Title: Sustainable Landscape Design
1Sustainable Landscape Design
Advanced Master Gardener Training November, 2007
- Diana Alfuth, Horticulture Educator
- UW-Extension, Pierce County
- Landscape Design Instructor, UW-River Falls
- Owner, Crickhollow Landscape Design
2Sustainable Landscape Design
- Functional
- Maintainable
- Environmentally Friendly
- Cost Effective
- Visually Pleasing
3Sustainable Landscape Design
- For a landscape to be sustainable, it must be
- Designed with sustainability in mind
- Installed in a sustainable manner, and
- Maintained for sustainability
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- Functional allows for activities we need to
perform in our landscapes. - Examples
- Storage, parking, driving, walking across, plant
collecting, entertaining, screening, vegetable
gardening, childrens play area, dog frisbee run,
etc.
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- Maintainable Look for ways to reduce
maintenance as much as possible and still get the
landscape we want. - There is no such thing as a maintenance- free
landscape. - Usually it is small areas of the landscape that
undermine sustainability and use a lot of
maintenance.
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- Environmentally Friendly Design to minimize
negative environmental impact and improve problem
areas. - Encourage rainwater infiltration, and discourage
erosion and runoff. - Sustainable landscapes encourage plant health,
and therefore reduce chemical inputs.
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- Cost Effective Sustainable landscapes do not
cost morethey usually cost less! - Consider both initial installation costs and
ongoing costs. Equipment and time
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- Visually Pleasing What we ALL want to have!!
- People like different things, but there are some
research-backed basics that make things look good
to almost all humans. - A step-by-step process will give you the
framework to a great landscapethen you add your
personal creativity!
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- The most beautiful
- landscapes are
- designed, not
- decorated. They
- create unity by
- incorporating
- Principles of
- Design, including
-
24BALANCE
25SCALE
26Scale
27REPETITION
28SEQUENCE
29SIMPLICITY
30VARIETY
31Lack of Unity
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- Landscape Design and Implementation should be
viewed as a problem-solving activity. All
landscapes have problems. - Your mission is to solve the problems!
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- Formal straight lines, plants in rows,
symmetrical, globes and columns - Informal curvilinear patterns, plants in
intertwined masses, asymmetrical, natural plant
forms
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- Step-by-Step Process
- 1. View the landscape and look for problems.
- Examples of problems Eroded areas
- Paths worn into turf
- Low spots that hold water
- Poor views onto or off of the property
- Lack of privacy
- Ugly!
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- Step-by-Step Process
- 2. Talk to users of the landscape to determine
what they need/want from the landscape. Make a
list of functional spaces. - Examples include Storage, Entertainment, Water
Garden, Football field, Vegetable Garden, Compost
Pile, Sandbox, etc.
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- Step-by-Step Process
- 3. Measure the site carefully and draw a base map
to scale. - A base map includes everything that is permanent
and cannot be changed. It is very important that
the measurements and drawing are accurate!
37Base Map
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- Step-by-Step Process
- 4. Create a series of Bubble Diagrams (a/k/a
Goose Egg Drawings) which locate the functional
spaces. -
- Choose the best one to use to proceed with the
design.
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- Step-by-Step Process
- 5. Merge bubble diagrams to create CONCEPT
LINES. - Concept lines are the very most important thing
in a good design. - Concept lines define the biggest, or most visible
areausually the TURF
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- Step-by-Step Process
- All non-turf functional bubbles should be behind
the concept lines. - Create a good turf shape that consists of bold,
smooth curves and straight lines (unless youre
doing a formal landscape, where youd use
straight lines and right angles).
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- Step-by-Step Process
- 6. Determine what will define the concept lines.
Some will be physical, visual lines, others will
be imaginary lines that the eye will follow.
Decide final size/shape of hard features, such as
decks, patios, walks, buildings, etc. -
- Use planting bedlines, hard features, mowing
lines, elevation changes, and trees to help
define concept lines.
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- Step-by-Step Process
- This is where bedlines and bed shapes are
determinedthey are a secondary consequence of
creating a good TURF shape!
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- Final bedlines
- and defined
- concept lines
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- Step-by-Step Process
- 7. Now we can begin the process of designing
individual areas. Consider each viewpoint
separately.
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Planting Plan
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Concept Lines
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Concept Lines
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Concept Lines
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Concept Lines
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- Consider each individual viewpoint when designing
the gardens and planting beds - Informal design
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- What makes it look good?
- Human eyes need a place to start
- FOCAL POINT
-
- A focal point is the first thing we see when we
look at a landscape.
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- Examples of things that create focal points are
- Artwork
- A plant that is different than those around it
- Structures
- Birdbaths, birdhouses, birdfeeders
- Boulders
- Bare spots
- Diseased/dying plants
- Debris
- FOCAL POINTS CAN CHANGE THROUGHOUT THE SEASONS!
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- Locating Focal Points
- Any given view of the landscape should have one
major focal point, and maybe one or two secondary
focal points. Too many focal points creates a
busy landscape. - Locate focal points 1/3 of the way from one side
.
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59Focal Points
60Ordinary things,such as this window,can be used
tocreate a focalpoint.
61Plant form or color can form focal points. Since
plants change throughout the year, be sure to
plan ahead so you dont have lots of focal points
competing with each other at one time.
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- After our eyes find a focal point, they need to
go somewhere, and look for lines to follow. - Lines can be formed by edging, paths, structures,
plant masses, plant form, shadows, etc.
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71Lines withinthe bed
72Where does your eye go?
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- Too many lines, or no lines, create a confusing,
busy landscape. - Lines should take the eye where you want it to
goand keep it in the landscape. - Avoid lines that take the eye into the sky, or
into the neighbors yard!
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- Where do you want to draw attention?
- Entries
- Good features
- Less visible features
- Away from bad things, like utility boxes
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- Once you have fully evaluated your site and
viewpoints, and decided where your focal points
will be, and where you want the eye to travel,
you can start thinking about plants!
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- Before you start thinking about specific plant
species, to get a good design, you must first
plan for each plants characteristics, or
Elements of Design
81Plan your Plant Combinations
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- Elements of Design
- Primary (visual)
- Plant type
- Plant form
- Plant height/width
- Plant Texture
- Plant Season of Interest
- (including color)
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- Elements of Design
- Secondary Soil/fertility preferences
- (non-visual) Moisture requirements
- Light requirements
- Hardiness
- Disease Insect resistance
-
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- Plant type
- Deciduous tree
- Deciduous shrub
- Evergreen tree
- Evergreen shrub
- Herbaceous perennial
- Ornamental grass,
- groundcover, flower, etc.
- Annual flower
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Consider both foliage form and flower form
- Plant Form
- Arching
- Upright
- Creeping/spreading
- Drooping/weeping
- Mounded
- Horizontal branching
- Columnar
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- Plant Size (height and width)
- Consider the plants
- MATURE, NATURAL
- size!
88Allow for Growth
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- Plant texture
- Visual coarseness/fineness of foliage,
branching, flowers. -
- A plants texture is relative to whats around
it, and it may change throughout the season. - Plant texture is EXTREMELY important in design,
and can make or break a landscape
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92Color and Texture Work Together
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- The finer the texture, the more of it you need.
Lawn grass is our finest textured plant. -
- Consider textural changes to create a focal
point, repetition, and variety.
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- Season of Interest
- This is how you get a landscape that is
interesting all yearby planning it out on paper! - For each plant, group or mass, think about when
it will have significant interest, and make that
work with whats around it, creating focal
points, repetition, unity.
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- COLOR!
- Whats the easiest way to choose a color scheme?
- STEAL AND COPY ONE!!!!
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- Color
- Warm colors appear closer, so are good for
viewing from a distance. - Cool colors recede, so are better up close.
- Use more cool
- color to
- balance warm
- colors
100Color
- If combining cool and warm colors, use 2/3 cool,
1/3 warm to balance - White is neutral, and can be used to add contrast
or to transition between warm and cool
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- On a scale drawing, locate plants in slightly
intertwined groups and masses, using single
plants only when a focal point is desired. - These groups and masses will help move the eye
through the landscape.
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- Start with a backdrop! Everything looks better
with a backdrop! Create one if one doesnt exist
yet. - Then, locate any non-plant focal points.
- Then, start with your biggest plant or your focal
point plants. Using your available space as a
guideline, your tallest plant should be 1/3 or
2/3 the height of the backdrop (unless the
backdrop is more than 18-20 feet tall).
105Paths can create lines that draw the eye
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- Assign characteristics to your plants, plant
groups and plant masses by order of importance. - Use plant Elements of Design to design your
plantings.
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- Finally, choose specific plant species that match
the assigned characteristics for each plant,
group or mass.
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- MATCHING PLANTS
- Emerald Elf Amur Maple
- Regent Serviceberry
- Glossy Black Chokecherry
- Spreading Cotoneaster
- Beach Plum
- Compact American Cranberrybush
- Emerald Triumph Viburnum
- Diablo Ninebark
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- MATCHING PLANTS
- Birdsnest Spruce
- Dwarf Norway Spruce
- Dwarf Balsam Fir
- Aglo Rhododendron
- Dwarf Yew
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- MATCHING PLANTS
- Rosy Glow Barberry
- Evita Weigela
- Snowmound Spirea
- Fritschiana Spirea
- Cutleaf Stephenandra
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- MATCHING PLANTS
- Big Bluestem
- Red Switchgrass
- Overdam Feather Reed Grass
- Red Flame Grass
- Tufted Hairgrass
- Fountain Grass
- Windspiel Purple Moorgrass
- Strawberries Cream Ribbon Grass
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- MATCHING PLANTS
- Paprika Yarrow
- Red Beauty Yarrow
- Fanal Astilbe
- Luxuriant Bleeding Heart
- Sweet William
- Daylillies
- Coral Bells
114Intertwine plant groups to avoid lines that act
as inadvertent focal points
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Have Fun!