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Presents Practical Applications of RF Wireless Systems

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A Trip Down The Congested RF Highway. DTV. Multiple-System Operation ... Until DTV. What DTV has done to your local RF environment. LOS ANGELES. VHF TV. WWW. ... – PowerPoint PPT presentation

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Title: Presents Practical Applications of RF Wireless Systems


1
PresentsPractical ApplicationsofRF Wireless
Systems
2
Preview
  • The Invisible Stuff
  • RF Signals
  • A Trip Down The Congested RF Highway
  • DTV
  • Multiple-System Operation
  • Frequency Compatibility and Coordination
  • Solid Rules of Thumb
  • Maximizing the Potential of your Hardware
  • Transmitters
  • Receivers
  • Antennas
  • RF Boosters and Splitters

3
PART 1The Invisible Stuff
4
RF Microphone Signals
Audio Signal Is modulated via FM with
RF Carrier Frequency Expressed in
MHz (Megahertz) Can be either VHF or UHF
Transmitted RF Signal
5
RF Spectrum Divisions (highways)
  • RF Wireless Microphone Usage (large macro range)
  • 54 MHz 950 MHz
  • Conveniently divided up into TV Channels (lanes)
  • 6 MHz wide
  • Disproportionately grouped into zones (highways)
  • VHF (12 TV Channels)
  • 138 MHz wide
  • 54 MHz 192 MHz
  • UHF (80 TV Channels)
  • 480 MHz wide
  • 470 MHz 950 MHz

6
Any given RF carrier (center frequency)
falls inside of an NTSC TV
channel Knowing where
youre operating is essential
7
USA TV CHANNELS V/S BANDWIDTHS
8
ANATOMY OF AN ANALOG TV SIGNAL example channel 19
Lower Edge 500.000 MHz
Upper Edge 506.000 MHz
0 amplitude
Video Carrier center freq 501.250 MHz
Color Carrier center freq 504.830 MHz
Audio Carrier center freq 505.750 MHz
9
Historically
  • VHF Systems were first on the scene
  • Plus Side
  • Affordable technology
  • Good S/N Ratio
  • Good AF bandwidth potential
  • Down Side
  • Limited RF Bandwidth
  • 12 TV Channels wide
  • Very competitive for open, unused frequencies
  • Generally fixed-frequency systems

10
At That Point
  • UHF Systems were generally cost-prohibitive
  • Plus Side
  • Huge bandwidth potential (80 TV channels)
  • The UHF highway has 6 times more lanes
  • Better potential for multi-channel systems
  • Far better potential for open, unused
    frequencies
  • Down Side
  • Very expensive technology at the time
  • Very high cost to produce good S/N ratio
    technology
  • Very high cost to produce good AF bandwidth
    potential
  • Generally fixed-frequency systems
  • But very attractive

11
Trending Onward
  • UHF Systems become more affordable
  • Plus Side
  • Huge bandwidth potential (80 TV channels)
  • The grass is greener syndrome
  • The UHF highway has 6 times more lanes
  • In any given area there might have been 10 15
    active UHF broadcasts much fewer in less
    metropolitan areas
  • Far better potential for open, unused
    frequencies
  • Down Side
  • Most were still fixed frequency systems
  • Switchable channel systems were still very
    expensive

12
The Promised Land
  • UHF Systems become the standard
  • Plus Side
  • Huge bandwidth potential
  • Finding an open frequency is like shooting ducks
    in a barrel
  • High S/N ratio technology becomes affordable
  • High AF bandwidth technology becomes affordable
  • Switchable frequency system technology becomes
    affordable
  • Frequency agility becomes the industry catch
    phrase
  • Multiple system operation becomes a standard
  • Life is swell

13
Until DTV
  • Advancements in Television Technology go Digital
  • Worldwide television standard shall be digital
    by 2006
  • A change like this cant take place overnight
  • A 10 year plan is put into effect
  • Based on life cycle of TV broadcast and receiving
    equipment
  • All TV broadcasts shall be digital by 2006
  • Meanwhile, all TV broadcasters are assigned a
    co-channel to begin transmitting their digital
    signals on
  • Effectively doubling the occupied UHF channels

14
What DTV has done to your local RF environment
15
  • LOS ANGELES
  • VHF TV
  • WWW.100000WATTS.COM

16
  • LOS ANGELES
  • UHF TV

17
LOS ANGELES UHF TV in the UHF SPECTRUM
18
ANATOMY OF A DIGITAL TV SIGNAL example channel 19
Lower Edge 500.000 MHz
Upper Edge 506.000 MHz
0 amplitude
Video, Color and Audio Carrier Signals Are
Scattered Throughout the Bandwidth at FULL
Amplitude
19
  • MULTIPLE-SYSTEM OPERATION
  • Coordinating your systems
  • for simultaneous use
  • Whether youre shooting sound on a film set,
    touring with rock act, staging a theatrical
    production, or installing a wireless system in a
    venue, chances are that your wireless system will
    include more than one unit.

20
  • TV Broadcast signals
  • Since you cant beat em Avoid em
  • FREQUENCY AGILITY
  • The most important element in having the hardware
    to do the job.
  • Frequency-agile systems give the user the ability
    to change the carrier frequency that a system
    operates on.
  • The only effective line of defense in dodging
    active UHF signals

21
  • FREQUENCY COMPATIBILITY

22
  • A Functional Multi-Channel RF System Is Like A
    Really Good Neighborhood Living In Harmony
  • Active Frequencies that Live Together Must Agree
  • Mathematical elements may clash (conflicts)
  • Center Frequency Must Agree
  • No Common Exponential Convergence
  • Harmonic Content Must Agree
  • No Common Exponential Convergence
  • Intermodulation
  • Second, Third and Fifth order harmonics clash
  • Harmonic content must be in agreement

23
  • Good Rules of Thumb
  • Know your local RF Environment
  • Collect all available info on UHF frequency
    occupation
  • UHF TV broadcasts within a 75 mile radius
  • FCC Web site
  • 100000watts.com
  • Local US Post Offices should have a listing
  • Determine other sources of RF signals in
    operation and what carrier frequencies are in use
  • Other wireless microphone and monitoring systems
  • Walkie-Talkies
  • Short wave communications
  • Plan your frequency allocations according to that
    info
  • Draw a map of the RF scale using TV channel lines
    of demarcation
  • Disqualify occupied TV channel choices with an X
  • Plan your frequency targets by good or no
    good TV channels
  • Follow the manufacturers frequency grouping
  • Theyve done the math Take their word for it

24
  • Good Rules of Thumb (cont)
  • If you Ad Lib your frequency schemes
  • you must know what youre doing.
  • Its all about interval logic
  • An interval is the distance between two points in
    time or space
  • Never choose an interval thats less than 400 KHz
  • Commonly called minimum spacing
  • Never repeat an interval
  • Causes common (repetitive) mathematical elements
  • Use the manufacturers published intervals as a
    guide or template
  • Allows a logical scheme that can be shifted up,
    or down the frequency spectrum
  • Chances are that these choices will prove
    effective

25
  • Example of Shifting the Intervals

26
8 Compatible Frequencies within ONE TV
Channel Given that TV Channel 23 (524 530 MHz)
is Target A
27
16 Compatible Frequencies within TWO TV
Channels Given that TV Channel 23 (524 530 MHz)
is Target A And TV Channel 42 (638 644 MHz) is
Target B
28
Fitting 3 frequencies inside an active NTSC
Channel example channel 19
Formula f1 edge 3.2 MHz, f2 edge 3.6
MHz, f3 edge 4.3 MHz All 3 are intermod
free and compatible with other carriers
f1
f2
f3
Lower Edge 500.000 MHz
Upper Edge 506.000 MHz
0 amplitude
Video Carrier 501.250 MHz
Color Carrier 504.830 MHz
Audio Carrier 505.750 MHz
29
PART 2Optimizing your Hardware
30
Transmitters
31
  • A transmitters job is quite simple
  • Converts incoming audio source signal into a
    radio signal
  • 2) Sends it out into open space via its antenna

32
  • Wireless Microphone Transmission
  • Audio Source
  • Microphone Diaphragm
  • Handheld Transmitter with Microphone Capsule
  • Lavalier Microphone
  • Suitable Line Signal Source
  • Pre-Emphasis Circuit
  • Compander (Compression/Expansion) (Noise
    Reduction)
  • 21 Compressor
  • Limiter
  • Oscillator
  • RF Output Amplifier

33
  • Two main variable components of a transmitter
    that will directly affect its performance
  • Input sensitivity control
  • A variable gain amplifier (pad) that determines
    the signal gain presented to the front end of the
    transmitter.
  • Antenna
  • Its condition determines the electrical
    conductivity
  • Its positioning determines its ability to
    effectively radiate electro-magnetic energy
  • Beware of grounding it to the body

34
  • TRANSMITTER TYPES
  • Handheld
  • Integrated Microphone Capsule
  • Dynamic
  • Condenser
  • Integrated Antenna

Integrated Capsule
Integrated Antenna
35
  • TRANSMITTER TYPES (cont)
  • Bodypack
  • Complementary Input Device
  • Lavalier or Headworn Microphone
  • Line Input Cable
  • Complementary Antenna
  • Whip
  • Helical

36
  • Something New!

SK5012 Ultra-Miniature Transmitter
37
  • TRANSMITTER TYPES (Cont)
  • Plug-On Module
  • Couples to Suitable Handheld Microphone
  • Converts any handheld microphone into wireless
  • Antenna is integrated into the chassis of the
    microphone
  • XLR pin 1 (ground) carries antenna signal to mic
    chassis

38
  • TRANSMITTER TYPES (Cont)
  • Rack-Mountable
  • IEM System Transmitter
  • Transmits Complex Stereophonic Signal
  • Generally uses
  • Whip Antenna
  • Paddle-style Log Periodic Antenna (remote mounted)

39
  • Receivers

40
  • RECEIVERS
  • Receives, demodulates, processes, and outputs
    audio signal
  • Front-End Filtering
  • Selects the specific frequency range of the
    system
  • Local Oscillator
  • Facilitates separation of carrier signal from
    audio
  • Expander
  • 12 ratio
  • Re-Establishes original dynamic range
  • De-Emphasis
  • Undoes the frequency-specific coding of the audio
    signal
  • Audio output amp
  • Line level
  • Mic level

41
  • Two main variable components of a receiver that
    will directly affect its performance
  • Squelch
  • A variable gain amplifier that determines the
    presence or absence of audio signal processed by
    the receiver.
  • Basically an audio path noise gate that is
    triggered by the signal strength (amplitude) of
    the RF carrier
  • May play a significant role in system range
  • Antenna
  • Its orientation to physical and ethereal elements
    makes it function like the eyes of the receiver
  • Its positioning determines its ability to
    effectively collect electro-magnetic energy

42
  • RECEIVERS TYPES
  • Rack Mountable or Fixed Location
  • Used in stage and studio production
  • AC Powered via
  • Integrated internal power supply
  • Remote Wall Wart AC-to-DC converter power supply

2 EW EMs can sit side-by-side in a 19 rack space
Without or With Headphone Monitoring
43
  • EM550
  • Dual Channel Receiver
  • Integrated Active Antenna Splitter
  • Integrated Power Supply

44
  • RECEIVERS TYPES (cont)
  • Portable or Camera-Mountable
  • Used in field production for video and film
  • IEM (In-Ear Monitor) Stereo Receivers
  • DC powered

ENG
IEM
45
  • QP3041 Quadpack

46
  • RECEIVERS (cont)
  • Non-Diversity
  • Uses single antenna and receiving circuit
  • Can be adversely affected by multi-path
    information
  • True Diversity
  • Uses dual antennas and receiving circuits
  • Comparator circuit
  • Analyzes incoming signals
  • Chooses the strongest (most integrity) in
    microseconds
  • Throughputs the chosen signal for processing
  • Best defense for multi-path dropouts

47
  • ANTENNAS
  • and
  • Antenna Accessories

48
  • ANTENNAS
  • Wideband
  • Capable of capturing and conveying wide bandwidth
    UHF
  • Must be followed by bandwidth filter
  • Omnidirectional
  • Directional
  • Passive or
  • Active
  • Narrowband
  • Cut to length to adequately convey desired
    bandwidth
  • Receivers usually have filtering post-antenna
    anyway
  • Omnidirectional
  • Directional
  • Passive or
  • Active

49
  • ANTENNAS
  • Placement
  • Out in the open if at all possible
  • Avoid proximity to large reflective surfaces
  • Probable source of multi-path information
  • Directional
  • Passive or
  • Active
  • Stock, telescoping whip type
  • Mounts to receiver chassis
  • Ground plane principal
  • Orient at 90 degrees to one another for best
    performance
  • Specific operating principal antennas for remote
    mounting
  • Away from the receiver
  • Paddle-Style, Log-Periodic, or Yagi- Style
  • Improves performance
  • Reduces the transmitter-to-receiver differential

50
  • ANTENNA TYPES
  • Log Periodic Paddle-Style

51
  • ANTENNA TYPES (cont)
  • Ground Plane

52
  • ANTENNA TYPES (cont)
  • Yagi

53
  • Antenna Boosters
  • Frequency-selective active gain stage (10 to 18
    dB) to compensate for signal loss that occurs in
    a long antenna co-ax run
  • Filtered for the specific desired bandwidth
  • A very helpful device when using a splitter
    down-stream
  • Antenna Splitters
  • Allows RF from one pair of antennas to feed
    multiple receivers
  • Makes for clean and efficient system performance
  • Multiple splitters may be required for multiple
    frequency-range receiver systems

54
ANTENNA
ANTENNA
RF
A
B
A RF INPUTS B ANTENNA SIGNAL
SPLITTER A RF OUTPUTS B
A RECEIVER 1 B
A RECEIVER 2 B
A RECEIVER 3 B
A RECEIVER 4 B
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