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How to get an A on the reading questions

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Have knowledge and understanding of the assessment objectives ... traffic to the island in the middle of Broadway and give the pigeons a fit' ... – PowerPoint PPT presentation

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Title: How to get an A on the reading questions


1
How to get an A on the reading questions
  • English Paper One
  • Section A

2
How do I revise for an unseen text?
  • Have knowledge and understanding of the
    assessment objectives
  • Ensure you understand what the A criteria
    requires of you
  • Read the questions carefully and be aware of what
    you are being tested on

3
Assessment objectives
  • Read with insight and engagement
  • Make appropriate reference to texts
  • Develop and sustain interpretation of texts
  • Select material appropriate to purpose
  • Understand and evaluate linguistic and structural
    devices

4
Understanding the mark scheme
  • Identify the key differences between the C/B band
    and the A/A band
  • What are the important phrases in the A/A band?

5
A/A criteria
  • Appropriate detail from the text explored with
    depth and insight. Thorough as well as
    perceptive.
  • Well-considered personal response based on
    appropriate evidence from the text.
  • Text analysed and explored, showing insight into
    technique and use of language.
  • Selective account of events, showing insight into
    the characters attitudes and viewpoints.
    Thorough, perceptive, coherent, sounding like
    character.

6
In other words STAND OUT FROM THE CROWD!
7
5 question types
  • Locating and retrieving information
  • Personal response
  • Character response
  • The craft of the writer
  • Empathetic response

8
Locating and retrieving information
  • What clues or details can you find to prove or
    show something?
  • What evidence can you find to prove or show
    something?

9
Locating and retrieving information top tips
  • Look at the number of marks available and find a
    corresponding amount of evidence
  • Dont include anything which isnt relevant to
    the question make each point count
  • Work your way through the lines chronologically
  • Success is all about attention to detail

10
What clues are there to suggest Richard is well
organised and experienced as a hired killer?
  • He put the car in Templewood Avenue as near as
    he could to the point where the path left it to
    wind across West Heath. This was to be on the
    safe side. There werent any real risks, but it
    was always well to ensure a quick getaway. He
    strolled into the pathHed do it here, Richard
    decided.

11
Personal response
  • What do you learn about a character or
    relationship?
  • What impressions do you get of a character, or
    relationship or place?
  • What are your thoughts and feelings about a
    character or relationship?
  • How effective do you find these lines as and
    ending to the story?

12
Personal response - top tips
  • Make personal comments on the passage and support
    them with evidence ie, prove it by building up a
    case of evidence
  • Use the first person I think I get the
    impression thatWe learn
  • Keep focused on the text you are reading
  • Offer speculative comments like this suggestsit
    probably means it could be thatthis might
    implythis would infer
  • Use the wording of the question to help you start
    your answer off

13
What do you learn about Squeaky in these lines?
  • Highlight key aspects of the text that you would
    use in response to this question
  • Discuss with a partner which are basic points and
    which you could expand on
  • Read the student answer what grade would you
    give it and why?

14
Examiners response
  • Answer works at 2 levels surface details from
    the text she doesnt have much to do around the
    house she is small and skinny she has to look
    after her brother Raymond. Valid, sensible
    points GRADE E
  • But, student also interprets the details and
    reads between the lines. Good inferences and use
    of quotations. GRADE A

15
INFERENCE
  • What we learn about someone or something without
    being told
  • Also known as reading between the lines
  • What could you infer about Raymond from the
    sentence hell dash across traffic to the
    island in the middle of Broadway and give the
    pigeons a fit?

16
What are your thoughts and feelings about the
opening of this story?
  • How would you respond to this question?
  • What is wrong with the sample answer?
  • Can you find evidence to support the inference
    that this is a strange, bleak and
    ominous/threatening place?

17
Character response
  • What are the characters thoughts and feelings
    about what happens in these lines?
  • What do the two characters learn from this
    experience?
  • How do the characters behave in these lines?

18
The craft of the writer (how questions)
  • How does the writer convey the horror of this
    event?
  • How does the writer create excitement and
    suspense in these lines?
  • How does the writer successfully create the
    effect of?
  • How does the writer make this passage humorous
    and amusing?

19
Writers craft - top tips
  • These questions require close reading of how a
    writer creates a particular effect
  • Appreciate the effect of words, phrases, images,
    sentences, paragraphs and their contribution to
    the whole text
  • Avoid straightforward device-spotting
  • Focus on 3 main areas content, language and
    structure

20
Device spotting DONT!
  • The writer creates drama by using third person
    and a lot of adjectives
  • There is an effective simile on line 71
  • The writer uses short sentences except when they
    are long
  • The writer uses superlative adjectives such as
    you and me

21
Looking at language
  • Look at the following adjectives and verbs which
    are taken from the opening to a story
  • Explain what mood and atmosphere these words
    establish
  • What could the story be about?

22
  • Plunges
  • Tilting
  • Purr
  • Swoops
  • Slithering
  • Black
  • Ugly
  • Stark
  • Cold
  • Grimy

23
Tickets, Please
  • How does the writer successfully create the
    effect of being on a tram journey?
  • Consider the following
  • a. What is described and what happens
  • b. The mood and atmosphere
  • c. The writers choice of words and phrases.

24
What is described.
  • Where the description starts
  • Broad outline of the journey uphill/downhill/sto
    p/start/through villages
  • How and where the journey ends.

25
The mood and atmosphere
  • Sentences very long to show the excitement and
    sense of danger
  • Roller coaster effect created through use of
    punctuation twists and turns
  • Slow climbs and racing sensations abrupt halt
    and lurching starts
  • Sense of relief at slowing to a halt.

26
Writers choice of words
  • Lots of nouns locations and landmarks
  • Adjectives describe the barren, rugged
    landscape and communities
  • Verbs showing the extremes of the trams
    actions and movements
  • Personification of the tram.

27
Empathetic response
  • Imagine you are You write an entry in your
    diary. You include your thoughts and feelings
    before, during and after these events.
  • Imagine you are Afterwards you tell your friend
    what has happened and what you feel about the
    day. Write down what you say.

28
Empathetic response - top tips
  • Reflect on the situation and respond in a way
    that is believable
  • Capture the personality and attitude of the
    character
  • Show a secure knowledge and understanding of what
    you have read
  • Focus on the words of the text and manipulate
    them into the thoughts and feelings of the
    character
  • Empathy tasks test your READING skills

29
A/A criteria
  • Appropriate detail from the text explored with
    depth and insight. Thorough as well as
    perceptive.
  • Well-considered personal response based on
    appropriate evidence from the text.
  • Text analysed and explored, showing insight into
    technique and use of language.
  • Selective account of events, showing insight into
    the characters attitudes and viewpoints.
    Thorough, perceptive, coherent, sounding like
    character.
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