Title: A Guide to English-Speaking Countries
1A Guide to English-Speaking Countries
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The United Kingdom of Great Britain and Northern
Ireland
2Chapter 6 Literature
The United Kingdom of Great Britain and Northern
Ireland
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3CONTENT
I
The Postmodern Period (1945- )
VII
4The Old English Period and Middle English Period
(450-1500)
I
51.1 General Knowledge
- In practice, works of literature fall into four
categories or genres - narrative fiction
- drama
- poetry
- non-fiction prose
61.1 General Knowledge
- The two kinds of narrative fiction you will read
most often are short stories and novels. - Myths (??), parables (??), romances (??), and
epics (??) are also part of the genre.
71.2 The Old English Period
- Old English the epic Beowulf
- A folk legend brought to England by the
Anglo-Saxons from their continental homes.
81.3 The Middle English Period
- With the Norman Conquest in 1066, Britain entered
the Middle Ages (1066-1485). - Middle English The Canterbury Tales (1387-1400)
Geoffrey Chaucer (1340?-1400)
9The Renaissance (1500-1660)
102.1 General Knowledge
- Renaissance is characterized by admiration of the
Greek and Latin classic works. - sonnet (????)
- drama
- The drama types are tragedy, comedy and farce
(???) .
112.2 William Shakespeare (1564-1616)
122.2 William Shakespeare (1564-1616)
Shakespeares Birthplace
132.2 William Shakespeare (1564-1616)
- English playwright William Shakespeare was
born in that house on Henley Street in
Stratford-upon-Avon in April 1564. Shakespeares
father, John, purchased the building in two
stages, in 1556 and 1572. Today, Shakespeares
birthplace is a museum, furnished as it might
have been in Shakespeares time. It also houses
an exhibit on Shakespeares life.
142.2 William Shakespeare (1564-1616)
The Globe Theatre, where dramatist William
Shakespeare saw his plays performed 400 years
ago, has been rebuilt near its original location
on the south bank of the Thames River in London,
England.
152.2 William Shakespeare (1564-1616)
- Comedy
- A Midsummer Nights Dream (1595)
- The Merchant of Venice (1598)
- As You Like It (1599)
- Twelfth Night (1601)
162.2 William Shakespeare (1564-1616)
- Historical plays
- Richard III (1591)
- Henry IV (1597)
- Antony and Cleopatra (1606)
172.2 William Shakespeare (1564-1616)
- Tragedies
- Hamlet (1601)
- Othello (1604)
- King Lear (1605)
- Macbeth (1606)
- Romeo and Juliet (1595)
182.2 William Shakespeare (1564-1616)
- Jaques
- All the world's a stage,And all the men and
women merely playersThey have their exits and
their entrances,And one man in his time plays
many parts,His acts being seven ages. - As You Like It (Act 2, scene 7,
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192.2 William Shakespeare (1564-1616)
- To be, or not to be (from Hamlet 3/1)
- To be, or not to be that is the question
- Whether 'tis nobler in the mind to suffer
- The slings and arrows of outrageous fortune,
- Or to take arms against a sea of troubles,
- And by opposing end them?
202.2 William Shakespeare (1564-1616)
Q. Which play is regarded as a milestone in
Shakespeares dramatic development?
A Hamlet.
212.2 William Shakespeare (1564-1616)
- Q. What makes Shakespeare so famous?
A His great understanding of human nature and
his ability to find universal human
qualities and to put them in dramatic
situations.
22Hamlet
23Othello
24King Lear
25Macbeth
26MERCHANT VENICE
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28The Neo-classical Period (1660-1785)
III
293.1 Historical Background
- The 17th century witnessed the Bourgeois
Revolution and the Restoration. - The 18th century is a comparatively peaceful
development period. (The Industrial Revolution)
303.1 Historical Background
- Classicism prevailed for the most part of the
century with Alexander Pope as its
representative. - Satire (????), making fun of people, came to full
growth in this century. - Alexander Pope
- Jonathan Swift
- Daniel Defoe
313.2 Representatives
323.2.1 John Milton
- John Milton (1608-1674)
- Paradise Lost (1667)
- Paradise Regained (1671)
- Samson Agonistes (1671)
333.2.2 Alexander Pope
- Alexander Pope (1688-1744)
- An Essay on Criticism (1711)
- The Rape of the Lock (1712-1714)
- translated Homers Iliad and part of Odyssey
- the first English poet who could lived off the
sales of his works
343.2.3 Jonathan Swift
- Jonathan Swift (1667-1745)
- Gullivers Travels (1726)an unparalleled
satirical depiction of vice, folly and mere
weakness of mankind. - Yahooa creature representing the human race, is
inferior to and governed by a noble breed of
reasoning and high-minded horses.
353.2.4 Daniel Defoe
- Daniel Defoe (1660?-1731)
- Robinson Crusoe (1719)
36The Romantic Period (1785-1830)
374.1 Pioneers of Romantic Poets
- Pioneers
- William Wordsworth (1770-1850)
- I Wandered Lonely as a Cloud
- Samuel Taylor Coleridge (1772-1834)
- The Rime of the Ancient Mariner
- Declaration of Independence of romantic
poetryLyrical Ballads (1798) - a volume of poems written by Wordsworth and
Coleridge
384.2 The Major Second Generation of Romantic
Poets
Q. Who are the major second generation of
Romantic poets?
- A The major second generation of Romantic
poets - included Lord Byron, Percy Bysshe
Shelley, John - Keats.
394.2 The Major Second Generation of Romantic
Poets
- George Gordon Byron (1788-1824), known as Lord
Byron - Child Harolds Pilgrimage (1812, 1816, 1818)
- Don Juan (1818-1823)
404.2 The Major Second Generation of Romantic
Poets
- Percy Bysshe Shelley (1792-1822)
- long poemThe Revolt of Islam (1818)
- political lyricThe Masque of Anarchy (1819)
- essayA Defense of Poetry (1821)
- lyrical dramaPrometheus Unbound (1819)
- short poems Ode to the West Wind (1819) and
Ode to a Skylark (1820)
41The Victorian Period (1832-1901)
V
425.1 Critical Realism
Q. Whats the characteristic of the Critical
Realism novels?
- A The critical realists described the chief
traits of - the society and criticized the capitalist
system - from a democratic viewpoint.
435.2 Representatives
445.2.1 Charles Dickens
- Charles Dickens (1812-1870)
- a fierce critic of the poverty and social
stratification of Victorian England
455.2.1 Charles Dickens
- The Pickwick Papers (1836-1837)brought him
immediate fame - Great Expectations (1860-1861)
- Oliver Twist (1837)
- A Tale of Two Cities (1859)
- David Copperfield (1849-1850)
465.2.1 Charles Dickens
Q. Whats the writing style of Charles Dickens?
- A In his enormous body of works, Dickens
combined - masterly storytelling, humor, pathos (??),
and - irony with sharp social criticism and acute
- observation of people and places, both real
and - imagined. His works had great social
relevance, - psychological insight, and narrative and
symbolic - complexity.
475.2.1 Charles Dickens
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515.2.2 Jane Austen
- Jane Austen (17751817)
- Sense and Sensibility (1811)
- Pride and Prejudice (1813)
- Mansfield Park (1814)
- Emma (1816)
525.2.3 Bronte Sisters
- Bronte sisters
- Charlotte (1816-1855)
- Jane Eyre (1847)
- Emily (1818-1848)
- Wuthering Heights (1847)
- Anne (1820-1849)
-
535.2.4 George Eliot
- George Eliot (1819-1880)philosophical writer
- Adam Bede (1859)
- The Mill on the Floss (1860)
- Silas Marner (1861)
- Middlemarch (1871-1872)
545.2.5 Thomas Hardy
- Thomas Hardy (1840-1928)
- The Return of the Native (1878)
- The Mayor of Casterbridge (1886)
- Tess of the DUrbervilles (1891)
- Jude the Obscure (1895)
55The Modern Period (1914-1945)
566.1 Fiction
- Fiction
- Joseph Conrad (1857-1924)
- Virginia Woolf (1882-1941)
- James Joyce (1882-1941)
- D. H. Lawrence (1885-1930)
576.1 Fiction
- Joseph Conrad (1857-1924)
- The Heart of Darkness (1902)
586.1 Fiction
- Virginia Woolf (1882-1941)a central figure of
- the Bloomsbury Group
- Mrs. Dalloway (1925)
- To The Lighthouse (1927)
- Orlando (1928)
- A Room of Ones Own (1929)
596.1 Fiction
Q. What is Stream of Consciousness?
- A Stream of consciousness makes it first
appearance - in the late 19th century. It is a kind of
literary - technique which depicts the characters
mental and - emotional reactions in an unpunctuated or
- disjointed form.
606.1 Fiction
- James Joyce (1882-1941)
- Ulysses (1922)
- Finnegans Wake (1939)
616.1 Fiction
- D. H. Lawrence (1885-1930)
- Sons and Lovers (1913)
- Rainbow (1915)
- Lady Chatterleys Lover (1928)
626.2 Poetry
- Poetry
- William Butler Yeats (1865-1939)
- Thomas Stearns Eliot (1888-1965)
636.2 Poetry
- William Butler Yeats (1865-1939)won the Nobel
Prize for Literature in 1923 - The Wild Swans at Coole
- Michael Robartes and the Dancer
- The Tower
646.2 Poetry
- Thomas Stearns Eliot (1888-1965)
- The Waste Land (1922)
- Four Quartets (1935-1942)
656.3 Drama
- Drama
- George Bernard Shaw (1856-1950)
- Plays Pleasant and Unpleasant (1898)
- Widowers Houses (1892)
- Mrs. Warrens Profession (1893)
- Arms and the Man (1894)
- Pygmalion (1913)
- Saint Joan (1924)
66The Postmodern Period (1945- )
677.1 Fiction
Q. Whats the distinction between Modernism and
Postmodernism?
- A 1) Modernism tends to present a fragmented
- view of human subjectivity (??), but
presents - that fragmentation as something tragic,
- something to be lamented as a loss.
While - Postmodernism doesnt lament the idea
of - fragmentation but rather celebrates it.
687.1 Fiction
- 2) Modernists look for buried meaning below
confusing surfaces, while Postmodernists abandon
that search.
697.1 Fiction
- George Orwell (1903-1950)
- Nineteen Eighty Four (1948)
707.2 Drama
- Samuel Beckett (1906-1989)
- Waiting for Godot (1952)
- Awarded the Nobel Prize in Literature in 1969
"for his writing, whichin new forms for the
novel and dramain the destitution of modern man
acquires its elevation".
717.2 Drama
- Mr. Godot told me to tell you he won't come this
evening but surely tomorrow.
727.2 Drama
- ESTRAGON
- No, nothing is certain.
- Vladimir slowly crosses the stage and sits down
beside stragon. - VLADIMIR
- We can still part, if you think it would be
better. - ESTRAGON
- It's not worthwhile now.
- (Silence)
737.2 Drama
- VLADIMIR
- No, it's not worthwhile now.
- (Silence)
- ESTRAGON
- Well, shall we go?
- VLADIMIR
- Yes, let's go.
- They do not move.
74Thank You !
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