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Visual Literacy Presentation

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Use the scroll bar at right to move through the presentation. ... Hobbs L Horrible Harriet' Allen& Unwin;Crows Nest 2001. Ottley M Hyram and B' Hodder;Sydney 2003 ... – PowerPoint PPT presentation

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Title: Visual Literacy Presentation


1
Visual Literacy Presentation
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2
Visual Literacy in Childrens Picture Books
  • Reading the Pictures

3
As we enter the twenty-first century, we find
ourselves charged with the responsibility of
preparing young people to thrive in a world
characterised by rapid and accelerating change,
an amazing explosion of information and choices,
and an urgent need for people and nations to
build healthy relationships and work together for
worthwhile ethical purposes.(Dalton
Anderson-1997 . Todays ChildrenTomorrows
Adults)
4
Outcomes
  • Learning about Reading -Context and Text
  • .7 Critically analyses techniques used by writers
    to create certain effects, to use language
    creatively, to position the reader in various
    ways and to (add to) and constructs different
    interpretations of experience.
  • .8 Identifies the structure of a range of texts
    and discusses how the characteristic grammatical
    features work to influence readers and views
    understanding and response to text

5
Some Elements to Consider in the Relationship
Between the Viewer, the Image and the Image Maker
  • ANGLES
  • SIZE
  • FRAMING
  • COLOUR
  • DEMANDS AND OFFERS

6
ANGLES
  • The use of angles in images allows different
    relationships to be conveyed between people and
    between people and objects.
  • (Lukes Way of Lookinglooking up at an
    object-a feeling of superiority is created)

7
SIZE
  • Illustrations may vary in size to establish and
    enhance the relationship between the viewer, the
    image maker and the page.
  • (Horrible HarrietHarriet is made larger to
    emphasise her bullying nature)

8
FRAMING
  • The frame determines the amount of information
    given to the viewer as well as sometimes
    signaling a social relationship with a viewer.
  • Long Shot
  • Medium Shot
  • Close Shot
  • (The WatertowerClose Shot)

9
COLOUR
  • Colour is used both to create convincing images
    and suggest particular mood or feelings.
    Variation in tone and saturation can be used for
    a variety of purposes
  • (The Red Treesombre colour is used to create
    mood-the red tree is highlighted using colour)

10
DEMANDS AND OFFERS
  • The eyes of the character in the image determine
    either a demand or offer. When the eyes are
    looking directly at the viewer, they are called a
    demand. When the eyes are not looking at the
    viewer, or there are no characters in the image,
    this is called an offer.
  • (Drac and the GremlinA demand is made of the
    viewer)

11
SOME TOOLS USED TO CONSTRUCT MEANING IN PICTURE
BOOKS
  • SYNERGY
  • INTERTEXTUALITY
  • METAFICTION
  • MULTIPLE MEANINGS
  • PLURALITY OF MEANING
  • STEREOTYPING
  • JUXTAPOSITION

12
SYNERGY
  • Where the text and illustrations work together
  • (Too Many PearsFrench and Whatley have worked
    closely to produce a unified work)

13
A possible activity
  • Too Many Pears
  • French/Whatley
  • Locate and list all the ways that Pamela liked to
    eat pears.
  • Illustrate Pamela eating these pears.
  • Do you think Bruce Whatley has done a good job
    of portraying Pamela?

14
INTERTEXTUALITY
  • The re-telling or transforming of well-known or
    traditional stories
  • (The True Story Of The 3 Little Pigsknowledge
    of the original story is necessary to appreciate
    the humour of this story)

15
A Possible Activity
  • The True Story of the Three Little Pigs Wolf A
  • Draw up a comparitive table
  • .Column 1 should contain the facts from the
    traditional tale of the Three Little Pigs
  • .Column 2 should contain the facts from The True
    Story of the Three Little Pigs

16
METAFICTION
  • The manipulation of the whole physical space of
    the book
  • (Fausts PartyOttley has creatively placed
    text and illustrations in a great variety of
    positions)

17
A Possible Activity
  • Fausts Party Ottley M
  • Matt Ottley has placed the text in various places
    on the pages.Locate the pages where the text is
    not in the normalplace.Is this effective? Why
    has he chosen this particular type of text?

18
MULTIPLE MEANINGS
  • Picture and text work together to convey the same
    message
  • or
  • Picture and text can speak together in different
    voices
  • (The RabbitsPicture and text are giving
    different meanings)

19
A Possible Activity
  • The Rabbits
  • Marsden J/Tan S
  • Is this story ONLY about the infestation of
    rabbits in Australia?
  • Make a list of all the topics you think John
    Marsden is dealing with in this text

20
PLURALITY
  • Many different meanings working together to
    produce a unified text
  • (Hyram and B.there are many meanings layered
    on top of each other)

21
A Possibly Activity
  • Hyram and B.
  • Caswell B/OttleyM
  • Discuss the themes of abandonment,abuse,neglect,lo
    ssof home and adoption featured in the
    book.Discuss current issues relating to refugees
    in Australia.Write a letter to a refugee
    childWhat do you think it would be like to walk
    in anothers shoes?

22
STEREOTYPING
  • Characters in the text are given certain traits
    that are considered common to all characters of
    that type
  • (Willy The WimpWilly is the stereotypical wimp
    he is the victim.)

23
A Possible Activity
  • Willy the Wimp
  • Browne A
  • Willy displays many of the characteristics of the
    victim.
  • Make a list of these characteristics and what he
    does to overcome these traits.

24
JUXTAPOSITION
  • The placement and variation of text and
    illustration in relationship to each other
  • (Willys PicturesBrowne places illustrations
    in a variety of places to add meaning to text)

25
A Possible Activity
  • Willys Pictures Browne A
  • What technique has Anthony Browne used to make
    you feel that you are inside an art gallery? How
    has he used both text and illustration to achieve
    this effect?

26
THE CHALLENGE !
  • How do we, as educators, empower our students to
    engage with texts in a meaningful way?
  • What are the dangers that face our students when
    they read all the visuals with honesty and
    understanding?

27
Could the critical analysis of the text ruin the
book for the student? How do the techniques used
position the reader?
28
BIBLIOGRAPHY OF PICTURE BOOKS
  • Baillie A Drac and the Gremlin Viking,Ringwood
    1988
  • Ottley M Fausts Party Hodder Childrens
    Society 2000
  • Hobbs L Horrible Harriet Allen UnwinCrows
    Nest 2001
  • Ottley M Hyram and B HodderSydney 2003
  • Marsden J The Rabbits LothianPort Melbourne
    1998
  • Tan S The Red Tree Lothian Port Melbourne
    2001
  • Wolf A The True Story of The Three Little Pigs
    Penguin Ringwood1991
  • Crew G The Watertower Era Grange S.Aust 1994
  • French J Too Many Pears Koala Books Mascot,
    N.S.W. 2003
  • Browne A Willy the Wimp Walker London 1995
  • Browne A Willys Pilctures Walker London 2000

29
Prepared and presented by Sandra Campbell
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