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Assignment: Audience

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Examine the role audience plays in our writing assignments. ... Audience in Composition. Higher Order Issue with ties to purpose. Writer. Reader Text. Audience ... – PowerPoint PPT presentation

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Title: Assignment: Audience


1
Assignment Audience
  • A Writing Across the Curriculum
  • Writing in the Disciplines
  • Professional Development Presentation

Dr. Robert T. Koch Jr. Director, Center for
Writing Excellence University of North
Alabama September 11, 2008
2
Todays Goals
  • Examine the role audience plays in our writing
    assignments.
  • Identify the audiences of our disciplines.
  • Consider the opportunities these audiences
    present for assignment development.
  • Consider ways to reshape our current assignments.

3
Audience in Composition
  • Higher Order Issue with ties to purpose
  • Writer
  • Reader Text

4
Audience in Composition
  • For writers to familiarize themselves with the
    rhetorical situation in which they are writing
  • What do I have to say?
  • To or before whom is it being said?
  • Under what circumstances?
  • What are the audience predispositions?
  • How much time or space do I have? (Corbett, 1997,
    p.290)

5
The Problem with Audience
  • Are these analogous?
  • Speaker ? Voice ? Audience
  • with
  • Writer ? Text ? Audience
  • or is it
  • Speaker ? Voice ? Audience
  • with
  • Writer ? Text ? Reader

6
The Problem with Audience
  • The concept of audience is misleading when used
    to describe a relationship that involves a writer
    (as opposed to a speaker). This is because while
    there may be a specific and very real audience,
    readers, being already plural, defy any effort to
    gather under a single identity. Consequently,
    the writer must make up an audience (or more
    accurately, reader) to direct his or her writing
    towards. (Ong, 1997, p. 58-9)

7
The Problem with Audience
  • Results of this misleading concept
  • The writer must construct in his imagination an
    audience cast in some sort of role (Ong, 1997,
    p. 60)
  • A reader has to play the role in which the
    author has cast him, which seldom coincides with
    his role in the rest of actual life (Ong, 1997,
    p. 60).

8
So Who Do They Write For?
  • An idealized intellectual
  • Nobody in particular
  • Themselves (for presentation, not for learning)
  • No Matter which they choose, each can cause
    problems!

9
Other Reasons
  • Faculty should help students address audience
    because
  • Students dont normally value knowledge distinct
    from audience purpose.
  • Faculty can situate the assignment within a
    real-world context.
  • This is an opportunity to explore the literature
    of the discipline.
  • And, again, audience (and Purpose) are
    foundational to good writing.

10
Who Could Their Audiences Be?
  • Practicing Professionals
  • Faculty
  • Journal and Book Editors
  • Graduate Students
  • Peers
  • __________

11
Developing Audience
  • Develop purpose beyond simply finding out what
    they know.
  • Discuss in Class, or Explain in Syllabus or
    Assignment Sheet.
  • Ask the following
  • Who is this paper, report, summary, reflection,
    etc. most likely to be read by if it were in a
    real situation?
  • What is this readers professional situation?
  • What is his or her intellectual knowledge?
  • What does he or she believe?
  • What will matter to this reader?
  • What style and tone does this reader expect?

12
More Advanced Strategies
  • Suggest or require students to read the journals
    in your discipline to find out more about
    audience / who they should write for.
  • Involve students in undergraduate research
    activities to discover what is important to
    research audiences and professionals.
  • Have the student use writing in service-learning
    or other projects where the texts carry
    significance beyond a grade.

13
References
  • Corbett, E. P. J., Conners, R. (1999).
    Classical rhetoric for the modern student (4th
    ed.). New York Oxford.
  • Ong, W. J. (1997). The writers audience is
    always a fiction. In V. Villanueva (Ed.)
    Cross-talk in comp theory A reader (pp. 55-76).
    Urbana, IL NCTE.
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