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William Shakespeare

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William Shakespeare s Hamlet The Renaissance updates tragedy Standard Issues in Hamlet Is Hamlet mad or is he feigning madness? Does Gertrude know that Claudius ... – PowerPoint PPT presentation

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Title: William Shakespeare


1
William Shakespeares Hamlet
  • The Renaissance
  • updates tragedy

2
Standard Issues in Hamlet
  • Is Hamlet mad or is he feigning madness?
  • Does Gertrude know that Claudius killed Old
    Hamlet?
  • Have Hamlet and Ophelia had sex?
  • When (if ever) does Hamlet decide to believe the
    ghost?
  • Should Hamlet be compared to a Classical
    Aristotelian tragedy or a Renaissance revenge
    tragedy?

3
Traditions of tragic drama inherited by
Shakespeare
  • European drama before Hamlet
  • classical Greek and Latin tragedies, comedies,
    and farces. These lost in the Dark Ages.
  • medieval religious drama lives of saints
    re-enactments of Bible stories
  • Renaissance imitations of classical Latin drama,
    especially imitations of Senecas Latin revenge
    tragedies.
  • Hamlet first great drama after Euripides.

4
Shakespeare plays around with received dramatic
conventions
  • Opening scene
  • Rather than opening with highest ranked character
    or tragic hero, Shakespeare opens with soldiers
    and delays Hamlets entrance.
  • We first hear of Fortinbras and meet Laertes
    (Hamlets two rivals)
  • We meet Horatio (Hamlets friend) and Claudius
    (his enemy)
  • Not privileging plot over all other elements
  • Tragedy typically depends on plot Shakes-peare
    instead focuses on character and ideas.

5
Hamlet as first Renaissance drama Hamlet as
first Renaissance man.
  • Pre-Renaissance or pre-modern man
  • unitary, unified self
  • mans social position entirely determined by
    birth or other outside forces (gods)
  • Renaissance man
  • psychologically complex and multi-layered
    internally divided against self
  • self-made man--idea that man chooses his own
    experiences, determines his own values

6
How does Hamlet show itsRenaissance character?
  • The internal complexity of modern man is
    reflected in the plays doublings
  • Both Rosencrantz and Guildenstern
  • A play within a play (and then the play within
    the play is itself doubled into a dumb show and a
    play)
  • 2 mad persons Ophelia and Hamlet
  • and triplings
  • 3 murdered dads Fortinbras, Hamlet, Polonius
  • 3 avenging sons Fortinbras, Hamlet, Laertes
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