Pitch Perception - PowerPoint PPT Presentation

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Pitch Perception

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Pitch Perception Or, what happens to the sound from the air outside your head to your brain . Sensitivity of the human ear: varies with pitch varies with loudness ... – PowerPoint PPT presentation

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Title: Pitch Perception


1
Pitch Perception
  • Or, what happens to the sound from the air
    outside your head to your brain.

2
  • Sensitivity of the human ear
  • varies with pitch
  • varies with loudness

3
Perception of one pitch
  • Most sensitive around 3000 Hz.
  • Least sensitive at high and low ends
  • High frequency sensitivity decreases with age
    (and damage to ear)

4
Frequencies important for music
  • Frequency range of piano 27.5-4224 Hz.
  • Frequency range of voice fundamentals low C
    for bass - 65 Hz. high F for soprano - 1397
    Hz.(important overtones are higher)

5
Pitch is determined by hair cells on basilar
membrane
  • 2/3 of basilar membrane accounts for range of
    100-4000 Hz.
  • Membrane has a logarithmic scale jump of one
    octave anywhere in range is about the same jump
    on membrane (3.5-4 mm)

6
Just Noticable Difference
  • When presented with two tones in succession, when
    are they the same and when are they different?
  • Slow change detection of .5 at 2000 Hz. (only
    10 Hz.!)1 at 350 Hz.3 at 100 Hz.(Try this
    with oscillator)
  • Fast change much more sensitive

7
Absolute pitch(also known as perfect pitch)
  • Ability to identify the note name of a sound, or
    to reproduce a specific note, without reference
    to an external standard.
  • The above skill sometimes called tone AP, where
    the skill to recognize whether a piece of music
    is played in the correct key is piece AP

8
  • One person in 10,000 claims to have it
  • Absolute pitch is not necessarily perfect
    people can identify 70-100 of midrange tones
    (chance level is 1/12 or 8.3)
  • Develops during early life nature vs. nurture
    source hard to determine
  • Composers with AP include Mozart, Scriabin,
    Messiaen, Boulez
  • AP can be a negative playing or singing in a key
    other than written or in a group which strays off
    pitch constant awareness of pitch labels hurts
    enjoyment of music

9
  • Relative pitch ability of musicians to
    determine note name with external standard
    present
  • This is an expected skill for trained musicians
    some will be better than others

10
Perception of multiple tones, related to
consonance
  • When two pure tones are heard, one stays the same
    and the second one can be varied in pitch1.
    When second pitch is close, most people think the
    resultant sound is consonant2. As second sound
    gets farther away, very few people think sound is
    consonant3. After two sounds get to around the
    distance of a minor third, most people again
    think the resultant sound is consonant

11
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12
Perception of multiple tones
  • When two pure tones are heard, one stays the same
    and the second one can be varied in pitch1.
    Very close ? sounds like one tone, with beats2.
    After passing limit of frequency discrimination
    ? sounds like two tones with roughness 3.
    After passing critical band ? sounds like two
    tones sounding smooth

13
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14
  • These effects depend on how high the tones are
  • Phenomenon is true for both tones heard by one or
    two ears
  • When 2 tones are separated and fed into different
    ears, roughness disappears

15
  • We infer that effect comes from each tone
    exciting a range on the basilar membrane (not
    one single point), and that the two tones
    interfere with each other

16
Combination Tones
  • Heard from two tones of strong intensity
  • Difference tone is f2-f1
  • When two tones are a fifth apart, the difference
    tone is 1 octave below f1
  • Other tones made from 2f1-f2 and 3f1-2f2
  • Thought to come from nonlinear distortion of
    the primary wave form stimulus in cochlea - the
    vibration of the additional tone is present in
    cochlea
  • (try with 2 oscillators?)

17
Second order effects
  • Beats created from two tones an octave apart,
    mistuned slightly
  • (try this with oscillators)

18
Fundamental tracking
  • The processing system supplies the missing
    fundamental from a set of upper harmonics
  • Example two tones a fifth apart ? another note
    heard 1 octave below f1
  • Two tones a third apart ? another note heard 2
    octaves below f1
  • The result is the same as difference tone but is
    not the same phenomenon vibration of additional
    tone is not present in the cochlea

19
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20
  • What is happening here?? Fundamental tracking is
    shown to happen even when pitches are fed into
    separate ears
  • The pitch perception process is so used to
    hearing complex tones with a fundamental and
    upper overtones (from harmonic series) that if it
    only hears some of the overtones, it supplies the
    fundamental

21
  • Auditory system can perceive the overall
    repetition rate of mixed sounds, which is the
    frequency of the missing f0
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