Oriental Rugs - PowerPoint PPT Presentation

1 / 50
About This Presentation
Title:

Oriental Rugs

Description:

Oriental Rugs www.kebabian.com/ types.htm Oriental rugs are made by individuals, by families, and by employed rug factory workers. historically oriental rugs were ... – PowerPoint PPT presentation

Number of Views:410
Avg rating:3.0/5.0
Slides: 51
Provided by: matthew462
Category:

less

Transcript and Presenter's Notes

Title: Oriental Rugs


1
Oriental Rugs
www.kebabian.com/ types.htm
2
(No Transcript)
3
(No Transcript)
4
(No Transcript)
5
  • Oriental rugs are made by individuals, by
    families, and by employed rug factory workers.
  • historically oriental rugs were made either in
    formal rug making factories in cities and large
    towns, or in rural settings, such as nomadic
    communities, or very small villages.
  • often the long tedious labor was done by women
    and children.

6
(No Transcript)
7
(No Transcript)
8
(No Transcript)
9
(No Transcript)
10
(No Transcript)
11
History of Oriental Rugs
  • Although historians have not been able to
    pinpoint exactly when knotted rugs were first
    made, it seems probable that they have been
    around since human civilization began. Man first
    began using animal furs as clothing and flooring,
    but as animals became domesticated and farming
    increased, the use of sheared wool and silk
    became mediums for weaving.

12
  • There are theories about the weaving of rugs
    originating with the Egyptians, Chinese and even
    Mayans. What is clear, however, is that as with
    most things in nomadic life, the origins were
    based on clothing and shelter not ornamentation.

13
  • The nomadic people would have used wool from
    their own flocks of sheep to weave makeshift
    floor coverings, blankets and even tent
    coverings. The style of these coverings has
    changed little over thousands of years, but the
    designs have changed dramatically.

14
  • Oriental carpet weaving as an art form, however,
    has now been accurately traced back to the 5th
    century BC. In 1947, Russian archaeologists
    excavating in the Pazyryk Valley of Siberia, near
    the outer Mongolian border in the Altai Mountains
    in southern Siberia unearthed a carpet from a
    burial chamber belonging to a Scythian Chieftain.

15
  • It had been frozen in ice and was in remarkably
    good condition. Modern carbon dating has placed
    it as 2,500 years old. This carpet which measures
    about 6'7" x 6' is now in the Hermitage Museum at
    St. Petersburg, Russia.

16
  • Unfortunately, wool textiles oxidize and crumble
    with the passage of time. There are carpet
    fragments dating from the 5th century that have
    been found throughout the Middle East. This seems
    to indicate that that the weaving art was highly
    perfected by that time.

17
  • In China, carpet making dates back to the period
    of the Sung Dynasty (960 to 1279 AD). The Chinese
    produced rugs in factory workshops controlled by
    the emperors. The designs were characteristic of
    Buddhism and Taoism. Marco Polo discovered some
    of the earliest examples of carpets while
    travelling through China and Turkey in the 13th
    century

18
  • The Romans adorned their palaces with rugs, both
    on the floor and on the walls. They were highly
    valued and were even used as payment for taxes.
    They were clearly perceived as better than money.
  • It is well recorded in history that Queen
    Cleopatra was presented to Caesar rolled up in a
    carpet.

19
(No Transcript)
20
  • Oriental rugs made their way to America in the
    late seventeenth century. They were used as floor
    coverings and wall coverings. The nineteenth
    century Victorian era saw a dramatic increase in
    demand for the rugs. The bold colors and designs
    complemented the dark and heavy Victorian
    furniture. An Oriental Indian rug owned by
    Cornelieus Vanderbilt sold for 950,000.

21
  • Perhaps the only thing that all real Oriental
    rugs have in common is that they are woven by
    hand.
  • Oriental pile rugsĀ  are constructed by first
    stringing warp threads, which will run the length
    of the finished rug, onto a loom.

22
  • Weavers often choose cotton for the warps,
    particularly for larger carpets because it
    stretches less than wool, cotton can be strung on
    the loom more easily and evenly.

23
(No Transcript)
24
  • Some areas traditionally use wool to produce
    their warps, however, which is generally
    satisfactory. The number of warps per inch of
    width largely determines the finenessĀ  of the
    rug. The rug is started by passing wefts through
    the warps to produce a grid-like fabric called a
    flat weave that stabilizes the end of the rug.
    The weavers create the pile of the rug by tying
    pile knots around adjacent pairs of warp threads
    across the width of the rug.

25
  • The two most typical types of knots used in
    Oriental carpets are called Turkish (sometimes
    called a Ghiordes knot), and Persian (sometimes
    called a Senneh knot). These terms generally have
    nothing to do with a carpet's ethnic or
    geographic origin.

26
the number of knots per square inch is a way to
measure the quality of the rug the more knots,
the finer the rug.
27
Persian Knot
  • In the Persian knot, the supplementary weft yarn
    passes behind one warp yarn, and the two ends
    emerge on either side of a warp yarn. The Persian
    knot is sometimes called a Senneh knot it has an
    asymmetrical structure.

28
(No Transcript)
29
Turkish Knot
  • In the Turkish knot, the supplementary weft yarn
    passes over the two warp yarns, and emerges to
    form the pile coming between them. The Turkish
    knot is also sometimes called a Ghiordes knot it
    has a symmetrical structure.

30
(No Transcript)
31
(No Transcript)
32
  • Local custom determines which type of knot
    weavers use, as there is no great advantage of
    one over the other. For example, many areas in
    Iran actually use the symmetric (Turkish) knot.
    When trimmed, the ends of the knots become the
    pile of the rug. The design of the rug is
    produced by using different yarn colors to tie
    pile knots.

33
  • After the weavers tie a row of knots across the
    width of the rug, they pass 1 to 3 weft threads
    of cotton or wool between the warps, then pound
    them down to secure the knots in place. Above
    these knots, they tie another row of knots then
    more wefts, more knots, and so on until the rug
    is completed.

34
  • Together, the warp and weft threads form a grid
    which serves as the foundation of the rug. A
    selvage constructed along each side, usually by
    wrapping a bundle of warp threads with wool or
    cotton yarn. A narrow band composed of only warp
    and weft threads is often woven at the ends of
    the rug to anchor the knots. The weavers then
    take the rug off the loom and finish it by
    knotting or weaving the warp ends together to
    prevent it from unraveling. The loose ends of the
    warps become the fringe

35
  • The other major class of Oriental rugs is the
    flat weave.
  • Different flat weaving techniques such as Kilims,
    durries, sumak and chain stitch produce rugs with
    different thicknesses and surface textures

36
  • Oriental rug designs may be geometric or
    curvilinear (floral), depending on the type of
    lines used to construct the design, but all
    gradations between the two types exist. Modern
    floral rugs descend from rugs woven in the
    medieval court workshops of Persia, Turkey, and
    India.

37
(No Transcript)
38
  • Geometric rugs, on the other hand, have been
    woven for at least 3000 years by the villagers
    and nomads of the Middle East.

39
(No Transcript)
40
  • Many tribal and village rug designs were passed
    along simply by daughters watching mothers weave.
    Intricate floral rugs must be woven from a
    "cartoon" or plan, a schematic drawing that shows
    where knots of different colors should be placed.
    Floral rugs must be fairly finely woven -- more
    than 100 knots/sq. in, and often more than 200
    knots/sq. in -- in order to carry off the
    intricate design

41
  • Oriental rug designs usually contain two
    elements the border and the field.
  • The border typically consists of a wide main
    border and 4 to 6 (or more) subsidiary or guard
    borders, each displaying a repeating design
    motif.

42
  • The field generally contains either a medallion,
    with or without related corners (spandrels), or a
    repeating (all-over) design.
  • Since the field is the background for the design,
    its color determines the overall color tone of
    the rug.

43
  • Rug designs are usually symmetrical only certain
    tribal pieces, folk art rugs, and prayer rugs are
    intended to be viewed from one direction. Most
    modern rugs are woven from some sort of cartoon,
    but in a number of the smaller villages in
    Turkey, Iran, and Afghanistan, weavers produce
    from memory the same designs their ancestors
    used.

44
(No Transcript)
45
Dhurrie Rugs
  • Dhurries are flat woven rugs from India and
    Afghanistan. They are made of cotton or wool and
    come in a huge variety of combinations of light
    pastels or bright colors. Their patterns are
    unique and reversible. The best ones have five or
    six ply wool yarn twisted together to make the
    weft threads. The tighter the weave, the more
    durable the rug.

46
Kilim Rugs
  • These are also flat woven rugs. The threads in a
    kilim are woven across the warp, not edge to
    edge. The threads are woven so closely together,
    that the threads are invisible. They are made
    primarily in Turkey and Persia. The material used
    in these rugs is wool with a wool foundation. The
    patterns are geometric.

47
(No Transcript)
48
(No Transcript)
49
(No Transcript)
50
(No Transcript)
Write a Comment
User Comments (0)
About PowerShow.com