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Video Projects You Can Use

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The Newscast takes advantage of a video studio configuration that is ready to ... Editing II : Promotions, Interviews, Commercials, PSAs Done in Post Production ... – PowerPoint PPT presentation

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Title: Video Projects You Can Use


1
Video Projects You Can Use
  • Integrate video technology into the curriculum
  • Use collaborative planning
  • among media, technology, and teaching
    professionals.

2
Faculty Collaboration
  • Subject Teacher(s) / Media Specialist /
    Technology Coordinator plan the project
    incorporating relevant local, state and national
    academic standards
  • Describe tasks
  • Assign groups / roles
  • Publish a production timeline

3
Project Phases
  • Phase 1 subject research in Media Center
  • Phase 2 script writing / storyboarding in
    classroom and or computer lab
  • Phase 3 rehearsal / preparation in classroom /
  • preliminary taping in studio or on location
    - editing
  • Phase 4 technical rehearsal / final taping in
    studio or on location editing

4
Themed Projects I
  • These video projects could be considered as
    concept containers. i.e. Several areas of
    study could be used within each one.

5
Newscast Issues Done in Real Time
  • The Newscast takes advantage of a video studio
    configuration that is ready to use on demand with
    minimal setup.
  • Newscast Lite is a quicker, limited form of news
    performance.
  • The students prepare a short news story, sit in
    front of a fixed camera, and go live back to
    classroom (on closed circuit) for immediate
    evaluation and feedback.
  • An issue for the teacher is whether to tape and
    evaluate later or go live and evaluate
    immediately.

6
PSAs Public Service Announcements
  • Public Service Announcement A PSA can provide a
    short impactful presentation of a key point or
    point of view considered important by students.
  • PSAs can promote a club, activity, fund drive or
    address behavior in school

7
Documentary projects
  • Students can document unrecognized / unnoticed
    issues or people through location shooting and or
    interviews.

8
Dramatic projects
  • Students can use their creativity to write
    scripts and tell stories using literary devices.
    They may create their own stories or retell
    others.

9
Magazine projects
  • Students may create a series of small informative
    pieces live and on tape introduced by one or more
    on-camera hosts in an informal setting.
  • String of pearls alternate studio set-up with
    prerecorded short video

10
Historical Recreations
  • Students can produce a depiction of the past to
    demonstrate their knowledge of history or
    biography.

11
Promotional Projects
  • The Commercial is more ambitious and requires
    editing, sound setups, and mood creation. More
    advanced techniques may be used with location
    shooting, enhanced camera angles, complex story
    boarding, special effects, voice-overs, PiP,
    scanning and computer to video connections.
  • Students design fictitious products to remedy a
    perceived social need or may use a real product
  • Then produce a commercial to promote the product.
  • The infomercial format can be used for an
    extended discussion.

12
Student Preparation
  • Research on specific concepts is complete
    Research product is complete
  • Information from the research is synthesized for
    presentation
  • The script is written / storyboard completed
  • Pictures are located (digitized), and organized
  • Rehearsal is completed in the classroom before
    taping session
  • Technical rehearsal is completed before final
    taping
  • The final taping/editing is completed

13
From .jpg to PiP
14
Newscast Planner
15
Studio Planning Map
16
On Location Planner
  • Group _____________________________
  • Project ____________________________
  •  
  • Location 1 __________________________date _____
    time _______ Teacher OK ___
  •  
  • Preparation ______________________________________
    _______________________
  •  
  • Crew _____________________________________________
    _____________________
  •  
  • On Camera talent _________________________________
    ________________________
  •  
  • Location 2 _________________________ date _____
    time _______ Teacher OK ___
  •  
  • Preparation ______________________________________
    _______________________
  •  
  • Crew _____________________________________________
    _____________________
  •  
  • On Camera talent _________________________________
    ________________________
  •   

17
Interview Issues
  • The Interview requires a camera operator and an
    interviewer. Students must use three different
    camera angles
  • the establishing shot,
  • favoring the subject,
  • favoring the interviewer.

18
Technical Knowledge I
  • Camera movement terms
  • Pan horizontal pan right , pan left
  • Tilt vertical tilt up , tilt down
  • Zoom close to far zoom in, zoom out
  • Instant feedback offered by studio monitor or
    pop-out screen on location camera

19
Technical Knowledge I
  • Camera movement terms
  • Pan horizontal pan right , pan left
  • Tilt vertical tilt up , tilt down
  • Zoom close to far zoom in, zoom out
  • Instant feedback offered by studio monitor or
    pop-out screen on location camera

20
Technical Knowledge II
  • Framing terms for student cameras
  • Headspace amount of frame space above the head
    too much head space, too little headspace
  • PiP space space in frame for the Picture in
    Picture Pip space right , PiP space left
  • Look space more frame space in direction in
    which actor is looking
  • Lead space more frame space in direction in
    which actor is moving

21
Technical Knowledge III
  • Editing / mixer terms
  • Cut change from one shot to another -- cut to.
  • In cue / out cue visual or audio cue that
    signals a cut or PiP change Now to Now
    back to
  • PiP require rehearsals for sequencing in the
    correct order and displaying on the correct side
    of the talents face.

22
Technical Knowledge IV
  • Camera composition
  • Center of interest
  • Rule of thirds
  • Formal / informal balance
  • Chicken in the background

23
Assessment I
  • Talent
  • Presence
  • Eye contact with camera, if appropriate
  • Comfortable, natural delivery of script,
  • Emotions consistent with content
  • Preparation
  • Script researched with appropriate content,
    written in conversational style, and then
    rehearsed
  • Appropriate backdrops, props, costumes selected
    and set up by show time.

24
Assessment II
  • Technical
  • Titles created and balanced
  • PiPs prepared, sequenced and are well executed
  • Framing and composition are well executed
  • Cameras do not move unnecessarily
  • Cuts made on time and are well executed
  • Microphones are positioned and checked
  • Audio is clear and cuts are on time
  • Backdrops and props are well placed and secure
  • Talent is well positioned and well lighted

25
Student Issues I
  • Students can get very ambitious, and must go
    through a reality check conference with the
    Teacher and the Media Specialist.
  • Backdrops are an issue. What materials will be
    used, will they fit in the studio, will they show
    up on camera, how will they be hung, mounted,
    displayed etc.?
  • Props must be tasteful and reasonable. Students
    should not expect to do elaborate costume changes
    that will hold up the production.

26
Student Issues II
  • Sound is an issue. Students may want to
    incorporate a small skit, or some action during
    the broadcast. Placing mikes requires some
    planning and rehearsal.
  • Team participation is critical. Backup plans
    must be made for students who are absent or
    unprepared on taping day.
  • The technical rehearsal is the most important
    phase. That is where students judge the success
    of their shot set ups.

27
Editing I Promotions, Interviews, Commercials,
PSAs Done in Post Production
  • Before editing day
  • shoot your commercial using the 10/10 rule, great
    camera angles,
  • and include your product shot
  • write down your slogan with correct spelling and
    color choices
  • preview SoundZabound and Sonic Desktop then
    select 1-3 music tracks
  • On editing day
  • bring your tape, notes, and storyboard to the
    session
  • Transitions shown on the demo video, check those
    that you like.

28
Editing II Promotions, Interviews, Commercials,
PSAs Done in Post Production
  • Part 1 capture - be able to tell your editors
    which shots you will be using.
  • editors will capture each shot
  • Part 2 trimming - be able to tell your editors
    exactly where each shot begins and ends
  • editors will trim the beginning and end of each
    shot
  • Part 3 storyboarding - be able to tell your
    editors the exact order for each shot
  • editors will place each shot in the correct
    sequence on the storyboard

29
Editing III Promotions, Interviews,
Commercials, PSAs Done in Post Production
  • Part 4 special effects - be able to select one
    or two transitions to include in your video
  • editors will insert and render transitions in the
    selected shots
  • Part 5 titles - be able to tell your editors
    which size, color and font to use for your
    letters, and whether to fade in/out, move from
    the side, or move from the top/bottom
  • editors will design, insert and render titles

30
Editing IV Promotions, Interviews, Commercials,
PSAs Done in Post Production
  • Part 6 sound - be able select to 1-3 audio
    tracks from SoundZabound or Sonic Desktop
  • editors will capture each audio track
  • editors will mix and balance the final sound
    track
  • Part 7 final recording - check for small
    mistakes or changes
  • editors will make small adjustments, render the
    whole project, then record to video tape.
  • Part 8 Thank your editors and enjoy your
    excellent video

31
Video Projects You Can Use
  • Happy collaborating!
  • Andrew Walcott, Media Specialist
  • Andy_Walcott_at_gwinnett.k12.ga.us
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