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Baudrillard, the simulacra and hyperreality

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Title: Baudrillard, the simulacra and hyperreality


1
Baudrillard, the simulacra and hyperreality
  • Postmodern culture is a world of signs that have
    made a fundamental break from referring to
    reality
  • An image changes to a simulacrum as follows
  • It is the reflection of a reality
  • It masks and denatures a reality
  • It masks the absence of a reality
  • It has no relation to a reality
  • We are left with a desert of the real an
    incessant production of images with no attempt to
    ground them in reality

2
The matrixthe red pill or the blue pill
  • Baudrillards hyperreality in all its routinized
    splendor
  • The real as cold, lacking aesthetic gloss and
    oppositional

3
As the real fades
  • The cult of the immediate experience is the
    effect of simulated reality
  • Things that are superficial leave one wanting
  • We are still missing the real (cyberdating, the
    Bachelor, nostalgia)
  • a panic-stricken production of the real and
    referential
  • Exhibited in the cult of categorization of music
  • Pure simulations might be getting beyond referral
  • avowed antagonists locked together in systematic
    complicity (Arafat and Sharon)
  • He dismisses state, class, and power and empty
    mystifications
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