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Developing Ring Swing

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Do an arch rock that has hands go wide and spot gymnast to Handstand...Inlocate and Front giant ... Back Giant 'GOOD' Back Giant. What are High Level Backwards ... – PowerPoint PPT presentation

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Title: Developing Ring Swing


1
Developing Ring Swing
  • Tom Meadows
  • Cypress Academy of Gymnastics
  • Houston, Texas

2
What is needed
  • Flexibility
  • Strength
  • Understanding of turnover
  • From chest not hips
  • HANDSTAND
  • HANDSTAND
  • HANDSTAND

3
From the Beginning
  • Develop the understanding of relaxing shoulders
    through bottom of swing
  • Using the entire body as one unit to turn over in
    the front and back
  • Done at the very basic level of swings
  • MUST BE HANDS ON AT THE BEGINNING STAGES
  • By using your hands to manipulate the body into
    the shapes that are desiredthe body will learn
    to adjust

4
First Basic Swing(Backwards)
  • Allow body to be loose in back to feel the heels
    leading without using hands
  • If your too concerned about formhe will not
    understand how relax the body to turn over
  • Do not worry about ring turn at beginning stages
  • Head neutral throughout
  • As swing gradually begins to pick up you can have
    them turn hands and look down
  • This gives them the feeling of going upside down

5
Floor Drills for Ring Swing
  • Arch Rocks with Arms Wide
  • Do an arch rock that has hands go wide and spot
    gymnast to HandstandInlocate and Front giant
  • BACK ROLL TO HOLLOW PUSH UP
  • Best drill in gymnastics to simulate turnover for
    every event
  • When done with hands out wideDislocate
  • Done to FistsGiant
  • Wide Arm HandstandGiant to Invert
  • Done to push up positiondismount drill
  • (see dismount section)

6
Oh by the Way
  • Begin developing strength for swing as well
  • All kinds of ther-band/bungy exercises to work
    all the muscle groups in the shoulder
  • Also be working press and planche strength ASAP.
  • Never too early to be developing this strength
  • Before you know itit is too late

7
Developing BIG Basic Swing
  • Concentrate on one side at a time
  • Too much to think about when swinging
  • By concentrating on one side at a timemore
    corrections in positions will be made
  • By doing so, you can cheat on the opposite side
    to pick up more swing to simulate the amount of
    swing needed coming from handstand.

8
Basic Swing
9
Bails
  • Start from shoulder stand
  • This will allow gymnast to overcome fear from
    bailing
  • If mistakes are made, and they will be made, not
    as much speed and force being put on their backs
  • This also makes the gymnast learn to use their
    hands on the bail

10
What to do with Hands and Rings
  • 2 THEORIES
  • Parallel Bail
  • Keep hands parallel entire time down
  • VERY VERY HARD and must have great shoulder
    flexibility
  • Slight Widening of rings and hands
  • You allow hands and rings to open up during bail
    and go wide.
  • This allows the tighter gymnast to open up
    shoulder angle completely and use chest more on
    turnover
  • Not as much speed and force coming through the
    bottom, so I think this is more controllable for
    the gymnast
  • By opening hands, this opens chest a bit more and
    allows more of the chest to be used for a more
    powerful turnover for dismounts in particular.

11
Bail Drills
12
Going to Handstand
  • I suggest one of 2 methods
  • Go from series of Inlocates or dislocates with
    spot
  • Go from handstand bail to series of inlocates or
    dislocates
  • When learninggo through handstand
  • More than likely the boy is not strong enough to
    control a good handstand anyway
  • This will also help alleviate any early finishing
    problems
  • i.e. Arching out in front (dislocate)
  • hollowing out in back (inlocate)

13
Inlocate Series
14
Front Giant
15
GOOD Front Giant
16
Lock Arm Giants
  • Must have a strong Handstand
  • Gymnast will not be able to control the swing
    through the handstand without this strength
  • By swinging through H.S. gymnast has learned what
    to do to get to a H.S.
  • Can use tools like spotting belts and bungee to
    help gymnast find H.S.

17
Yamawaki
  • Inlocate to kip
  • Must perform inlocate with low shoulders and use
    arms as in a kipping action
  • SPOT,SPOT,SPOT,SPOT
  • First thing gymnast wants to do is to push
    shoulders up to get into supportopposite
    actually has to happen

18
Where to begin?
  • Homna (whip-it) to support
  • Spot from swing and do not let them tuck
  • Tucking early promotes ducking of the shoulders,
    lifting of hips and and hence the lifting of the
    shoulders too early
  • Force shoulders very low before kipping action
    begins
  • Arms will remain out to side during very wide
    during turnover phase

19
Tuck / Pike Yamawaki
  • Begin with Whip-it roll out
  • Go through support before doing a forward roll
  • Whip-it roll out without support
  • Mist have a good amount of turnover to continue
    the flipping action without pressure through the
    support
  • Keep rings wide during the support phase
  • If this is accomplishedyamawaki has been achieved

20
Tuck Pike Yamawaki
21
Layout Yamawaki
  • VERY VERY HARD
  • Similar in difficulty to Layout Guzhoghy, only
    more difficult to establish rotation forwards
  • Must have a tremendous amount of turnover from
    bottom
  • Have yet to see a TRUE layout yamawaki
  • Every attempt I have seen shows a slight support
    phase thus no judge giving them credit for
    LAYOUT

22
LAYOUT YAMAWAKI attempt
23
Forward Dismounts
  • Not Very Popular
  • Very hard to land
  • Difficult to develop rotation forwards
  • Similar to P.Barsvery hard at end of routine
  • Taught similar to Yamawaki
  • Same drills as Yamawaki with pushing of rings at
    release point
  • NO VIDEOcould not find any from the last 3 years
    and have nobody doing any of significance

24
Backwards Swing From the Beginning
  • Develop the understanding of relaxing shoulders
    through bottom of swing
  • Using the entire body as one unit to turn over in
    the front and back
  • Done at the very basic level of swings
  • MUST BE HANDS ON AT THE BEGINNING STAGES
  • By using your hands to manipulate the body into
    the shapes that are desiredthe body will learn
    to adjust

25
First Basic Swing(Forwards)
  • NO PIKING
  • Even if they keep a straight body, do not allow
    them to pike
  • Keep hands parallel in front of swing
  • By turning rings out, this naturally picks chest
    up in the front
  • By allowing the rings to stay parallel, you can
    put the boy in a more chest hollow position
  • When beginning to develop swing higher, allow
    them to go to inverted hang
  • By allowing them to do this, the learn the
    feeling of getting upside down
  • DO NOT allow them to push the rings backthis
    lifts the chest up rather than keeping it down

26
Floor Drills for Ring Swing
  • BACK ROLL TO HOLLOW PUSH UP
  • Best drill in gymnastics to simulate turnover for
    every event
  • When done with hands out wideDislocate
  • Done to FistsGiant
  • Wide Arm HandstandGiant to Invert
  • Done to push up positiondismount drill
  • (see dismount presentation)
  • Arch Rocks with Arms Wide
  • Do an arch rock that has hands go wide and spot
    gymnast to HandstandInlocate and Front giant

27
Bails
  • Start from shoulder stand
  • This will allow gymnast to overcome fear from
    bailing
  • If mistakes are made, and they will be made, not
    as much speed and force being put on their backs
  • This also makes the gymnast learn to use their
    hands on the bail

28
Basic Swing
29
What to do with Hands and Rings
  • 2 THEORIES
  • Parallel Bail
  • Keep hands parallel entire time down
  • VERY VERY HARD and must have great shoulder
    flexibility
  • Slight Widening of rings and hands
  • You allow hands and rings to open up during bail
    and go wide.
  • This allows the tighter gymnast to open up
    shoulder angle completely and use chest more on
    turnover
  • Not as much speed and force coming through the
    bottom, so I think this is more controllable for
    the gymnast
  • By opening hands, this opens chest a bit more and
    allows more of the chest to be used for a more
    powerful turnover for dismounts in particular.

30
Bail Drills
31
Going to Handstand
  • I suggest one of 2 methods
  • Go from series of Inlocates or dislocates with
    spot
  • Go from handstand bail to series of inlocates or
    dislocates
  • When learninggo through handstand
  • More than likely the boy is not strong enough to
    control a good handstand anyway
  • This will also help alleviate any early finishing
    problems
  • i.e. Arching out in front (dislocate)
  • hollowing out in back (inlocate)

32
Dislocate Series
33
Back Giant
34
GOOD Back Giant
35
What are High Level Backwards Dismounts?
  • Depends on the level of the gymnast
  • Most basic high level dismounts
  • ½ in ½ out
  • Double layout
  • To develop any higher level dismounts, these 2
    should be developed first.
  • From these 2 dismountsany dismount can be taught
    and learned

36
Pre-Requisites
  • Gymnast should have good air awareness
  • Use the trampoline to develop the air awareness
  • I have found that rings is the best place to
    develop air awareness without the use of tramp
  • All other elements of fear do not exist at rings
  • No Bar to worry about
  • No worries about going off of tramp
  • Have a pit to go into
  • Good Open Tuck Double Back

37
First thing to be learned
  • Open Tuck Double Back
  • No grabbing of knees
  • Should establish rotation off of rings around
    hips and upper chest
  • Height is not of concernRotation is most
    important
  • As long as gymnast is within or a bit higher of
    ring levelheight should not be a concern
  • First flip should try to be finished within the
    rings

38
Open Tuck Double Back
39
Arabian Drill
  • To begin twisting I suggest starting with the
    Arabian drill
  • Be sure gymnast can differentiate between the
    first and second flip
  • After first flip, Arabian out to front to pit
  • Be sure there is not an opening of hips and chest
    in flip
  • Arms stay inside of body during twist
  • No grabbing of knees or legs

40
Arabian Drill
41
½ in ½ out
  • After Arabian drill has been made
    confidentadding a front ½ is easy
  • Finish Arabian and ½ twist toward end of 2nd flip
  • Using this techniquethe gymnast should be able
    to focus on ground throughout the entire twist

42
Turnover Drills
  • Used to develop rotation needed for high level
    dismounts
  • Can be started as early as possiblebut require a
    certain amount of strength and good basic swing
    to learn properly
  • If starting at an early agespotting may be
    necessary and very useful
  • Will help in developing the rotation needed for
    dismounts above the ½ in ½ out

43
Technical Aspects of Drill
  • Chest should remain down low through the bottom
    of swing
  • If chest lifts off of bottom, the dismount will
    rise without rotation
  • Hands should bring rings to hips rather than
    keeping rings behind the head
  • Toes should not be directed in an upward motion,
    rather trying to direct them back toward the
    ground
  • Back extension roll to hollow is a great drill to
    begin at an early age to develop the direction of
    toes
  • Emphasize chest position while trying to get feet
    back on the ground as quickly as possible

44
What should it look like?
45
Double Layout
46
Tuck Double-Double
  • JUST DO IT!!!
  • If drills were done properly when learning ½ in ½
    outthe next step is easy
  • Arabian drill plus rudi
  • Gymnast should be able to see the ground the
    whole time again
  • Do not be afraid to go back to the Arabian drill
    to prepare for double-double

47
Double-Double
48
1/1 twisting Double Layout
  • Same as Tucked
  • Use same drills as when learning tucked
  • Layout Arabian drill
  • Bad early twisting habits can be formed with
    twisting early if this step is not taken
  • Arabian to ½ out
  • Late twist should be emphasized

49
Layout Full Out
50
Double Twisting Double Layout
  • SAME AS TUCKED

51
Layout Double-Double
52
What is needed for the Triple Back
  • Height or rotation?
  • I believe the best triples have been done with a
    little less height and emphasis on rotation
  • This is what I see as the biggest mistake when
    people are beginning triples.
  • If all the effort of the gymnast is put into
    heightrotation is often sacrificed
  • The result is usually a very high dismount that
    drops like a rock(NOT GOOD FOR A TRIPLE)

53
How do we establish this rotation?
  • Establish a bit longer drag through the bottom
    to create a snapping action into rotation
  • Snapping action should then occur from chest
  • Tucking action should happen simultaneously with
    snap
  • Establish this rotation from chest

54
Establishing Rotation contd
  • DO NOT THROW RINGS BEHIND
  • Snap hands and rings to side of body towards hips
  • This does 2 things
  • Creates rotation around hips and chest
  • Gets hands closer to legs to grab knees for
    second and third flip

55
Establishing rotation contd
  • Throw rings in a forward direction upon release
  • This will give a bit of extra rotation
  • This will also get the rings out of the way

56
Triple Back Drill
57
The Triple Back
58
Triple Back
59
When to put the triple back into routine
  • When using Triple Back for first time in
    competition, BE SAFE!!!
  • Suggestion
  • Do minimum amount of routine before dismount
  • Do not be afraid to do nothing in routine except
    triple back the first time on the competition
    floor
  • Be willing to sacrifice score for the experience
    of doing the skill
  • No matter how good the gymnast isbe safe in that
    first competitive experience

60
Questions and Comments
  • If you ever have any questions or concerns,
    please contact me at
  • TnAgymrats_at_sbcglobal.net
  • Or
  • Cypress Academy of Gymnastics
  • 281-469-4599
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