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Realism

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Title: Realism


1
Realism
  • Regionalism Local Color
  • 1865-1920

2
What is realism?
  • Broadly defined, a literary technique devoted to
    "the faithful representation of reality"
  • A reaction against romanticism
  • Sparked by an interest in the scientific method,
    the systematizing of the study of documentary
    history, and the influence of rational philosophy

3
Realist writers
  • Endeavored to accurately represent contemporary
    culture and people from all walks of life
  • Addressed themes of socioeconomic conflict by
    contrasting the living conditions of the poor
    with those of the upper classes in urban as well
    as rural societies
  • Sought to narrate their novels from an objective,
    unbiased perspective that simply and clearly
    represented the factual elements of the story
  • Became masters at psychological characterization,
    detailed descriptions of everyday life in
    realistic settings, and dialogue that captures
    the idioms of natural human speech

4
Some Key Influences
  • Rapid growth after the Civil War
  • Increasing rates of democracy and literacy
  • Rapid growth in industrialism and urbanization
  • An expanding population base due to immigration
  • A relative rise in middle-class affluence
  • Interest in understanding these rapid shifts in
    culture
  • Concern about loss of personal identity

5
Local Color/Regional Literature
  • Local color or regional literature focuses on the
    characters, dialect, customs, topography, and
    other features particular to a specific region.
  • Between the Civil War and the end of the
    nineteenth century, this mode of writing became
    dominant in American literature.

6
Local Color
  • According to the Oxford Companion to American
    Literature, "In local-color literature one finds
    the dual influence of romanticism and realism,
    since the author frequently looks away from
    ordinary life to distant lands, strange customs,
    or exotic scenes, but retains through minute
    detail a sense of fidelity and accuracy of
    description" (439).

7
Regional Literature
  • Regional literature incorporates the broader
    concept of sectional differences within a locale.
  • For example, in The Adventures of Huckleberry
    Finn, Mark Twain makes use of seven distinct
    dialects to represent the differences of various
    groups living in the region.

8
Impacts
  • Contributed to the reunification of the country
    after the Civil War
  • Helped build a national identity
  • Contributed to the narrative of unified
    nationhood that late nineteenth-century America
    sought to construct

9
Regionalism in Art
  • Regionalism is a realist modern American art
    movement wherein artists shunned the city and
    rapidly developing technological advances to
    focus on scenes of rural life.
  • Regionalist style was at its height from 1930 to
    1935.
  • During the Great Depression of the 1930s,
    Regionalist art was widely appreciated for its
    reassuring images of the American heartland.

10
We introduced America to Americans."--Roy
Stryker, Regionalist Photographer
11
Shared Characteristics in Local Color Regional
Literature
  • Setting
  • Characters
  • Narrator
  • Plots
  • Themes

12
Setting
  • The emphasis is frequently on nature and the
    limitations it imposes settings are frequently
    remote and inaccessible. The setting is integral
    to the story and may sometimes become a character
    in itself.

13
Characters
  • Local color stories tend to be concerned with the
    character of the district or region rather than
    with the individual characters may become
    character types, sometimes quaint or
    stereotypical.
  • The characters are marked by their adherence to
    the old ways, by dialect, and by particular
    personality traits central to the region.

14
Narrator
  • The narrator is typically an educated observer
    from the world beyond who learns something from
    the characters while preserving a sometimes
    sympathetic, sometimes ironic distance from them.
  • The narrator serves as mediator between the rural
    folk of the tale and the urban audience to whom
    the tale is directed.

15
Plots
  • It has been said that "nothing happens" in local
    color stories by women authors, and often very
    little does happen.
  • Stories may include lots of storytelling and
    revolve around the community and its rituals.

16
Themes
  • Many local color stories share an antipathy to
    change and a nostalgia for an always-past golden
    age. Thematic tension or conflict between urban
    ways and old-fashioned rural values is often
    symbolized by the intrusion of an outsider or
    interloper who seeks something from the community.

17
Shared Techniques
  • Use of dialect to establish credibility and
    authenticity of regional characters.
  • Use of detailed description, especially of small,
    seemingly insignificant details central to an
    understanding of the region.
  • Frequent use of a frame story in which the
    narrator hears some tale of the region.

18
Famous Practitioners
  • Mark Twain
  • Bret Harte
  • Hamlin Garland
  • Joel Chandler Harris
  • William Faulkner
  • William Styron
  • Robert Frost
  • Sinclair Lewis
  • Henry James
  • John Steinbeck
  • Dashiell Hammett
  • Kate Chopin
  • Harriet Beecher Stowe
  • Eudora Welty
  • Sarah Orne Jewett
  • Willa Cather
  • Harper Lee

19
Samuel Langhorne Clemens (1835-1910)
  • Samuel Langhorne Clemens, aka. Mark Twain, was
    a natural-born storyteller who was the first
    writer to recognize that art could be created out
    of the American language.
  • Through his use of carefully chosen words and his
    sharply honed humor, he dealt head-on with
    controversial issues that others were afraid to
    confront.

20
Mark Twains Writing Advice
  • Whatever you have lived, you can write by
    hard work a genuine apprenticeship, you can
    learn to write well but what you have not lived
    you cannot write, you can only pretend to write
    it...

21
An Enormous Noticer
  • Mark Twain is described as an enormous noticer.
    Much of what he noticed as a boy growing up in
    the small Mississippi River town of Hannibal,
    Missouri, found its way into his writings in
    books such as The Adventures of Tom Sawyer and
    The Adventures of Huckleberry Finn.
  • He was always noticing whether people had their
    hands in their pockets or not, how they dressed,
    walked, spoke or presented themselves to others.

22
Consider this passage from the first chapter of
Tom Sawyer, for example
  • A stranger was before him boy a shade larger
    than himself... This boy was well-dressed, too
    well-dressed on a week-day. This was simply
    astounding. His cap was a dainty thing, his
    close-buttoned blue cloth roundabout was new and
    natty, and so were his pantaloons. He had shoes
    onand it was only Friday. He even wore a
    necktie, a bright bit of ribbon. He had a
    citified air about him that ate into Toms
    vitals.

23
Now, close your eyes
  • What am I wearing?
  • What is currently hanging on the back bulletin
    board?
  • What color are the walls in this room?
  • How many book shelves are in this room?
  • Are there more boys or girls in this class?
  • What object is sitting above the white board on
    the left side?

24
Twains First Success
  • "The Celebrated Jumping Frog of Calaveras County"
    (1865) was Twains first great success as a
    writer, bringing him national attention.
  • In it, the narrator retells a story he heard from
    a bartender at the Angels Hotel in Angels Camp,
    California, about the gambler Jim Smiley and his
    celebrated jumping frog.

25
How he got started
  • Twain began his career as a journalist, travel
    writer, and writer of light, humorous verse.
  • He evolved into a chronicler of the vanities,
    hypocrisies. and murderous acts of mankind,
    making frequent use of satire.
  • At mid-career, with Huckleberry Finn, he combined
    rich humor, sturdy narrative and social
    criticism.

26
What is satire?
  • A literary genre or form in which vices, follies,
    abuses, and shortcomings are held up to ridicule,
    ideally with the intent of shaming individuals,
    and society itself, into improvement.
  • Although satire is usually meant to be funny, its
    greater purpose is often constructive social
    criticism, using wit as a weapon.
  • A common feature of satire is strong irony or
    sarcasm it also makes frequent use of parody,
    burlesque, analogy, exaggeration, juxtaposition,
    and double entendre.
  • Modern Examples Animal Farm Fahrenheit 451
    Lord of the Flies Saturday Night Live,
    Doonesbury, John Stewart Stephen Colbert The
    Simpsons South Park

27
Twain on Humor
  • Humor must not professedly teach, and it must
    not professedly preach, but it must do both if it
    would live forever.
  • Mark Twain

28
Most Famous Books
  • The Innocents Abroad
  • Roughing It
  • The Adventures of Tom Sawyer
  • The Prince and the Pauper
  • Life on the Mississippi
  • The Adventures of Huckleberry Finn
  • A Connecticut Yankee in King Arthurs Court
  • The Tragedy of Puddnhead Wilson
  • A Burlesque Autobiography

29
The Adventures of Tom Sawyer a prequel to
Huckleberry Finn
30
Twains Use of Dialect
  • Twain was a master at rendering colloquial speech
    and helped to create and popularize a distinctive
    American literature built on American themes and
    language.
  • In The Adventures of Huckleberry Finn, Twain uses
    seven different dialects and even provides an
    explanation for doing so

31
Twains EXPLANATORY
  • IN this book a number of dialects are used, to
    wit  the Missouri negro dialect the extremest
    form of the backwoods Southwestern dialect the
    ordinary "Pike County" dialect and four modified
    varieties of this last. The shadings have not
    been done in a haphazard fashion, or by
    guesswork but painstakingly, and with the
    trustworthy guidance and support of personal
    familiarity with these several forms of speech.
  • I make this explanation for the reason that
    without it many readers would suppose that all
    these characters were trying to talk alike and
    not succeeding.

32
Missouri Negro Jim
  • Goodness gracious, is dat you, Huck? En you
    ain dead-you aint drownded-yous back agin?
    Its too good for true, honey, its too good for
    true. Lemme look at you chile, lemme feel o you.
    No, you ain dead! yous back agin, live en
    soun, jis de same ole Huck-de same ole Huck,
    thanks to goodness!

33
Extremist form of the backwoods Southwestern
dialect Arkansas Gossips (Sister Hotchkiss)
  • Look at that-air grindstone, sI want to tell
    met any cretur ts in his right minds a-goin
    to scrabble all them crazy things onto a
    grindstone? sI.

34
Ordinary Pike County Huck
  • My folks was living in Pike County, in Missouri,
    where I was born, and they all died off but me
    and pa and my brother Ike.

35
Modified Pike County King
  • Well, Id ben a-runnin a little temperence
    revival thar bout a week . . . and business
    a-growin all the time, when somehow or another a
    little report got around last night that I had a
    way of puttin in my time with a private jug on
    the sly.

36
Huck as Narrator
  • The Adventures of Huckleberry Finn was a
    breakthrough in American literature for its
    presentation of Huck Finn, an adolescent boy who
    tells the story in his own language. The novel
    was one of the first in America to employ the
    child's perspective and employ the vernacular a
    language specific to a region or group of
    peoplethroughout the book.

37
Unique Perspective
  • Huck's unique perspective is that of a
    lower-class, southern white child, who has been
    viewed as an outcast by society.
  • From this position, Huck narrates the story of
    his encounters with various southern types,
    sometimes revealing his naivete and, at other
    times, his acute ability to see through the
    hypocrisy of his elders.

38
  • Realist and Regionalist techniques are
    exemplified in The Adventures of
    Huckleberry Finn by the specific and richly
    detailed setting

39
  • and the novel's insistence on dialect which
    attempts to reproduce the natural speech of a
    variety of characters unique to the Mississippi
    Valley region.

40
  • In addition, Huck's momentous decision to free
    Jim, even if it means going to hell, is seen as a
    classic episode of Realist fiction because it
    demonstrates the individual's struggle to make
    choices based on inner motivations, rather than
    outside forces.

41
Twains Warning
42
Many wonder if he really meant that since Huck
goes through a major metamorphosis in his
thinking about Jim
43
On Race
  • I have no race prejudices, and I think I have
    no color prejudices nor caste prejudices nor
    creed prejudices. Indeed I know it... All that I
    care to know is that a man is a human being
    that is enough for me.
  • Mark Twain

44
Early Experiences
  • Black people and black voices were part of
    Twains life from the beginning. Every summer as
    a child Sam spent several weeks on his uncles
    farm, where an old slave called Uncle Daniel
    thrilled the youngsters with ghost stories.
  • One of his most lasting childhood memories was
    not so pleasant. It was of a dozen men and women,
    chained together, waiting to be shipped
    down-river to the slave market. They had, he
    said, the saddest faces I ever saw.

45
Controversy/Book Banning
  • The Adventures of Huckleberry Finn, first
    published in 1884, was controversial from the
    start. In 1885, Concord Public Library banned the
    book.
  • Mark Twain wrote to Charles Webster on March 18,
    1885 "The Committee of the Public Library of
    Concord, Mass., have given us a rattling tip-top
    puff which will go into every paper in the
    country. They have expelled Huck from their
    library as 'trash and suitable only for the
    slums.' That will sell 25,000 copies for us sure."

46
  • In 1902, the Brooklyn Public Library banned The
    Adventures of Huckleberry Finn with the statement
    that "Huck not only itched but he scratched," and
    that he said "sweat" when he should have said
    "perspiration."

47
Modern Day Issues
  • In general, the debate over Twain's The
    Adventures of Huckleberry Finn has centered
    around the language of the book, which has been
    objected to on social grounds, specifically for
    its repeated use of the N word, which was in
    common usage in the pre-Civil War period in which
    the novel was set.
  • Yielding to public pressure, some textbook
    publishers have substituted "slave" or "servant"
    for the term that Mark Twain uses in the book,
    which has been considered derogatory to African
    Americans.

48
The N Word
  • Comes from the Latin adjective meaning black
    (niger) and the Spanish/Portuguese word for black
    (negro)
  • Used rightly or wrongly, ironically or
    seriously, of necessity for the sake of realism,
    or impishly for the sake of comedy, it doesn't
    matter. Negroes do not like it in any book or
    play whatsoever, be the book or play ever so
    sympathetic in its treatment of the basic
    problems of the race. Even though the book or
    play is written by a Negro, they still do not
    like it. The word nigger, you see, sums up for us
    who are colored all the bitter years of insult
    and struggle in America.
  • - Langston Hughes

49
Others see it as the greatest and most important
American novel
  • "All modern American literature comes from one
    book by Mark Twain called Huckleberry Finn."
  • - Ernest Hemingway, Green Hills of Africa
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