interesting, and engaging adverts are
    more easily remembered and, in some cases, are
    actively sought out by the audience

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Adbusting
15
Adbusting
  • Consumer and community reaction against
    prevalence of advertising in public discourse
  • Defacement, re-contextualization, and reworking
    of adverts and commercials to unmask or subvert
    their message
  • A critical response to commercialisation of
    discourse

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Advertising as propagating culture
  • Advertising tends to build upon dominant
    stereotypes, strengthening rather than
    challenging them
  • Advertising creates trends, fashions, and as
    much as it responds to them
  • Advertising inspires other art forms (e.g. pop
    art)

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Cool Hunting
  • Marketers increasingly use tropes originating
    from street culture to promote products often
    only loosely affiliated with that culture
  • Many well-known trends and fashions (e.g.
    parkour, hip hop) originated in street culture
    only to be picked up and propagated by commercial
    interests

21
Commercials as culture
  • Advertising is a mass-appeal art form
  • Advertising is used not only to propagate
    commercial products
  • Commercials can be (and often are) playful,
    thoughtful, and interesting
  • Culture constantly reworks themes and ideas from
    advertising in earnest as well as ironic ways

22
Campbell's Soup Can - Andy Warhol (1964)
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