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RSSS 315 Thirteenth Week

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Stories in general reflect social concerns, moralities of the tellers. Cautionary tales dominate ... Nature of sexuality, seduction, and reproduction. Nature ... – PowerPoint PPT presentation

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Title: RSSS 315 Thirteenth Week


1
RSSS 315 (Thirteenth Week)
  • Slavic Folklore Vampires and Werewolves

2
Basic information
  • Instructor George Gutsche
  • Teaching assistants Kenny Cargill
  • gutscheg_at_u.arizona.edu
  • D2L http//russian.arizona.edu/courses/vampires
  • Office hours T 11-1230 or by appointment

3
Assignments and Exams
  • Writing 6 due today
  • Exam II problems
  • Recoup of points (27) possible (take-home)
  • Two full hours for final (but exam will not be
    twice as long)

4
Restoration of Conventional Family
  • Major theme in werewolf and vampire (folk)
    literature and film
  • Is Wolfland any different?
  • What about Company of Wolves?
  • What about Pelevins story?

5
Viktor Pelevin, 1962-
6
Werewolf Problem
  • Werewolves are realits humans who are the
    problem

7
Features
  • Genre science fiction, allegory, fairytale
  • Straightforward narrative diary-like? Narrator?
  • Postmodern you create meaning
  • Narrator doesnt sum it up for you
  • Tantalizing hints

8
Puzzles
  • Terms oboroten (shape-shifter) vervolk
  • Nikolais speech on itwhats the point?
  • Friends and enemies who is who?
  • Reality (Soviet) allegory? No simple answer.

9
Folklore elements?
  • Moonlight
  • Changing
  • Violence
  • Magic circle
  • Magic potion (joke here)
  • Rules

10
What does the wolf symbolize?
  • Special vision, way of relating to the world
  • Special relation to natural world
  • Honesty, courage
  • Dedication to social network

11
Positive Features
  • Seeing the world differently
  • Soaring above the earth
  • Harmonizing with nature
  • Elitist? Not everyone can belong
  • Requirements for membership?
  • Rejection of conventional values
  • Having courage in the face of insurmountable odds

12
Similarities with Wolfland Werewolves
  • Subversive, new LRRH
  • Sympathy with the werewolf
  • Werewolfism can be intoxicating, empowering, in
    tune with nature

13
Return to LRRH
14
Approach, purpose
  • Stories in general reflect social concerns,
    moralities of the tellers
  • Cautionary tales dominate

15
Red Riding Hood Issues
  • Demonic? Evil? Dangerous forces within?
  • Nature of sexuality, seduction, and reproduction
  • Nature of violence
  • Dangers of curiosity
  • Relations between generations
  • Family secrets trust, hostility and incest
  • Stages to maturity

16
Neil Jordan, 1950-
17
Filmography
  • Company of Wolves, 1984
  • Interview with a Vampire, 1994
  • Crying Game, 1992
  • In Dreams, 1999
  • Good Thief, 2002
  • The Brave One 2007

18
In Dreams
  • Snow White fairy tale
  • Monsters absurdity

19
The film.
20
Angela Carter, 1940-
  • Feminist science fiction, stories, novels
  • Co-author of screenplay
  • Short story

21
The film.
22
Whats the role of the cautionary tale?
23
What happens in the film?
  • Dream frame, dream logic
  • Death of sister
  • Trip to grandmothers
  • Stories about wolves
  • Fairy tale atmosphere, but something else more
    ominous

24
Dream Sequences
  • Occasional flashback to sleeping Rosalie
    reminder?
  • Potential boyfriend and risky walk
  • Dangerous transition dependence to independence

25
Family responses
  • Grandmother advice and envy?
  • Father let her go on her own, trust her
  • Kill the threats intrusion of the life-saving
    male
  • Mother helps Rosalie in passage
  • Explanations women can hold their own
  • Men not uniformly wolves
  • Bath scene symbolic cleansing?

26
Rosaleens story
  • Once upon a time.
  • Status issues
  • Danger of liaisons with men pregnancy
  • Rosalies egg-little human (after she applies
    lipstick)
  • Revenge breaking a mirror
  • People revert to true selves
  • Wolves grotesque scene

27
MESSAGE
  • She is aware of realitys dangers, she chooses
    what she wants. Maturity? Or something more
    threatening? Chaos of life?

28
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29
Vampire Chronicles
  • Interview with the Vampire 1976
  • The Vampire Lestat 1985
  • Queen of the Damned 1988
  • Tale of the Body Thief 1992
  • Memnoch the Devil 1995
  • The Vampire Armand 1998
  • Merrick 2000
  • Blood and Gold 2001
  • Blackwood Farm 2002
  • Blood Canticle 2003

30
New Tales
  • Pandora 1998
  • Vittorio the Vampire 1999

31
First Three Chapters of Armand
  • Links with Gospels-Christianity
  • Veronicas Veil
  • Roman Catholicism and Eastern Orthodoxy
  • Clash of Empires (and religions Orthodoxy,
    Catholicism, Islam)
  • Byzantine (dying)
  • Ottoman (growing stronger)
  • Venetian

32
Venice
33
Grand Canal
34
Distinctive Features
  • Historical-cultural background
  • Use of sex and violence
  • Implied philosophy
  • Narrative devices (plot)
  • Character and psychology

35
Journey
36
Armands Quest (Torcello)
37
Iconostasis
38
Kievan Rus
39
Monastery of the Caves
40
History
  • Not Russia, but Rus
  • Height of power 10th-12th
  • Invasion, destruction in 13th
  • Bare survival next centuries Mongol Occupation
  • Under rule of Grand Duchy of Lithuania in 16th

41
Hagia Sophia (Istanbul)
42
Early East Slavic Territory (Kiev)
43
Eastern Mediterraneum
44
Iconography
  • Holy activity purity
  • Iconographers role
  • Holy image follow the model
  • Not made by human hands
  • Two-dimensions, unusual perspective
  • Prominent in Orthodoxy

45
Christ With the Fiery Eyes
46
From the 15th Century
47
Our Lady of Tenderness
48
Orthodoxy and Amadeo
  • Trauma of his captivity amnesia
  • Gradually remembers
  • Torcello trip
  • Recovery from poisoning

49
Armand Chapters 14-20
  • Amazing developments
  • Breathless pace
  • Centuries pass by
  • New homes

50
Leading characters converge
  • Lestat and Akasha
  • Santino and Allesandra
  • New stories

51
Louis and Lestat (1992)
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