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RSSS 315 Fourth Week

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Title: RSSS 315 Fourth Week


1
RSSS 315 (Fourth Week)
  • Slavic Folklore Vampires and Werewolves

2
Basic information
  • Instructor George Gutsche
  • Teaching assistants Kenny Cargill, Paula
    McCambridge
  • gutscheg_at_u.arizona.edu
  • D2L http//russian.arizona.edu/courses/vampires
  • Office hours T 11-1230 or by appointment

3
Writing Assignments
  • New one will be posted on Wednesday
  • More folklore accounts to consider

4
Last Time
  • Summary of Lastovo Island (Dalmatian Coast)
    readings
  • Discussion of second and third chapters of
    Stokers Dracula
  • Interpretations of Serbian film about vampires
    Leptirica

5
Background for Stoker
  • Biography 1847-1912
  • Irish college civil servant, journalist, drama
    critic
  • Personal secretary to Henry Irving (actor) in
    England
  • Married, one child
  • Wrote novels and short stories (18 books)
  • Dracula 1897 best known

6
Chapters 4-5
7
Nikolai Gogol
  • Slavic (Ukrainian and Russian folklore)
  • Gogols story Vij (1835 1967 film)
  • Gogolian humor, style

8
Story Itself
  • Part of Mirgorod collection (1835)
  • Gogol said it was based on folk stories, beliefs
  • No evidence of Vij (Viy) in folklore
  • Witches, sorcerers dominate East Slavic folklore
  • Connections with religion Khoma relies on folk
    beliefs and basic needs, not doctrine
  • Magic circle pagan, and later Christian

9
Contamination
  • Poltergeist lots of noisemaking
  • Succubus (very close to vampire here)
  • Shape-shifting power
  • Feeding on energies (sexual dimension)
  • Repeated visits to victims in dreams
  • Mara/mora death of victim results (usually by
    suffocation here Khoma faints and dies)

10
Question are there any vampires here?
  • Yes and no.or, it depends..

11
Story vs. Film
  • Erotic elements stronger?
  • Vampire elements stronger?

12
Terminoogy (Part I)
  • Eastern Europe Linguistically rich area
  • Slavic languages
  • Hungarian
  • Romanian
  • Greek

13
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14
Vampire terms
  • Vampir upyr, upir, upirina, upír, upiór, vepir,
    vapir (meaning vampire)
  • Vukodlak (related to wolf-pelt) v?rkolak (Mac
    and Bulgarian), vrykolakas, vârcolac, kudlak (v),
    vlkolak (Slovak), wylkolek, vovkulaka, vukula
  • Many cases werewolf, not vampire
  • Clearly vampire in South Slavic
  • Strigoi

15
Terminology literary
  • Exotic foreign words transliteration
    imagination (and sloppy spelling)
  • Vukodlak vourdalak vurdalak verdilak
  • Bo Hampton, Mark Kneece (New York, 1996)
    Verdilak (derived from Tolstoys story, dedicated
    to Mario Bava)

16
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17
Aleksei Konstantinovich Tolstoi 1817-75
  • The Family of the Vurdalak (La famille du
    vourdalak)
  • Late 1830s, unpublished
  • Numerous film adaptations

18
Mario Bavas Black Sabbath
  • 1963 film American and Italian version
  • Three stories one based on Tolstois story ("The
    Wurdalak)

19
Types of vampires
  • Folkloric supernatural characteristics, cultural
    variation
  • Literary Stoker has the paradigm, but others
    helped form it in 18th and 19th centuries
  • German poetry, English poetry
  • Prose

20
Key Work Popularized Vampire Lore
  • Dom Augustin Calmet 16721757
  • French biblical scholar, a Benedictine abbot at
    Nancy and Sens
  • Major work Dissertations sur les Apparitions
    des Anges, des Démons et des Esprits et sur les
    revenants et vampires de Hongrie, de Bohême, de
    Moravie, et de Silésie, Paris, 1740

21
Literary Vampires
  • Derived from folk stories accounts of 18th
    century epidemics
  • First developed in poetry (German and English),
    then prose
  • Other influences late 18th Gothic fiction

22
Gothic features
  • Mystery, gloom, fog, night, storm
  • Desolation, isolation
  • Animals wolves, bats
  • Distant past (unforgotten) sense of nostalgia
  • Old castles, mansions, graveyards, churches
    (cobwebs, spiders)
  • Mysterious sounds (howling, flapping, scratching)
  • Mysterious figures, secrets, threat of violence
  • Dark colors (black), blood, pale features

23
German literature
  • Poetry Ossenfeld, Goethe, Bürger
  • Prose Tieck, Hoffmann (short stories)
  • All from late 18th, early 19th centuries
  • All indebted to Gothic fiction

24
English literature
  • Poetry Byron, Southey, Coleridge, Keats
  • Prose Byron, Polidori (short fiction)

25
Christabel
  • Samuel Taylor Coleridge (Romanticism)
  • Literary influence on Le Fanu
  • Unfinished

26
Christabel and Geraldine
27
Geraldine
  • Ambiguity in the text
  • Vampire, witch, man?

28
Drama (19th century)
  • French, English
  • Very popular material

29
Romanticism
  • First half of the 19th century-extends over all
    of the preceding
  • Poetry, then short stories, novels and plays
  • Exotic settings, unusual heroes
  • Dreams, fantastic and supernatural phenomena

30
Werewolf Cult
  • English word at base
  • Central and Southeast Europeans had cults, but
    different terms
  • Universal changelings, animal-human relations

31
Characteristics of East European Werewolves
  • Changelings rusalki, samovily
  • Animal cults link with mysteries of universe
  • Cannibalism, eating flesh, drinking blood

32
Pre-historic times (all before 9th AD)
  • ritual wearing of wolf pelts all before 9th AD

33
Later
  • Stories of vukodlaks (and related forms) chasing
    clouds, devouring sun and moon 13th 16th
    centuries
  • Related terms (utilizing wolf as root) refer to
    vampires in South and Central Europe
  • E.g., Dark Wolf (2003) is titled Vukodlak in
    Czech
  • Linguistic changes in different areas many
    similar terms for vampires and werewolves in
    Eastern Europe, the Balkans (different language
    groups)

34
Vseslav of Polotsk Early Historical Werewolf?
  • Belarusian Prince, 1030-1101
  • Great Grand-Grandson of Vladimir
  • Werewolf-sorcerer reputation (Vseslav the
    Magician-Charodei)
  • Could turn to a grey wolf, a clear falcon or a
    deer with gold horns

35
Igor Tale
  • In the seventh age of Troian, Vseslav cast lots
    for a girl,         a maiden he desired for
    himself.Sustained by cunning, he mounted a horse
    and galloped to Kiev,         touched the shaft
    of his spear on the gold Kievan throne.He leapt
    away from them at Belgorod        like a wild
    beast at midnight wrapped in a blue mist. Three
    times he grasped good fortune, opened the gates
    of Novgorod,        smashed the glory of
    Iaroslav, and as a wolf leapt to the Nemiga. He
    blew clean the threshing floor.On the Nemiga
    sheaves are spread like heads         they
    thresh them with damask flails.On the threshing
    floor they lay down life and winnow souls from
    bodies. The Nemiga's bloody banks were sown with
    evil,        sown with the bones of the sons of
    Rus.Prince Vseslav judged the people he ruled
    the cities for the princes,         but at night
    he roamed as a wolf.From Kiev, before the cock's
    crow, he could lope to Tmutorokan         as a
    wolf he crossed the path of great Horus.They
    rang the bells for him at matins, early at St.
    Sophia, in Polotsk         he heard the sound
    in Kiev.And though his wizard's soul journeyed
    in another body,         still he often suffered
    misfortune.Of him the wizard Boian first spoke
    well-devised words        "Neither the skillful
    one nor the craftiest creature,        not even
    the cleverest bird, will escape the Judgment of
    God." 0 groan, Russian land, recalling the first
    time and the first princes.

36
Our Readings
  • Peter Stubbe (Peter Stumpf), 1525-89
  • Setting near Cologne Germany
  • 1590 account
  • Werewolfs Daughter (Slovakia)
  • Difficult to date
  • Clearly a folk tale
  • Many more tales, especially from France

37
Whats the Message Here?
  • Werewolves are vicious, bloodthirsty, lust driven
  • Some change form with magic devices
  • They can be destroyed, especially when they are
    not in wolf form.
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