Title: Global media: imports, exports, migrants, and identities
1Global media imports, exports, migrants, and
identities
2Different ways media texts can be global (or
transnational)
- Program exported to other countries (dubbed or
subtitled) - Friends, ER, Baywatch, Desperate Housewives
- (usually US ? rest of world)
- Country-specific versions created locally after
becoming big hit in original country - Desperate Housewives, Survivor, Who Wants to Be a
Millionaire?, The Weakest Link, Trading Spaces
3Media texts as global/transnational
- Worldwide coverage of same events
- Academy Awards, Olympics, World Cup
- Migrant media (a/k/a ethnic media)
- Ethnic-specific programming available throughout
regions of diaspora - Greek Cypriot radio in England, Turkish TV in
England, Eastern European TV in US
4Lets get Desperate
5To export or to localize?
- The case of Desperate Housewives
- Currently exported to South America (with
subtitles) - A logical destination telenovelas dominate
prime-time TV - Has anyone seen a telenovela?
- But ALSO being re-shot with local starsusing the
original US scripts - Separate versions for Argentina, Brazil,
Colombia/Ecuador
6Why bother to re-shoot?
- Some US cultural details dont make sense
- Plumbers in Latin America arent wealthy
- Funeral rites differ
- No Thanksgiving holiday
- No WASP ethnic group (Bree)
- No spitfire Latina stereotype! (Gabrielle)
- More physical affection displayed
7An interesting quote from an Argentine star
- As with a book or a film, the success of a
series, no matter how localized you make it or
how much you adapt it to another setting, is that
its story be universal. And that is what they
have achieved here with Desperate Housewives. - What do you think?
8Another form of exporting
- Chinese technology experts creating Chinese
subtitles for US sitcoms and dramas - On their own 40 TV shows/week!
- Without permission of the US TV producers
- And without permission of government (censors!)
- But only for free downloading from Internetnot
for us on Chinese TV
9Why this effort?
- Love for American popular culture
- Viewers (and translators) learn English by
watching US movies and TV - New York Times The adapters say they pick up
useful knowledge about everything from changing
fashion and mores to medical science
10Why not just watch Chinese TV?
- Chinese fan of US TV says
- Our own actors are not bad. Those responsible
for making Chinese TV shows pathetic are the
directors, screenwriters, editors, and the people
doing the lighting, music, special effects, and
makeup. There are bits of poor quality in every
aspect, and it adds up to total trash.
11Why else?
- Strict Chinese government censorship
- Political issues, sexuality, violence
- China only imported 20 movies last year (16 from
US) - Very few US TV shows are imported by government
- Those that are imported (Desperate Housewives)
are poorly dubbed and translated
12Friends as US history text?
- An interesting quote from a Chinese translator
- It provides cultural background relating to
every aspect of our lives politics, history, and
human culture. These are the things that make
American TV special.
13Quote (ctd.)
- When I first started watching Friends, I found
the show was full of information about American
history and showed how America had rapidly
developed. Its more interesting than textbooks
or other ways of learning.
14Do we simplify?
- A Chinese fan says about US TV
- After watching these shows for some time, I felt
the attitudes of some of the characters were
beginning to influence me. Its hard to describe,
but I think I learned a way of life from them. - They are good at simplifying complex problems,
which I think has something to do with American
culture.
15Migrant media
- Myria Georgiou says ethnic media (e.g., Greek
Cypriot TV and radio in London) - Help people connect with their ethnic identity
sustain identity and culture - Become dynamic participants in construction of
transnational community - Link people experiencing diaspora
- community of people dispersed across borders who
share common homeland
16Georgiou on migrant media (ctd.)
- Still, audiences are actively involved
- Construct meaning, dont just absorb it
- Approach (ethnic) media from multiple subject
positions - Still, watching the same news, hearing same
music, as others in the diaspora (or in the
homeland) helps develop sense of belonging/bonding
17Not everyone agrees
- Kevin Robins Asu Aksoy its only partially
true! - Rather than long-distance bonding to the
homeland - Ethnic media simply bring the homelands consumer
culture to the new place (e.g., Turkeys products
come to London)
18What else?
- Robins Aksoy argue that ethnic media available
in new country might actually liberate migrants
from old country ways of thinking - Now away from homeland, they can step back and
see how its values do or dont relate to them in
their new lives
19Dont elevate what people want!
- Rather than (necessarily) grand ethnocultural or
diasporic desires - People simply want a social connectionwhich TV
provides - But watching TV while away from the homeland
may actually point out how disconnected migrants
are from everyday life there - Thus, might actually subvert the diasporic
imagination
20Going glocal Millionaire
- Created in UK in 1998
- Came to US in 1999
- As of December 2003, Who Wants to Be a
Millionaire? - Licensed or optioned in 107 countries
- Colombia, China, Russia, Singapore, Philippines,
Kazakhstan, Greece, Poland
21Why the huge success?
- Uses-and-gratifications theory explanation
- Meets all of an individuals mass-media needs
22Mass-media needs (UG theory)
- Cognitive we acquire information
- Affective pleasure/fun of interactive play
- Personal-integrative strengthens confidence
- Social-integrative contact with family friends
when watching together or when discussing later - Tension-release while watching, relax (forget
problems of the day)
23But what about cultural differences around the
world?
- Hofstede nations can diverge on 5 key dimensions
of cultural variability - Power distance
- Individualism
- Masculinity
- Uncertainty avoidance
- Long-term orientation
24But there are patterns by region
- Cooper-Chen studied game shows in 50 nations
- identified what she calls 4 Cultural Continents
- Groups of countries who share traits on the 5
cultural dimensions - Western (Europe, N. America, Turkey, Australia,
Israel) - East Asian
- Latin
- Equatorial
25Traits shared by Cultural Continents
- Game shows in Western continent
- Interactivity, civilian players, 1 male host
- Emphasis on expensive prizes, low production
values - East Asian game shows
- Celebrity players, male female co-hosts, no
emphasis on expensive prizes, high production
values - Both continents players like to mentally play
along
26But on the other continents
- Latin game shows players perform physical feats,
viewers watch (rather than mentally
participate), male and female co-hosts - Equatorial game shows talented students or
exceptionally intelligent contestants - Audience cant play along
27Few shows have moved across continents
- But Millionaire is the rare exception
- Its been a hit on all four cultural continents
- By contrast, Wheel of Fortune has been
multinational for decades - But mostly in the Western continent (Europe and
US) - Slight variations Scandinavian Vanna
counterpart is not mute Turkish Wheel has belly
dancers
28Glocalization
- Making small changes to reflect cultural demands
- Somewhere between pure localization (major
adaptations) and globalization (one size fits
allwhich rarely works!) - While sticking with core elements for contractual
reasons - Set, format, is that your final answer?
29How is Millionaire glocalized?
- Content of questions
- Difficulty of questions
- Name of show (Saudi Arabia Who Will Earn a
Million? Russia Oh, LuckyYou Are a
Millionaire) - Players mix of celebrities and civilians
30Reactions
- Game shows are not usually well received
critically - Millionaire has done OKbut certain countries
raise unexpected issues - Singapore poor player performance cast light on
education system - Russia players wanted to see cash before they
began!
31Reactions (ctd.)
- India popular because school system emphasizes
memorization - UK seen as undemocraticonly the wealthy
contestants could afford to risk - Canada seen as democratic and participatoryanyon
e could get on the show and do well
32The Olympics the ultimate global media text?
- Modern Olympics
- 1896 Pierre de Coubertin
- International sport ? international peace
33Coubertins vision
- Keep away the opportunities that are advanced
by profit-motivated people whose only dream is
to use someone elses muscles either to build
upon his own political fortune or to make his own
business prosper - How did that work out for you, Pierre?
34Morettis argument
- Mediaespecially TVhave completely transformed
the Olympics - In ways incompatible with the Olympic movement
- Clashes of ideologies
- Profit (media businesses)
- Culture (individual nations and their fans)
- Planning vs. spontaneity TV forces a script onto
unscripted events
35Internationalism vs. nationalism
- Olympic ideals universality, internationalism
- TVs presentation nationalistic
- TV networks serve as cheerleaders for countrys
own athletes
36Individual countries nationalism
- Sports preferred by countrys citizens get more
air time - US figure skating, skiing, track and field,
gymnastics, swimming - UK badminton Japan judo Iran weightlifting
- Canada synchronized swimming Mexico basketball
37Lets watch a bit
38How do Olympics display/exploit culture?
- Opening and closing ceremonies
- music, traditional costumes, dancing
- 1936 Berlin Olympics stage for Nazi propaganda
- Anyone seen Leni Riefenstahls movie Olympia?
- During Cold War, Olympics were East vs. West
battlefield
39Driving force today not culture, but business
- Multi-billion dollar business
- CBS paid IOC 50,000 for 1960 TV rights
- NBC paid IOC 893,000,000 for 2008 rights
- TV networks, international corporations,
politicians, private citizensand yes,
athletes!compete for visibility, influence