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The Masterpieces

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Title: The Masterpieces


1
The Masterpieces
  • Masters
  • of the Painting
  • II

2
  • The Courtyard of a House
  • in Delft

3
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4
  • The Virgin
  • and Child with
  • Saint Anne

5
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6
  • A Grotesque
  • Old Woman

7
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8
  • The Gare
  • St-Lazare

9
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10
  • Summers Day

11
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12
  • Fruits
  • and Flowers
  • in a Terracotta
  • Vase

13
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14
  • A Girl with
  • a Kitten

15
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16
  • Fruits Dish,
  • Bottle
  • and Violin

17
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18
  • The Baptism
  • of Christ

19
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20
  • Belshazzars
  • Feast

21
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22
about The Artists
  • Masters
  • of the Painting
  • II

23
  • Pieter de Hooch
  • painted
  • The Courtyard of a House in Delft
  • In 1658

24
  • Pieter de Hooch was a painter of portraits and
    small, detailed scenes of everyday life.
  • His pictures usually show women and children
    enjoying simple pastimes or carrying out task
    around the home.
  • De Hoochs painting reflect the artists belief
    that children should be brought up with care, in
    a quiet, tidy surroundings.

25
  • Leonardo da Vinci
  • painted
  • The Virgin and Child
  • with saint Anne
  • between 1499 -1500

26
  • With an endless curiosity and a hunger for
    knowledge, Leonardo da Vinci was certainly one of
    the greatest geniuses the world has never seen.
  • He was so keen to understand the human body that
    he dissected corpses in order to study and draw
    anatomy.
  • Although he made thousands of notes and drawings
    in his studies of the natural world, only fifteen
    of his paintings survive today, The most famous
    of which is the Mona Lisa

27
  • Quinten Massys
  • painted
  • A Grotesque Old Woman
  • in 1525

28
  • Massys painted portraits and religious
    altarpieces and was regarded as the leading
    painter in Antwerp.
  • His early work was influenced by the refined,
    realistic style of van Eyck.
  • However, after making a trip to Italy, his later
    works show that he was almost certainly familiar
    with drawings of grotesque figures by Leonardo da
    Vince.

29
  • Claude-Oscar Monet
  • painted
  • The Gare
  • St-Lazare
  • in 1877

30
  • Monet was one of a group of painters known as the
    Impressionists that worked in France in the
    second half of the nineteenth century.
  • Although exceptionally popular now, the work of
    these painters puzzled the public and critics
    when first seen.

31
  • Berthe Marisot
  • painted
  • Summers Day
  • in 1879

32
  • Morisot was born is Bourges, in central France,
    but moved to Paris with her family when she was
    eleven.
  • One of the very few female artist of
    international fame, Morisot is best known for her
    scenes of modern life.
  • She worked oils, pastels, and watercolors,
    showing landscapes and everyday scene

33
  • Jan Van Os
  • painted
  • Fruit and Flowers in
  • a Terracotta Vase
  • between 1777-1778

34
  • Jan van Os was the head of the family of artist
    who specialized in still lifes of fruit and
    flowers.
  • For paint his flower and fruits van Os would
    have to wait for each one to come into season
    before he could capture it accurately in paint

35
  • Jean-Baptiste Perronneau
  • painted
  • A Girl with a Kitten
  • in 1745

36
  • The use of pastel as a medium in panting became
    fashionable in 18th-century France after the
    visit of the artist Rosalba Carriera to Paris in
    1720, She was one of the first in work pastel.
  • Perronneau had studied engraving but was clearly
    influence by Carrieras work and became
    well-known in France for his pastel portraits.
  • With pastel he was able to use colour to show
    light and shade in a subtle way.

37
  • Pablo Picasso
  • painted
  • Fruit Dish, Bottle and Violin
  • in 1914

38
  • Born in Spain, Picasso was the son of an art
    teacher named Jose Blasco.He become one of the
    greatest artist of the 20th century.
  • As young man Picasso painted scenes of circuses
    and city life. Although these were realistic
    paintings, Picasso found the people and places
    around him made him feel sad and lonely, so he
    painted many of them using only different shades
    of the color blue, This time in his life is known
    as his Blue Period.
  • As the years passed, Picasso experimented with
    new styles of painting and sculpture, and became
    fascinated by African art, he also worked with
    another painter , Georges Braque, and together
    they develop a new form of art called Cubism.

39
  • Piero Della Francesca
  • painted
  • The Babtism
  • of Christ
  • in 1450

40
  • Although many people admire his work now, Piero
    della Francesca was no famous in his lifetime.
  • This may have been because, unlike other
    Renaissance painters, Piero did not live in
    Florence, the center of the new art in Italy,
    Instead, he chose to stay in his home town of
    Borgo Sansepolcro for most of his life.
  • Piero, like most artist of the period, painted
    religious subjects, and liked to use pale, flat
    colors to give his work a sense of calm and
    balance
  • He was very interested in geometry and
    perspective, and his paintings are carefully
    composed.

41
  • Rembrandt van Rijn
  • painted
  • Belshazzars Feast
  • Between 1636-1638

42
  • Rembrandt was an original, adventurous painter,
    he had an amazing knack of capturing the
    personalities of the people he painted, showing
    what they were feeling and thinking, as well as
    what they looked like.

43
about The Paintings
  • Masters
  • of the Painting
  • II

44
  • The perspective of the picture is carefully
    thought out and is designed to lead the eye
    through the passageway, to the delicately lit
    background in the street beyond.
  • The picture has a number of clear lines, with
    strong horizontals and verticals, These give the
    painting structure and balance, reflecting the
    well ordered lives of the people depicted in it.
  • The use of soft, muted tones, and a small range
    of colors, mainly oranges and browns, also helps
    to create an atmosphere of harmony.

45
  • The cartoon shows the Virgin Mary seated on the
    knee of her mother, St Anne, while holding the
    Christ Child, who is blessing Saint John the
    Baptist.
  • The figures are intertwined both physically and
    emotionally, and there is a great sense of
    tenderness about the group.
  • Leonardo was a master at using light and shade to
    give his paintings and drawings relief .
  • The Details in the darkness shadows and brightest
    highlights gives faces a mysterious radiance and
    almost makes it seen possible to reach out and
    touch the clothes.

46
  • This was probably not a portrait of a real woman,
    but was designed to criticize older woman who do
    not accept their age and try to appear younger.
  • Because she has not faces the truth of her age,
    Massys deliberately makes his subject look
    grotesque and foolish.
  • Massys also did several portraits of old men in
    this style, which may have been inspired by the
    great humanist Erasmus,

47
  • Painted on the spot, The Gare St-Lazare is like a
    snapshot or an impression of a moment in time.
  • Monet worked quickly, using loose strokes of
    colour, with no outlines or solid forms.
  • His aim was to capture the light and atmosphere
    of the railway station rather that its tiny
    details. As a result, it is a easy to feel as
    though you are standing in the station with the
    other passengers as the huge, noisy train draws
    into the platform, surrounded by billowing clouds
    of steam.

48
  • Berthe Morisot knew the Impressionists and
    Summers Day was show in their fifth exhibition
    in 1880, under the title of The Lake in the Bois
    de Boulogne.
  • It is a peaceful, still scene which shows two
    middle class, city ladies relaxing in the rowing
    boat.
  • The late is set in a fashionable park to the west
    of Paris, where people would go to picnic and
    walk in the gardens.

49
  • Although is it still life, Fruits and Flowers in
    a Terracotta vase is overflowing with movement
    and energy, and this tower of fruits and flowers
    seems to be about to topple over.
  • The details are so fine that we feel we could
    reach out and feel the dewy petals or the pin
    sharp thorns
  • It comes as a surprise to learn, then, that this
    is an extremely artificial composition. A clue to
    this lies in the bottom left-hand corner, which
    tell us that the painting took over a year to
    complete.

50
  • No ones know who is the girl in this painting is,
    We can guess that her family was prosperous and
    held a good position in society.
  • Although she is a child, she seems to be dressed
    in adult's clothes, and , like all fashionable
    people at the time, has powdered hair.
  • This is because, in the 18th century, children
    were treated like adults from young age. At about
    eight years old, for example, they were expected
    to give up story book in favour of adult
    literature.

51
  • Like many Cubist paintings, Fruit Dish, Bottle
    and Violin is difficult to understand at first.
  • The objects are not realistic and the picture
    looks muddled, But this is because rather than
    simply copying what he saw with his eyes, Picasso
    used his imagination and tried to show the world
    from many different points of view.

52
  • The Baptism of Christ is a scene from the New
    testament of the Bible and shows Jesus being
    baptized by John the Baptist.
  • A dove, the symbol of the Holy Spirit, hovers
    overhead while, to the left, three angels stand
    holding Christs clothes. To the right of St
    John, a man preparing to be baptized gets
    undressed, and behind him are four priest.
  • This story is described in the Bible as taking
    place beside the River Jordan, but the landscape
    of Pieros painting looks more like scenery
    around Borgo Sansepolcro that the Middle East.

53
  • Belshzzars Feast catches a dramatic moment in
    the Biblical story of Belshazzar, the king of
    Babylon, Belshazzar is holding a grand feats and
    is serving wine in vessels stolen form the temple
    of Jerusalem.
  • A hand appears from the shadow and writes a
    message of doom on the wall which warn the king
    that he will be die because he has sinned against
    God.
  • Sure enough, that night Belshazzar dies,
    Rembrandt has cleverly left much of the room in
    darkness, highlighting the faces of the horrified
    spectators, This adds to the suspense, creating
    an atmosphere of fear and dread.
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