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The English Patient (2)

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Hana communicating with Caravaggio (remembering Patrick) and Kip (e.g. two bomb ... Temporal -- history. The International Bastards (p. 176) ... – PowerPoint PPT presentation

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Title: The English Patient (2)


1
The English Patient (2)
  • Crossing and Setting Boundaries

2
Outline
  • Plot Chaps 3 7

3
Plot Summary
  • (chap 2 ends with Kips arrival)
  • Chap 3 Sometime a Fire
  • Kips ways of surviving the war,
  • Hana communicating with Caravaggio (remembering
    Patrick) and Kip (e.g. two bomb episodes bring
    them closer to each other)
  • Hana reading to EP EP remembers seeing Hana
    for the first time
  • the four of them connected one way or another.

4
Plot Summary
  • Chap 4 South Cairo 1930-1938
  • EPs reminiscence of desert expedition Clifton
    and his wife join them in 1936 falling in love
    (voice ? dance? gave you my life)
  • Chap 5 Katherine
  • nightmare their relationship (calmness ?
    violence)
  • her first ride with him (hates his assumption)
  • what each of them hates Almasy's wounds and
    being disassembled - wall pp. 155-56

5
Plot Summary
  • Chap 6 the Buried Plane
  • EPs story continued Cairo evenings ? 1937
  • Caravaggio's intrusion p. 163 on Almasy
  • EP tells his story to C
  • 1942 walks to the well and then the cave
  • Hanas question
  • Story resumed he ? I carry her with a tank
    of petrol
  • 1939 Cs suicide-murder
  • The cave ? the separation ? the cave ? 1942
    buried plane ? he

6
Different Types of Boundaries
  • Boundary-drawing and breaking by wars, humans and
    by nature
  • Spatial --desert and mapping pp. 18-19 mapping
    bombs p. 102
  • Human constructions
  • Bodily the war p. 83 EP 48 Caravaggio
    Katherine 175 Holy Trinity 177 morphine 161
  • Interpersonal 104
  • Temporal -- history

7
The International Bastards (p. 176)
  • Before the war young, energetic, a-political
  • Hana 29 tonsil 53 party singing
  • Caravaggio
  • EP 139- 143
  • Kip
  • During the warused by the warring nations 49-
    82-85
  • C p. 33-5 used as a thief p. 54-
  • EP 95 - 163 167
  • K 104 110

After the war H like a nomad, a migrant, 14 C
59-
8
Love and Betrayals
  • 97 betrayals in life // in war
  • Histories 119
  • Katherine and Almasy
  • Why do they fall in love with each other?
  • What kind of love is theirs?
  • The other characters
  • How do they try to heal themselves and each
    other?

9
Attraction, Obsessive Ownership and Hatred
  • Attraction --
  • Katherine's reading and studying Almasy p.
    144
  • her dream -- her attraction to Almasy 150
  • ownership
  • the two's dialogue p. 152,
  • A. just wants to be with her 155
  • his question of Madoxp. 162
  • Violence and mutual devouring
  • wounds 152 p. 170
  • Differences conflict of will
  • Ks inner conflicts 154 cannot change each
    other pp. 157-58, 170, 172

10
Communication between Hana EP
  • EPs recognition of her 95-
  • EP as a despairing saint father complex
  • Mutual dependence p. 5
  • Reading half of her life, while the EP teaches
    her how to read pp. 93-95

11
Communication between Hana Caravaggio
  • uncle and an emotional support
  • Sharing memories of the past (about her father
    and her childhood)
  • On their experience of the war pp. 82- 85
  • Caravaggio concerned with Hana and Kip p. 117
    121

12
Communication between Hana Kip
  • Her need of his support (103)
  • His need of her shoulder (114-15)
  • Intimacy and distance (125 27)

13
Their Interrelationships
  • Kip and Almasy
  • Their relationship a reversed version of that in
    Kim.
  • "I think when I see him at the foot of my bed
    that Kip is my David" p. 116

14
Reading Historical Boundaries
  • EP Histories by Herodotus 96
  • Hana -- reading--like a Crusoe finding a drowned
    book, her body immersed in others' lives,
  • Her writings in
  • The Last of the Mohigans p. 61
  • Kim 118-19

15
Views of History multiple, fragmentary
  • E.g. Herodotus
  • History of the desert 141
  • Implied by Hanas writing, and Ondaatjes use of
    many histories and novels (intertext).
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