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GEORGE FRIDERIC HANDEL 1685 - 1759

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Not from a musical family - his father hoped he would pursue law ... They attained a level of popularity similar to that of the rock stars ... – PowerPoint PPT presentation

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Title: GEORGE FRIDERIC HANDEL 1685 - 1759


1
GEORGE FRIDERIC HANDEL1685 - 1759
  • Born in Halle, 1685
  • Not from a musical family - his father hoped he
    would pursue law
  • At age 10, Handel impressed Johann Adolph, Duke
    of Weissenfels, who then financed his musical
    studies
  • Age 17 Handel became organist for one of Halles
    principal churches
  • In 1703 he moved to Hamburg and became a
    violinist and harpsichordist in the opera
    orchestra
  • In 1706 -Handel went to Italy (Florence, Rome,
    Venice) to study opera

2
GEORGE FRIDERIC HANDEL1685 - 1759
  • In 1710 Handel returned to Germany as court
    composer to Georg Ludwig, the Elector of Hanover
  • 1710 - London - success with opera Rinaldo
  • 1711 - back to Hanover
  • 1712 - back to England again, producing operas in
    London
  • Handel receives an annual stipend from Queen Anne
  • In 1714, August, Queen Anne died leaving no heir
  • September 1714 - the crown is passed to the house
    of Hanover and. . .
  • Georg Ludwig, the Elector of Hanover, is crowned
    King George I of England

3
George I
  • Formerly, the Elector of Hannover
  • King of England 1714 - 1727

4
George II
  • King of England 1727 - 1760

5
GEORGE FRIDERIC HANDEL1685 - 1759
  • Handel became Englands national composer
  • The 1720s English audience begins to tire of the
    opera plots
  • In 1737 Handel began to compose oratorios
  • 1741 - Messiah
  • Handel died in 1759 and was buried in Westminster
    Abbey - 3000 people attended his funeral
  • His reputation grew even after his death
  • Handel never married
  • In the 19th century Handels music continued to
    reach a large audience

6
The Water Music
  • Composed for an excursion on the Thames river
    hosted by King George I
  • First heard on July 17, 1717
  • The music is a loose selection of overtures,
    fanfares, dances, and instrumental airs
  • The Water Music, as well as the Royal Fireworks
    Music, is normally heard as a suite
  • SUITE
  • A group of dances presented together as a single
    composition
  • The dance suite developed in France and Germany
  • Water Music
  • Hornpipe

7
Which His Majesty Liked So Well. . .
  • King George I and his party, in a large open
    barge, went up the river (Thames). About 50
    musicians accompanied the King (on a separate
    barge). The finest music, composed by Mr. Handel,
    pleased the King so well that it had to be
    played three times going and returning.
  • The orchestra consisted of trumpets, horns,
    hautbois, bassoons, German flutes, French flutes,
    violins, and basses

8
  • The Handel House Museum is located at 25 Brook
    Street, London, home to the baroque composer
    George Frideric Handel from 1723 until his death
    in 1759. It was here that he composed some of the
    greatest music in history, including Messiah,
    Zadok the Priest and Fireworks Music.

9
Did Handel Compose ChristmasCarols?
  • John Foster (1762-1822, of High Green House,
    Yorkshire) composed While Shepherds Watched Their
    Flocks By Night by adapting the aria 'Non vi
    piacque, ingiusti Dei' from Handel's opera Siroe.
  • Edward Miller (1735-1807, Doncaster) composed a
    version by arranging 'See, the Conqu'ring Hero
    Comes' from Handel's oratorio Judas Maccabaeus.
  • Thomas Taylor (Chester) reworked the harpsichord
    suite The Harmonious Blacksmith to yield Hymning
    Seraphs Wake the Morn.

10
What About Joy To The World?
  • Joy to the World was not composed by Handel. The
    tune first appeared in the early 1830's in
    English tune-books.
  • William Holford revised the tune and published it
    (which he called Comfort) in the mid-1830's and
    attributed it to Handel because of the tunes'
    resemblance to the opening phrases of the
    choruses Lift Up Your Heads and Glory to God from
    Messiah.
  • The American composer Lowell Mason (1792-1872) in
    1839 retained the attribution to Handel, changed
    the tune-name to Antioch, and united it with
    Isaac Watt's hymn i.e., text for the first
    time. Thus, Joy to the World was born.

11
If Handel was born in 1685,
  • why do the Westminster Abbey Handel monument and
    floor plaque list his birthdate as "February
    XXIII, MDCLXXXIV" and "1684", respectively?
    Similarly, why was the first centennial festival
    of his birth observed in 1784?

12
Handel's contemporaries
  • believed Handel's birthdate was 23 February 1684.
    This birthdate was miscalculated under the
    incorrect assumption that Handel was born under
    the old Julian calendar. At the time of his birth
    in Saxony/Magdeburg, the new Gregorian calendar
    was already in use. Dates using the Julian
    calendar placed the beginning dates of a year (up
    through March 25 -- the day the "new year" began
    in the Julian calendar) as dates from the
    previous year.

13
How did the tradition of the audience standing
during 'The Hallelujah Chorus' (from Messiah)
begin? Did the King (George II) start this
tradition and why did he stand? "...When Messiah
was first performed in London (1743), when the
chorus struck up, 'For the Lord God omnipotent
reigneth' ('Hallelujah Chorus), reportedly the
audience and King George II stood and remained
standing until the chorus had ended... (1780)
14
During Handel's lifetime, his name was mistakenly
written as
  • Handle, Handell, Hendell, Hendler, Händeler,
    etc.)
  • Of interest, he was christened Georg Friederich
    Händel however, he first signed his name Georg
    Friedrich.

15
Handel and the Oratorio
  • The Oratorio is a large-scale narrative work with
    soloists, chorus, orchestra no sets, costumes,
    or acting
  • Handel was an internationally known composer,
    German-born, trained in Italy, worked in England
  • Handels Messiah is in 3 parts - Christmas,
    Easter, Redemption

16
  • This is a reproduction of the original program,
    1742
  • No. 1 Overture Slow Fast

17
(No Transcript)
18
Handel, at the low ebb of his career and, as a
consequence of a stroke, suffering partial
paralysis on his left side, composed Messiah in
the incredibly short period of time of 21 days.
The composer had been invited to give a series of
concerts in Dublin, some of which would benefit
various charities. The premiere was met with
considerable success and served to boost Handel's
spirits for a return to London. While it is true
that George II stood during the singing of the
mighty "Hallelujah" Chorus at the second London
performance, Messiah did not enjoy the popularity
of many of Handel's other oratorios during the
composer's lifetime. In fact, it was only through
Handel's annual Eastertide performances to
benefit his favorite charity, the Foundling
Hospital, that Messiah was heard at all!
  • No. 44 Chorus Hallelujah

19
Boston Handel and Haydn Society
  • Founded as a choral society in 1815 by a group of
    Boston merchants, Handel and Haydn is among the
    oldest continuously performing arts organizations
    in the country. From its earliest years the
    Society established its tradition of innovation,
    performing the American premieres of Handels
    Messiah in 1818, Haydns Creation in 1819,
    Verdis Requiem in 1878, and Bachs B minor Mass
    in 1887. The Society began performing Handels
    Messiah annually in 1854. Throughout its history
    the Handel and Haydn Society has brought the
    worlds most beautiful music, and its greatest
    artists, to local audiences, setting a standard
    for orchestral and choral performances that
    remains unparalleled.
  • Kings Chapel, Boston
  • Founded in 1686, designed in 1749
  • The first Anglican Church in New England
  • First large building in America to be built of
    quarried stone
  • First church in America to use an organ
  • First American performance of Handels Messiah
    were here
  • First concert home of the Boston Handel and
    Haydn Society
  • The bell, weighing over one ton, the largest
    ever cast by Paul Revere and Sons in 1816

20
The Castrato
  • Castrati raised the art of singing beyond human
    limits
  • They attained a level of popularity similar to
    that of the rock stars
  • The golden age of castrati lasted for two
    centuries, from the beginning of the 17th Century
    to the dawn of the 19th Century
  • The usual explanation given to justify the use of
    castrati was that women were forbidden to sing in
    church choirs or theatres in the papal states.
    However, their vocal supremacy was the real
    reason for their extraordinary popularity.

21
Farinelli
  • Farinelli was the most famous singer of his
    century and one of the greatest singers of all
    time
  • Farinelli enjoyed a mythical status
  • exceptional voice
  • highly skilled performer
  • praised for the beauty of his sound,
  • the range of his voice covered more than three
    and a half octaves
  • he could produce 250 notes in a single breath and
    sustain a note for more than a minute
  • Farinelli, at the age of 32, chose to retire from
    the limelight at the height of his success so he
    could sing exclusively for King Philip V of Spain
    who was known to have been severely depressed for
    many years
  • Thus began Farinelli's Spanish career, spanning
    more than two decades in the service of Philip V
    (1700-46) and Ferdinand VI (1746-59)
  • Farinelli performed at all the main courts of
    Europe
  • Farinelli died in 1782 and was buried on a
    hillside in Bologna. His tomb no longer exists
    today as it was destroyed by Napoleon's armies
  • Farinelli never actually sang for Handel

22
Farinelli il castrato 1994
  • GOLDEN GLOBE AWARD WINNER
  • BEST FOREIGN LANGUAGE FILM

23
Alessandro Moreschi 1858-1922
  • Bach-Gounod
  • Ave Maria
  • Recorded in Rome, April 11, 1904
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